British Asian homes are at the centre of more than £140 million worth of gold jewellery stolen in the UK over the past five years, a freedom of information request revealed on Saturday (23).
So-called "Asian gold", bought as wedding gifts and known to be stored in homes of South Asian origin families as it is passed down generations, led to nearly 28,000 thefts since 2013, a BBC investigation found.
Out of 23 of 45 police forces from across Britain that provided figures on these thefts, Greater London had the highest value stolen – £115.6 million, followed by £9.6 million in Greater Manchester.
Sanjay Kumar, who specialises in selling Asian gold in the dominantly British Asian suburb of Southall in west London said he recognised the cultural significance behind gold jewellery and always advised his customers to think carefully about how they store their gold and to insure it.
"People are told by their parents and grandparents 'you must buy gold – it's an investment, it's lucky. It's something that we as Asians do, so people are following the tradition and the culture," he said.
Police forces investigating cases of theft said that in some of the burglaries victims owned large amounts of jewellery, but that was not always the case. In Cheshire, police set up a dedicated team to work with members of the community after a series of Asian gold-related burglaries.
Aaron Duggan, head of crime at Cheshire Police, said that one of the challenges his officers face is that gold can be disposed of easily.
"At second-hand outlets, certainly around Asian jewellery, questions should be asked - 'who is this person in front of me selling this gold?' The irony is it's often harder in this country to sell scrap metal than it is second-hand jewellery," he said.
Scotland Yard regularly issues special advice around Diwali, Navratri and other major festivals for the British Asian community to be extra vigilant.
"The festival period tends to see a spike in this type of crime largely due to more jewellery being worn as communities travel across London to different venues – whether temples or to other people's homes," the Metropolitan Police said in a statement.
During the course of 2017-18, the Met Police recorded 3,300 such high-value thefts, worth around £21.2 million. Kent Police with 89 thefts worth £1.6 million and Greater Manchester Police with 238 thefts worth £1.5 million were among the other key hotspots.
"Gold will continue to be highly desired by criminals due to the speed and anonymity with which it can be exchanged for large sums of cash," Metropolitan Police Detective Constable Lisa Keeley said during last year's Diwali appeal.
"These pieces of gold and jewellery are not just valuable possessions, they are also of great sentimental value, and if stolen, would have a huge impact on owners. Our proactive measures to tackle these crimes has seen reductions in offences, however there is more to be done," she said.
Operation Nugget is the Met Police's dedicated operation to tackle gold thieves, which seeks to drive down the number of such offences through a series of initiatives.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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