WHY BRIT DUO SHAAN & VERINDER DECIDED TO DO THINGS DIFFERENTLY AND RELEASE AN ALBUM
by ASJAD NAZIR
THE number of albums released by British Asian artists has dramatically decreased in recent years, but London-based Shaan & Verinder bucked the trend with the terrific 12-track release Inspired.
The album featuring diverse commercial music styles featured top singing talents Roshan Prince, Gunjan, Benny Dhaliwal, Manjit Pappu, Saini Surinder, Miss Pooja, Santu Singh, Kamal Khan, Feroz Khan, Baljit Malwa and Bhinda Jatt. The breath of fresh air during lockdown has been a labour of love for the hardworking musicians and has a variety of influences.
Eastern Eye caught up with Shaan & Verinder to talk about music, their new album and future plans.
Tell us about your musical partnership?
Shaan: We’ve come a long way. Initially, we worked as musicians who recorded for other producers. From there we pushed into full-on production and things have been rolling since. We’ve found our feet within this industry and have our own sound, which represents us. We’ve learnt so much from each other on this journey, and continue to evolve and better our sound. It’s been very positive overall, and we’ve met some great people along the way.
Artists aren’t releasing albums any more. What made you want to release an album?
Verinder: You’re right, Asjad! You rarely see an album being released today, especially producer-led ones. I think our overall aim has always been to showcase different sounds and it was only going to happen through an album. We released two consecutive singles back in 2016, Yaar Nachda with Nirmal Sidhu and Truck by Bhinda Jatt, and were labelled as desi folk bhangra producers. This didn’t tell the complete story of what we’re about, so showing a body of work was the only way forward.
What made you release the album Inspired during lockdown?
Shaan: The album has been ready for some time. We thought that hopefully our music could help bring some positive vibes during this period. Also, not a lot of new music released recently so we decided to drop the album.
Tell us about your album Inspired?
Verinder: Inspired puts together Shaan’s and my creativity, all our learning as musicians, producers and engineers, to create an album we hope has diverse sounds and shows variety. We always felt that although the Punjabi music industry is small in comparison to Bollywood, its boundaries need to be pushed. As fans of Punjabi music, we’ve always noticed how albums stick to a particular sound, whether it’s desi folk or urban beats. We thought, why can’t we have the best of both worlds and tried achieving this throughout our album.
What was the biggest challenge of putting the album together?
Shaan: The creative process in making music is one thing, sourcing lyrics and approaching singers is another. Having to amalgamate all these individuals and convince them this would be part of an album, and not an individual single project was challenging. The internet enabled us to reach out globally for lyrics, singers and musicians. Then communicating with each person to make sure we’re all on the same page and have our vision captured was challenging, but rewarding. On the creative side, just developing a sound true to yourself and different from what’s in the market was another challenge, but that’s part of the journey.
How did you both decide on the singers to work with for the album?
Shaan: Before being producers, we are fans of music and of these vocalists. Our mission for this album was to provide a variation of different sounding songs. We picked the song style, whether it was a ballad or upbeat and then approached the singers who would fit the bill. Thankfully, we had worked with some of the artists featured on the album before.
Why did you choose Duawaan as the first video?
Verinder: Coming off the back of two bhangra singles in 2016, Shaan and I thought we’d change things up and show a completely new side to us. With videos being heavily consumed nowadays and more so becoming the main listening platform via YouTube, we thought that our first from the album had to instantly portray us in a different light to get rid of the ‘desi folk bhangra’ producers badge we had been given.
Who are you hoping connects with these songs?
Verinder: I guess overall we’re simply just trying to connect with listeners in the UK who feel the industry here is dead and look towards artists from India, Canada and USA for music. It would be nice to bring some positivity and faith back into the UK Punjabi music scene.
What is your favourite song on the album?
Shaan: We put equal efforts into all the songs. I have a different favourite on different days depending on how I feel. I’m especially proud of Nathli by Baljit Malwa and Mere Naina by Gunjan. In the current music climate, there’s not a lot of live instruments, but with Nathli most of the song is made up of live recordings. With Mere Naina, we’re still in awe over Gunjan’s vocals and have grown up with her music.
Verinder: It is mood dependent. If I had to pick one, then it’s got to be the Feroz Khan song Duawaan. We put a lot of heart and soul into making that song sound how we wanted. Feroz has delivered an amazing soulful vocal in the song, and we’ve tried to match that with our composition.
How do you work as a partnership?
Verinder: Shaan and I have been friends since way before even considering music production. I guess we know each other’s strengths and weaknesses, especially when it comes to music. Strangely, our ideas have always been the same, down to the very last detail, so we are confident in each other. This helps us get music work done quite quickly.
How do you get around any creative differences?
Shaan: We both take on each other’s opinions and take nothing to heart. We make sure from the start that the initial direction the song is taking is how we both envisioned it. We are pretty much on the same page when creating music. I know when working on a song that there are elements he will be able to do better than myself and vice versa.
What is the music master plan going forward?
Shaan: We’re looking to evolve our sound further, keep up with the latest technology in sound engineering and try to create a catalogue of music, with consistent releases. We will still uphold elements of traditional Indian music to make sure this lives on in the future.
Who would you love to work with?
Shaan: We both want to work alongside homegrown UK talent and do more international acts like we have done with this album.
Verinder: With the amount of styles we are trying to cover there’s so many names! Working with Jazzy B or Rahat Fateh Ali Khan would be a dream come true.
Why should we pick up the album?
Verinder: If you’re a fan of UK Punjabi music, we have tried to make this for you. We hope by bringing a variety of different songs on the album, there’s something in there for everyone to appreciate and connect with.
Why do you love music?
Verinder: I think just like most people, it’s the feel-good factor. There’s always a song out there that will trigger different kinds of emotions. I think that’s what’s so special about it.
Shaan: Music is a universal language that brings people together, from all backgrounds. Listening to music makes me feel good. As a music producer, I enjoy creating and recording music to try making something unique. Having people enjoy the music we create is also rewarding.
After a month of travel, talent rounds, and cultural immersion across Telangana, the 72nd edition of Miss World comes to an end tonight with a grand finale at HITEX Exhibition Centre in Hyderabad. The event brings together 108 participants from around the globe, all aiming for the iconic blue crown.
The stage is set not just for a beauty contest, but a packed evening of performances, special appearances, and high-stakes competition. Hosted by Miss World 2016 Stephanie del Valle and Indian anchor Sachiin Kumbhar, the event will also see Bollywood actors Jacqueline Fernandez and Ishaan Khatter perform live.
The finale follows weeks of preliminary activities, from exploring Telangana’s heritage sites like Charminar, Ramappa Temple, and Yadagirigutta, to taking part in community-focused programmes. This year’s pageant was also used by the Telangana government to spotlight the state as a destination for tourism and investment.
From the original 108, contestants have been grouped by continent: Americas & Caribbean, Africa, Europe, and Asia & Oceania. Ten from each region will move to the quarter-finals. Sixteen of these spots have already been secured through fast-track wins in challenges like Top Model, Multimedia, Head-to-Head, Beauty With a Purpose, Talent, and Sports. Contestants from India, Indonesia, Turkey, Wales, Zambia, Martinique, Estonia, among others, have grabbed these early victories.
The remaining 24 quarter-finalists will be selected based on interviews and jury evaluation. From there, the top five from each continent will be chosen, and then narrowed to a final set of four, one from each region. These four will respond to a final question before one is named Miss World 2025.
Actor Sonu Sood leads the jury and will also receive a humanitarian award for his public service efforts. He will be joined by Sudha Reddy, former Miss England Dr. Karina Turrell, and Miss World Chairperson Julia Morley. Manushi Chhillar, Miss World 2017, will also be making an appearance.
The winner will be crowned by current titleholder Krystyna Pyszková and will later be a guest of honour at Telangana’s State Formation Day event on 2 June. With a prize pool reportedly worth £800,000 (₹8.5 crore) and a crown valued at over £600,000 (₹6 crore), the stakes are high, and the world is watching.
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Saif Ali Khan criticises Bollywood’s grind culture for stealing family time
While much of Bollywood still chases longer hours and larger deals, Saif Ali Khan is thinking about something far simpler: getting home in time to tuck his kids in.
At a recent media event in Dubai, the actor opened up about what success means to him today. It’s not about box office numbers or prestige projects. It’s about showing up for the small moments at home, especially with his young sons, Taimur and Jeh. “Coming back to find them asleep, that’s not what I want,” he admitted. “If I can catch even thirty minutes with them at the end of the day, that’s worth more than a full day on set.”
Saif highlights the importance of being present for children and parentsInstagram/kareenakapoorkhan
His words come just as Deepika Padukone reportedly exited Spirit, Sandeep Reddy Vanga’s upcoming thriller, allegedly over demands such as shorter shifts and a hefty fee. Deepika, who recently welcomed her first child, is said to have requested an eight-hour cap on her workday, profit-sharing, and dialogue flexibility, none of which went down well with the makers. She was later replaced by Animal star Triptii Dimri.
Though some industry voices labelled Deepika’s conditions “unreasonable,” others are starting to echo her call for change. Saif isn’t alone. Ajay Devgn recently said that any fair filmmaker should be okay with an eight-hour day, especially for working mothers.
Saif Ali Khan slams Bollywood’s long hours says coming home before kids sleep is real successGetty Images
In Saif’s case, it’s not just about parenting. It’s also about being present for his mother, veteran actor Sharmila Tagore. “I’m at that age where I need to call both my mum and my kids,” he said, adding that he doesn’t work during his children’s school breaks. “That time is sacred.”
He also pointed out that it’s the everyday things like cooking together, eating meals as a family that hold a home together. “Work will always be there,” he said. “But those moments with your kids, once they’re gone, they’re gone.”
Saif Ali Khan attend the debut of the book 'The Perils of Being Moderately Famous' written by his sister along with his familyGetty Images
As the industry continues to debate what counts as ‘professional’, voices like Saif’s are shifting the focus from hustle to home. Up next, he’s filming Race 4 and prepping for a biopic with Rahul Dholakia, but he’s made it clear: if it’s between a big scene and a family dinner, the latter wins.
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Radiohead’s Thom Yorke condemns Netanyahu and Hamas in statement on Gaza war
Radiohead frontman Thom Yorke has spoken out about the war in Gaza for the first time, criticising both Israeli Prime Minister Benjamin Netanyahu and Hamas. In a detailed Instagram post published on Friday, Yorke also addressed the emotional toll of being pressured to comment on the conflict, which he said had impacted his mental health.
Yorke, known for keeping a low profile on political issues, said he had remained silent until now out of respect for victims of the ongoing war. However, he acknowledged that his lack of public comment had led some to interpret his silence as complicity.
“For those who need to know… let me fill in the blanks,” he wrote, explaining his previous reluctance to speak out. He described how he had struggled after an incident at a Radiohead concert in Melbourne last year, where he was heckled by a pro-Palestinian audience member urging him to condemn “the Israeli genocide in Gaza”.
“I remained in shock that my supposed silence was somehow being taken as complicity,” Yorke said. “That silence… has allowed other opportunistic groups to use intimidation and defamation to fill in the blanks, and I regret giving them this chance.”
In his statement, Yorke condemned both sides of the conflict. He referred to Netanyahu and his government as “a crew of extremists”, stating: “This ultranationalist administration has hidden itself behind a terrified and grieving people… to further their ultranationalist agenda with terrible consequences.”
Yorke has previously criticised Netanyahu. In 2017, when Radiohead performed in Tel Aviv despite calls to cancel the show from pro-Palestinian advocates, Yorke defended the band’s decision but also spoke out against the Israeli government.
Turning to Hamas, Yorke criticised the group’s actions on 7 October 2023, when it launched an unprecedented attack on Israel that killed around 1,200 people and led to over 200 hostages being taken. He questioned why more hostages have not been released and said, “Hamas chooses to hide behind the suffering of its people in an equally cynical fashion for their own purposes.”
He also criticised the tone of some Free Palestine demonstrations, writing: “The unquestioning Free Palestine refrain… does not answer the simple question of why the hostages have still not all been returned. For what possible reason?”
The statement comes amid a wider debate in the arts community over the role of artists in political discourse. Yorke’s bandmate Johnny Greenwood, who is married to an Israeli and collaborates with Israeli musician Dudu Tassa, has faced calls to boycott Israel. Greenwood and Tassa recently cancelled UK concerts due to safety concerns following backlash over their association with Israel. In a joint statement, the duo rejected “censorship” and said artists should not be punished for their government’s actions.
Yorke acknowledged that his statement might not satisfy everyone. “I am sure that to this point, what I’ve written here will in no way satisfy those who choose to target myself or those I work with,” he said.
Reaction to the post was divided. While some fans welcomed the clarity, others criticised the perceived neutrality of his stance. One commenter called it “the most centrist thing I’ve read, and that’s not a compliment.”
Yorke’s statement reflects the increasing pressure on high-profile artists to take definitive positions on global issues, particularly the Israel-Gaza conflict. His remarks highlight the tension between public expectations and personal conscience, as well as the difficulties artists face navigating complex political landscapes.
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Gervais delivers a cheeky speech filled with sarcasm and dark humour
Ricky Gervais now has his own star on the Hollywood Walk of Fame, but it wouldn’t be a Ricky moment without a few jabs that made the room a bit tense. Known for pushing buttons with his jokes, the 63-year-old comedian didn’t hold back during his acceptance speech, which mixed dry humour with some edgy digs.
Looking around at the star-studded pavement, he jokingly pointed out some controversial names, including Michael Jackson, Bill Cosby, and Fatty Arbuckle, all of whom have faced serious allegations. Gervais, with a smirk, seemed to be making a comment on how celebrity and scandal often go hand in hand, especially in a place like Hollywood.
Ricky Gervais stands beside his newly unveiled Hollywood Walk of Fame starGetty Images
But beneath the usual sarcasm, Gervais did show a bit of sincerity. He said the honour left him “humbled” and credited his success to “luck, persistence, and going against the grain.” True to form, he also joked about his casual outfit, saying he wasn’t trying to be edgy, he just didn’t own a suit that fit.
The comedian’s place on the Walk marks him as the 2,813th inductee, joining names from Bob Marley to Stevie Wonder. His long career includes hits like The Office, Derek, and After Life, and he’s picked up multiple Emmys, BAFTAs, and Golden Globes along the way, the latter of which he’s hosted in infamous fashion.
Ricky Gervais adds his name to Hollywood Boulevard with a signature smirkGetty Images
Controversy has never been far behind him. His Netflix special Armageddon drew backlash even before release, with thousands signing a petition over jokes targeting terminally ill children. But Gervais brushed it off, saying people were reacting to headlines, not the actual performance. “They’re hecklers,” he said in an interview, dismissing the outrage as manufactured.
He’s defended his comedy by insisting it’s never personal and is just ideas explored through humour. “People often confuse the topic of a joke with its target,” he explained. His work, including darker series like After Life, often circles around deeper themes like death, grief, and morality, all wrapped in wit.
Fans gather to celebrate the star unveiling in classic Gervais fashionGetty Images
Whether you find him sharp or just plain insensitive, Ricky Gervais doesn’t plan to change his approach. He believes comedy should provoke, even if it ruffles feathers. And now, with a star on Hollywood Boulevard, he’s left a permanent mark, both on the pavement and the industry.
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Taylor Swift celebrates full control over the music that launched her career
After years of fighting for control over her early music, Taylor Swift has bought back the master recordings of her first six albums. The deal marks the end of a bitter chapter in her career and gives her full ownership of every song she’s released since her teenage debut.
It all started in 2019 when Swift’s old label, Big Machine, sold her original recordings to music executive Scooter Braun. At the time, Swift called it her “worst-case scenario,” saying she wasn’t even given the chance to buy them herself. Instead, she was offered a deal where she’d “earn” back one old album for every new one she made. She declined. Braun later sold the masters to Shamrock Capital for around £222 million (₹1,848 crore), and Swift decided to take matters into her own hands.
Over the last few years, Swift has been rerecording her old albums and releasing them as Taylor’s Version, including Fearless, Red, Speak Now, and *1989*. These new versions allowed her to regain control and reduce the value of the originals owned by others.
Now, Swift has confirmed that she has officially bought her masters along with the rights to music videos, album artwork, concert films, and even unreleased songs from Shamrock. The price hasn’t been disclosed, but reports suggesting up to £800 million (₹6,656 crore) were exaggerated.
This move brings an end to a nearly two-decade-long struggle. She called it a dream she thought would never come true. In a note to fans, she thanked them for supporting her through it all and helping her get back what she lost.
Taylor’s Eras Tour spotlighted her catalogue as she reclaimed her legacyGetty Images
Of the original six albums, only Reputation and her self-titled debut are yet to be rereleased. Swift admitted she hasn’t finished rerecording Reputation, describing it as deeply tied to a difficult period in her life. Still, she hinted that both albums might see the light again, not out of necessity anymore, but as a celebration.
Swift’s Eras Tour, her biggest to date, presented her entire catalogue and has made over £1.6 billion (₹13,312 crore) globally. Along the way, she’s inspired newer artists to demand better deals, ones that let them own their own music from the start.
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