Akash Deep strikes twice as Bangladesh collapse after India’s 376
Akash Deep then took centre stage, bowling Zakir Hasan for three and dismissing Mominul Haque for a duck on the very next delivery, reducing Bangladesh to 26-3.
Akash Deep celebrates after taking the wicket of Bangladesh's Zakir Hasan during the second day of the first Test in Chennai on September 20. (Photo: Getty Images)
By Eastern EyeSep 20, 2024
AKASH Deep led India’s bowling attack, taking two crucial wickets as Bangladesh struggled in response to India’s first-innings total of 376 on the second day of the first Test in Chennai on Friday.
The visitors were struggling at 111/7, trailing India by 265 runs in the second session after a commanding century from Ravichandran Ashwin put the hosts in control.
They are yet to beat India in a Test match and face an uphill battle to recover from this early collapse.
India’s pace attack struck early, with Jasprit Bumrah setting the tone by dismissing left-handed opener Shadman Islam for two.
Akash Deep then took centre stage, bowling Zakir Hasan for three and dismissing Mominul Haque for a duck on the very next delivery, reducing Bangladesh to 26-3. Mushfiqur Rahim and Najmul Hossain Shanto managed to see off the remaining overs before the break, with Rahim batting on four and Shanto on 15.
What a sight for a fast bowler!
Akash Deep rattles stumps twice, giving #TeamIndia a great start into the second innings.
Watch the two wickets here 👇👇#INDvBAN @IDFCFIRSTBank pic.twitter.com/TR8VznWlKU
— BCCI (@BCCI) September 20, 2024
Earlier in the day, Bangladesh fast bowler Hasan Mahmud had finished with figures of 5-83, but a resilient 199-run partnership between Ashwin and Ravindra Jadeja rescued India after they were struggling at 144-6. Resuming play on 339-6, Taskin Ahmed broke the stand by dismissing Jadeja for 86. Akash Deep then contributed a quick 17 with four boundaries before being dismissed by Taskin, who soon claimed his third wicket by removing Ashwin, caught by Najmul Hossain.
The 38-year-old Ashwin, who had come to the crease with India in trouble on the first day, was given a standing ovation for his sixth Test century, which included 10 fours and two sixes. Hasan Mahmud then wrapped up India’s innings, securing his second five-wicket haul in just his fourth Test match.
Ashwin and Jadeja’s partnership had turned the match in India’s favour after Hasan’s early strikes had reduced the hosts to 34-3 in the first hour of play. India now looks to build on their strong start as they begin a new 10-match Test season, aiming to extend their lead at the top of the World Test Championship rankings.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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