Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A MAN wrongfully accused of murder by Tommy Robinson on X is advocating for new laws to regulate Elon Musk’s social media platform, claiming it has turned into a “space for racism, bigotry, bias, prejudice, and disinformation.”
Abdul Hai, who was found not guilty of the murder of teenager Richard Everitt in 1994 said that that he is planning legal action against the site, previously known as Twitter.
This comes after Robinson, known for his far-right views, asserted in a post that Hai had been convicted of the crime, reported the Guardian.
The incident occurred in 1994 when 15-year-old Everitt was fatally stabbed in a racially motivated attack in London. Although one person, Badrul Miah, was convicted of conspiring to murder Everitt, and another, Showat Akbar, was found guilty of violent disorder, Hai was acquitted by the judge, who ruled there was no evidence linking him to the attack.
However, Robinson’s post falsely claimed that Hai had been convicted alongside Miah and Akbar.
After discovering this, Hai immediately reported the post to X and sent a letter to Robinson to inform him of the inaccuracy.
Despite this, the post remained online for more than three weeks and was viewed over 375,000 times. X eventually removed the post, but only after significant delays, and Robinson followed up by reposting a screenshot of the original, claiming he had deleted it to avoid suspension while appealing the removal.
Hai’s legal team sent a letter to X on 28 August demanding the removal of Robinson’s second post and a response by 11 September. X took down the post on 6 September and replied to Hai’s lawyers shortly before the deadline.
In their response, X said that their aim was to support public conversation and that they had taken appropriate action by removing the post.
However, Hai remains dissatisfied with the response, arguing that X’s policies are not being adequately enforced. He believes that Robinson’s repeated posting of false claims and the platform’s failure to act promptly highlight the need for stricter regulations on social media companies.
Hai, who was traumatised by the original false accusation in 1994, said his life had been deeply affected by the recent event. He stressed that while social media provides a platform for people to express themselves, it should not be used to spread disinformation and hate speech.
He has urged the UK government to pass laws that hold platforms accountable for the content they host and to take stronger action against those who spread false allegations.
Harry Eccles-Williams, a partner at the law firm Mishcon de Reya, said that legal action against X had to be taken in the US, where section 230 of the Communications Decency Act protects social media platforms from legal liability for content posted by users.
He noted that since Elon Musk acquired X, the content moderation team has been significantly reduced, leading to an increase in harmful content. “Currently, there isn’t much that can be done. However, the Online Safety Act could bring about changes, and I anticipate a significant clash between X and Ofcom in 2025.”
An X spokesperson confirmed that the posts concerning Hai were removed in compliance with UK law and that the matter was resolved by 6 September.
With sharp wit, emotional honesty and a knack for turning personal crises into punchlines, Indian comedian Prashasti Singh is set to make her Edinburgh Fringe debut this August with her acclaimed stand-up show, Divine Feminine. Before taking on the world’s biggest arts festival, she will offer London audiences a sneak peek with previews at Soho Theatre from 23 to 26 July.
Prashasti, known globally for her appearances on Netflix’s Ladies Up, Comedy Premium League and Amazon Prime’s Comicstaan, uses this deeply personal new show to unpack the consequences of chasing a dream that might not have been hers to begin with. Raised in a patriarchal family, she once aspired to become a patriarch herself. Now, inching towards 40 and pretending to be 30, she wonders – was it all worth it?
A blend of silliness, angst, cultural insight and raw emotional truth, Divine Feminine is the Indian funny girl’s boldest, most introspective work yet. As she prepares for Edinburgh, she opens up about the journey, nerves and joy of revealing just a little too much on stage.
How do you reflect on your action-packed comedy journey so far?
Oh, it has been great! A lot of luck and of course some challenges. I stumbled upon stand-up at the verge of 30 while still at my marketing job. The stars aligned in a way that it became my profession before it truly became my passion. The initial years were mostly about getting on stage as much as possible and delivering what was expected of me. I think in the last couple of years, I have finally understood myself as an artist and performer, and with this show, I am at last finding my voice.
How much does the success of Divine Feminine mean to you? I have travelled with this show across India, Europe and Australia and have been overwhelmed by the love it has received. The Hindi version is 1.5 hours long and performing it has given me immense confidence and security as an artist. That is also why I wanted to break out of my comfort zone and write a version of the show in English to reach a more global audience. The process has been very enriching, and I am very curious to see how a more diverse audience will respond.
How much are you looking forward to taking the show to this year’s Edinburgh Fringe? Very, very excited. I have visited the festival a couple of times before and have always wondered how it would feel to be a performer at such a big and vibrant festival. This year I will get to experience that.
What can audiences expect from your show? Some very silly, some very angsty jokes, some cultural, some human insights and a lot of emotional truth.
Do you ever feel like you are revealing too much about yourself on stage? I do feel that I reveal a lot about myself, but I do not think it is a problem. I feel whatever inside me is finding expression in humour is no longer raw or volatile. It has been processed enough internally that I am able to laugh at it, and hence feel safe putting it out in front of people.
How do you feel when you are on stage in front of a live audience? It is always the best part of my day. I feel very good.
Does being at a festival like Edinburgh, with thousands of acts, put pressure on you or motivate you? I think it does both. I have seen some mind-blowing shows at the Fringe in past years, so I want my show to be a respectful offering in this amazing buffet. At the same time, the Fringe is a place where artists and audiences are most open to experiments. So I feel motivated to try new things and take some risks that I would otherwise shy away from.
What is the comedy master plan going forward? There is no master plan. I am working on a very simple philosophy – do work that I enjoy and people enjoy, and then find ways to grow that work and the number of people who enjoy it.
What inspires you creatively? Great work by other artists. The drive for excellence. People who are brave enough to put out their original, twisted thoughts in front of others. That is why being at the Fringe is so exciting.
Who is your comedy hero? Oh, this is a long list. So many people have done such great work before me. It is really very difficult to name just one.
Who is the funniest person you know in real life? One aunt of mine who has had a fairly tough life. She reminds me that humour is a great life skill beyond the stage.
Has being funny ever got you out of trouble? Absolutely never.
Why should we all come and watch Divine Feminine at the Edinburgh Fringe? See, if you have come this far, you are already hooked. Also, if you have ever thought that you could be losing your sanity or femininity, if you have ever felt old or joyless or lonely or not perfect in any way – the show is for you. It is funny, insightful and fairly honest. I am looking forward to seeing you all at the Fringe.
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The former PM of India, Indira Gandhi, declared a state of emergency in 1975. In London, the newly formed Friends of India Society was organising protests and campaigning for the restoration of democracy. On Saturday, 24 April 1976, an international conference was held at Alexandra Palace.
Shiva Naipaul, the famous Trinidadian writer of Indian origin, wrote the following article in The London Times newspaper. Here is a brief summary of what he wrote:
A Philosophical Threat to Mrs Gandhi’s Political Power
The event was a well-organised affair. Each centre of Indian settlement in this country—Coventry, Bradford, Leicester and Southall—supplied a delegation. In addition, there were overseas delegates from a dozen countries, including solitary representatives from Venezuela and Hong Kong. On the other hand, the strength and quality of its (Friends of India’s) democratic convictions remain an altogether more debatable proposition.
"Take the delegate from Croydon. (That is me!) He was a young man dressed in traditional style—white pyjama trousers and white kurta. Surveying his fellow delegates from the rostrum, he exuded fearless conviction. Ever since the granting of independence, he observed, relentless efforts had been made to suppress the Hindu view of life. His voice rose as he warmed to his theme. 'All the history books will tell you that Alexander the Great defeated Porus. But it was the other way round. It was Porus who defeated Alexander. Through the distortions of so-called history, a sense of defeatism has been instilled in the Indian people.' It was a speech devoid of logical coherence (!). But the applause was loud and passionate."
Shiva Naipaul concluded the article by saying that with this type of opposition, Indira Gandhi had nothing to worry about in terms of power politics.
Well, history has proved Shiva wrong. India has become a mature democracy, a role model to most countries in the world, and a world economic and cultural power. Shiva himself acknowledged that India had proved him wrong.
P.S. On one occasion, on a bitterly cold winter morning, we demonstrated outside the Indian High Commission. We decided to go for a coffee and left our banners on the corner of a nearby shop. When we came back, the banners were gone. To coordinate a united opposition to the Emergency, Jayantibhai Patel held discussions with the Communist Party of India, London chapter. They would open the discussion with a quotation from a book of Marx or Mao! Jayantibhai told me that sometimes in later years, he would bump into them at grocery shops.
(Nitin Mehta is a writer and commentator on Indian culture and philosophy. He has contributed extensively to discussions on Hinduism, spirituality, and the role of Gurus in modern society. You can find more of his work at www.nitinmehta.co.uk.)
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Keir Starmer speaks to members of the media during a visit to RAF Valley, on Anglesey in north-west Wales, on June 27, 2025. PAUL CURRIE/Pool via REUTERS
PRIME MINISTER Keir Starmer and Glastonbury organisers said on Sunday (29) they were appalled by on-stage chanting against the Israeli military during a performance at the festival by Punk-rap duo Bob Vylan.
During their show on Saturday (28), the duo chanted "Death, death, to the IDF" in reference to the Israel Defense Forces, the formal name of the Israeli military.
Police said they were considering whether to launch an investigation, but did not name Bob Vylan or Irish rap band Kneecap, who appeared on the same stage and also criticised Israel.
"Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation," Avon and Somerset Police, in western England where the festival is held, said on X late on Saturday.
"There is no excuse for this kind of appalling hate speech," Starmer said in a statement. "I said that Kneecap should not be given a platform and that goes for any other performers making threats or inciting violence."
The festival organisers criticised the chanting by Bob Vylan, which comprises the guitarist-singer with the stage name Bobby Vylan and a drummer known as Bobbie Vylan.
"Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence," it said on Sunday.
The Israeli Embassy in Britain condemned the "inflammatory and hateful rhetoric expressed" on stage.
Bob Vylan's band members did not respond to a request for comment.
Starmer also criticised the BBC, which transmits much of the festival live, for showing the performance. "The BBC needs to explain how these scenes came to be broadcast," he said.
The BBC said some of the comments made during Bob Vylan's set were deeply offensive.
"During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language," a spokesperson said.
"We have no plans to make the performance available on demand."
Bob Vylan's show on the festival's West Holts stage took place just before controversial Irish rap trio Kneecap played to a huge crowd, leading chants against Starmer and also taking aim at Israel.
During the show, frontman Liam Óg Ó hAnnaidh accused Israel of committing war crimes, saying: "There's no hiding it."
Known by the stage name Mo Chara, he was charged with a terrorism offence last month for allegedly displaying a flag in support of Iranian-backed militant group Hezbollah at a concert. He has denied the charge.
Starmer had said it was ""not appropriate" for Kneecap to play at the festival.
A senior member of his government, health secretary Wes Streeting, earlier on Sunday criticised the chants by Bob Vylan but added that he was also appalled by violence committed by Israeli settlers in the occupied West Bank.
"I'd also say to the Israeli Embassy, get your own house in order in terms of the conduct of your own citizens and the settlers in the West Bank," Streeting told Sky News.
Political commentator Ash Sarkar said it was typical of punk musicians to spark controversy.
"Don't book punk bands if you don't want them to do punk stuff," said Sarkar, a contributing editor to Novara Media, a leftist media organisation.
(Reuters)
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After backlash at Glastonbury, Charli says autotune is a choice, not a flaw
Charli XCX criticised certain fans for attacking her autotuned vocals at Glastonbury 2025.
Called the backlash “the most boring take ever” in a series of posts on X.
Defended her artistic choices, saying divisive art is often the most impactful.
Her Brat set clashed with Neil Young’s headline act, drawing polarising reactions.
Charli XCX has addressed criticism over her use of autotune during her Glastonbury 2025 performance, calling out the ageist tone of comments that questioned her authenticity as a performer. The singer clapped back on X, brushing off the noise as outdated and out of touch.
Charli XCX defends her Glastonbury set, calling autotune criticism outdated and dull BBC
Charli XCX defends Glastonbury set from autotune critics
During her Brat set on the Other Stage, Charli delivered fan favourites like “365” and “Von Dutch” to a roaring crowd. But online, some viewers slammed her use of autotune and lack of a live band. In a sharp response the next day, she posted: “The idea that singing with deliberate autotune makes you a fraud… is like, the most boring take ever. Yawn.”
— (@)
Charli has long been open about using autotune deliberately as an artistic tool. In earlier interviews, she said she intentionally includes “pitchy” moments in her vocals to add texture and imperfection. Responding to the online backlash, she added: “I enjoy the discourse… the best art is divisive and confrontational and often evolves into truly interesting culture.”
— (@)
Brat performance draws strong reactions, both love and hate
Charli’s set, held opposite Neil Young’s headline slot, split Glastonbury attendees and online viewers alike. Despite the criticism, her show was widely praised by critics.
— (@)
Highlights included a cameo from fellow performer Gracie Abrams during the viral “Apple” dance segment. Charli ended her performance drenched in stage rain, sipping white wine, with giant signs declaring “Brat is forever.”
— (@)
After her set, Charli joined her fiancé George Daniel, drummer of The 1975, for an intimate DJ session, keeping the Brat Summer spirit alive.
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Kareena Kapoor gets emotional discussing Saif’s stabbing incident in an interview with Barkha Dutt
Kareena Kapoor has spoken out for the first time about Saif Ali Khan’s stabbing.
Saif was attacked at home in January 2025 during a burglary attempt.
Their sons, Taimur and Jeh, witnessed the violent episode.
Kareena says the family is still coping but trying to move forward together.
Actor Kareena Kapoor has opened up for the first time about the terrifying night her husband, Saif Ali Khan, was stabbed by an intruder at their Mumbai home. In a deeply personal interview with journalist Barkha Dutt, Kareena admitted that the incident left her shaken and sleepless for months, especially with their children, Taimur and Jeh, present during the attack.
The January 2025 break-in at their Bandra residence ended with Saif being stabbed six times. The attacker, later identified as Mohd Shariful Islam Shehzad, entered the flat during a failed burglary attempt and assaulted Saif in four-year-old Jeh’s room. The actor underwent emergency surgery to remove part of the knife lodged near his spine.
Kareena Kapoor says the incident left their children Taimur and Jeh shakenGetty Images
‘I still haven’t come to terms with it,’ says Kareena Kapoor
Kareena described the emotional aftermath of the attack as “something I haven’t fully processed.” She spoke about the trauma of watching a violent act unfold inside their own home, saying, “Seeing someone in your child’s room, that doesn’t leave you. For weeks, I couldn’t sleep.”
She said that such incidents felt “unthinkable in Mumbai,” where celebrity homes are considered secure. “It felt like something that happens elsewhere, not here. But it happened to us,” she said.
‘We’re stronger as a family, but my sons saw too much too soon’
Both of their sons witnessed the stabbing, something Kareena says forced her to balance her own trauma with parenting. “They’ve always lived a very protected life. Then this happened, and suddenly they saw blood, violence… I hope it teaches them resilience, but no child should have to go through that.”
Kareena and Saif are now focusing on healing as a family after the traumatic episodeGetty Images
Jeh, the younger of the two, has found his own way to cope. “He calls his father Batman and Iron Man. That’s how he sees him, like a superhero,” Kareena said, adding that the family has leaned on each other for strength and grown stronger as a unit.