HARSHVARDHAN KAPOOR STARS IN VIGILANTE DRAMA BHAVESH JOSHI
VIGILANTE drama Bhavesh Joshi Superhero smashes its way into cinemas this week, and if all goes to plan it could be a potential game-changer for Hindi cinema.
The comic book-inspired drama sees Harshvardhan Kapoor take on the lead role of a young man who goes on an extraordinary journey which culminates in him putting on a mask and taking on a corrupt system. The son of Bollywood legend Anil Kapoor and brother of Sonam Kapoor has poured his heart into the demanding film very much rooted in reality and directed by acclaimed filmmaker Vikramaditya Motwane.
The rising star was feeling quietly confident when Eastern Eye caught up with him to talk about Bhavesh Joshi Superhero and more...
When did you first get connected to Bhavesh Joshi Superhero?
I read the script for the first time in 2012 and it was quite different to what we ended up making. It evolved over time. It had a lot of angst, emotion and was extremely well written. It was something that hadn’t been seen before. That is something I look for.
I have only done the two movies and made the three choices, but I look for something new and exciting. Bhavesh Joshi was a vigilante film that was like a graphic novel, comic book kind of world. It was a very specific world that was original and in Vikram’s mind. He is one of the best directors in the country. The combination of him and he making this film was something I just had to do.
But didn’t you think it was too experimental for Indian audiences because this is more like a Hollywood film?
I don’t think it is like a Hollywood film, especially when you see it. From the promos you might feel like that because there is a character in a mask, which you generally associate with American cinema. It is a story of a normal, ordinary, middle class boy who finds himself in extraordinary circumstances and decides to do something he wouldn’t normally do. Through that journey, he realises he is destined for bigger things.
The trailer has definitely surprised a lot of people...
The trailers and teasers have created intrigue and received a positive response. But it’s only two minutes and doesn’t give the entire film away. Yes, there is a character in a mask, but when you see the film you will realise this is something so different. It’s unique and I think Indian audiences are ready for new things.
As long as audiences connect to a story, emotion and character, they don’t mind how something is projected. It is not the typical larger than life character, but Bhavesh Joshi is a commercial Hindi film with great action, drama, songs, romance and comedy. It does have all the elements.
How much physical training did you have to do for the role?
I am not someone who has been a martial artist since I was young, so I had to do the best I could in the limited time I had. We had great action choreographers who mapped out sequences really well. I took a few months of training and gave it my best.
Was the physical side the biggest challenge you faced with this film?
I think the biggest challenge was the graph of the character because he goes through a huge transformation in the film emotionally. So I had to hit all the right notes in that sense.
The action was kind of secondary. Obviously I had to make the action look authentic, but it is a perform-ance-orientated film.
Do you have a favourite moment in the movie?
Maybe I can answer this question after it comes out. The thing with doing films like this is you hope they do well and you can make more. It’s very rare to get studios to make these kinds of movies, especially here. The whole experience was something that will never leave me. It has been amazing!
You have only started your career but are already taking on demanding films; where does that adventurous spirit come from?
When you are from a film family, they do expect you to do the more standard things initially to create the fan base. I never looked at it like that. When you are prepping for a film for a year, going on set for 90 days and promoting it afterwards you want to do something you really believe in.
I want to entertain people and give them entertaining films they will think about long after they leave the cinema halls. I understand it is a risk, but I think it is a risk worth taking. Whenever someone sees a trailer for my film, I want them to feel this is intriguing and something they haven’t seen before. I think that is exciting.
Who is your favourite superhero in terms of Hollywood films?
To be very honest Asjad, I am not a very big superhero guy. I actually don’t really like superhero films. I feel they are too unrealistic and you know exactly what is going to happen, and that the hero is never going to die. I know that it is called Bhavesh Joshi Superhero, but when you see it, it is not that and basically an extremely real film.
When you see Vikram’s past films Lootera, Udaan and Trapped, they are extremely grounded in reality. This takes the idea of a vigilante and does that. The idea that comes through is that there is a superhero in us all and the choices we make define us. That is where the film’s line “heroes are not born, they are made” comes from.
Who are the biggest superheroes that you know in everyday life?
I don’t see us actors as heroes. People like the soldiers on the front line who protect us are the real heroes. Politicians and police who refuse to give into corruption are heroes.
The great phenomenal people who go work in villages and help people for nothing. Those charity workers who make those great sacrifices. These people are the true heroes. So they are all inspirational.
One of the other heroes in your life is your legendary father Anil Kapoor. What is the best advice he has given you?
To kind of just follow my instincts, be myself and embrace my individuality.
What is your favourite movie of his?
I really like Mr India. Since we are on the topic of vigilantes, I think that it is appropriate.
Do you have a dream role?
I want to do a sci-fi film like Bladerunner, which I thought was fantastic Or one of the Ryan Gosling and Nicolas Winding collaborations, like Drive or Only God Forgives.
I would like to do a Hindi sci-fi film that is contemporary or set in the future. I feel like it is a very unexplored space. I also feel like horror/thriller as a genre is completely untouched and unexplored in Hindi cinema. Whenever we end up making horror films in Bollywood they are not ones I am used to watching like The Shining or more recently A Quiet Place. So sci-fi and a horror thriller are genres I find exciting right now.
What drives you?
To be original and make good choices. To try and do something new. All of those things!
Why do you love cinema?
I think it has an ability with the whole audio-visual element to transport you into different worlds. It stays with you long after you’ve had that experience.
US president Donald Trump gestures next to Israeli prime minister Benjamin Netanyahu at Ben Gurion International Airport as Trump leaves Israel en route to Sharm El-Sheikh, Egypt, to attend a world leaders' summit on ending the Gaza war, amid a US-brokered prisoner-hostage swap and ceasefire deal between Israel and Hamas, in Lod, Israel, October 13, 2025.
‘They make a desert and call it peace’, wrote the Roman historian Tacitus. That was an early exercise, back in AD 96, of trying to walk in somebody else’s shoes. The historian was himself the son-in-law of the Roman Governor of Britain, yet he here imagined the rousing speech of a Caledonian chieftain to give voice to the opposition to that imperial conquest.
Nearly two thousand years later, US president Donald Trump this week headed to Sharm-El-Sheikh in the desert, to join the Egyptian, Turkish and Qatari mediators of the Gaza ceasefire. Twenty more world leaders, including prime minister Sir Keir Starmer and president Emmanuel Macron of France turned up too to witness this ceremonial declaration of peace in Gaza.
This ceasefire brings relief after two years of devastating pain. Tens of thousands of civilians have been killed. More of the Israeli hostages taken by Hamas are returning dead than alive. Eighty-five per cent of Gaza is rubble. Each of the twenty steps of the proposed peace plan may prove rocky. The state of Palestine has more recognition - in principle - than ever before across the international community, but it may be a long road to that taking practical form. Israel continues to oppose a Palestinian state.
The ceasefire will be welcomed in Britain for humanitarian relief and rekindling hopes of a path to a political settlement. It offers an opportunity to take stock on the fissures of the last two years on community relations here in Britain too. That was the theme of a powerful cross-faith conversation last week, convened by the Board of Deputies of British Jews, to reciprocate the expressions of solidarity received from Muslims, Christians and others after the Manchester synagogue attacks, and challenge the arson attack on a Sussex mosque.
Jewish and Muslim civic voices had convened an ‘optimistic alliance’ to keep conversations going when there seemed ever less to be optimistic about. The emerging news from Gaza was seen as a hopeful basis to deepen conversation in Britain about how tackling the causes of both antisemitism and anti-Muslim prejudice could form part of a shared commitment to cohesion.
This conflict has not seen a Brexit-style polarisation down the middle of British society. Most people’s first instinct was to avoid choosing a side in this conflict. The murderous Hamas attack on Jews on October 7, 2023 and the excesses of the Israeli assault on Gaza piled tragedy upon tragedy. The instinct to not take sides can be an expression of mutual empathy, but is not always so noble. It can reflect confusion and exhaustion with this seemingly intractable conflict. A tendency to look away and change the subject can frustrate those whose family heritage, faith solidarity or commitments to Zionism and Palestine as political ideas make them feel more closely connected.
Others have felt this conflict thrust upon them in an unwelcome way - including British Jews fed up with the antisemitic idea that they can be held responsible at school, university or work for what the government of Israel is doing. Protesters for Palestine perceive double standards in arguments about free speech - as do those with contrasting views. The proper boundaries between legitimate political protest and prejudice are sharply contested.
Hamit Coksun is an asylum seeker who speaks somewhat broken English. He would seem an unusual ally for Robert Jenrick. Yet the shadow justice secretary went to court to offer solidarity, after Coskun had burned a Qu’ran outside the Turkish Embassy, while shouting “F__ Islam” and “Islam is the religion of terrorism”. He had been fined £250, but the appeal court overturned his conviction. The judgment was context-specific: this specific incendiary protest took place outside an embassy, not a place of worship, in an empty street, and did not direct the comments at anybody in particular.
The law does not protect faiths from criticism, and indeed offers some protection for intolerant and prejudiced political speech too, though the police can place conditions on protest to protect people from abuse, intimidation or harassment on the basis of their faith.
So it can be legal to performatively burn books - holy or otherwise - though this verdict makes clear it does not offer a green light to do so in every context.
But how far should we celebrate those who choose to burn books? Cosun advocates banning the Qu’ran, making him a flawed champion of free speech. Jenrick is legitimately concerned to show that there are no laws against blasphemy in Britain, but could anybody imagine that he would turn up in person to show solidarity to a man burning the Bible, Bhagvad Gita or Torah, shouting profanities to declaring religion of war or genocide? The court’s defence of the right to shock, offend and provoke is correct in law. Those are hardly the only conversations that a shared society needs.
Sunder Katwalawww.easterneye.biz
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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