Skip to content
Search

Latest Stories

A method to the comic madness

by ASJAD NAZIR

ACTION HERO JOHN ABRAHAM REVEALS HOW HE FOUND THE FUNNY AGAIN WITH HIS FILM PAGALPANTI


ACTION man John Abraham is trading in beating up bad guys for a laughter attack in

this week’s Bollywood release Pagalpanti.

He heads an impressive star cast in the high-profile comedy about three unlucky men who

get into trouble after a get-rich-quick scheme tangles them up with gangsters.

This is the second time the actor has teamed up with director Anees Bazmee after their 2015 film Welcome Back with another slapstick entertainer, which has been predominantly shot in the UK.

The star cast also includes Anil Kapoor, Ileana D’Cruz, Arshad Warsi, Pulkit Samrat and Kriti Kharbanda.

Eastern Eye caught up with John Abraham to talk about Pagalpanti, comedy and his future plans.

You have immersed yourself in action in recent years, what made you reconnect with comedy again?

Well, on a personal front, I just needed a break from all the intense films I was doing like Madras Café, Parmanu, Batla House, Romeo Akbar Walter. I needed to let my hair down and just be easy, laugh and feel good. I have been a big fan of Anees Bazmee and worked with him before in Welcome Back, so when he offered me a film, I said yes. When he was narrating the film to me, I was laughing and thought if I am laughing my audience will too. That is the reason I did Pagalpanti.

What is more difficult? Doing the big stunts and beating up a load of bad guys or making people laugh?

Making people laugh, Asjad. There is a lot of method in the madness that goes into making a comedy. It is all about the timing, writing and how you project the lines. You can cheat with action, but someone like me doesn’t cheat with action. Comedy is an art. It is the toughest genre to direct and perform, but the easiest for people to lap up. Like action, it is the most difficult genre to critique. Many may not take comedy seriously, but for me, as an actor, I take it seriously. Comedy is serious business.

Tell us about your character in Pagalpanti?

My name in the film is Raj Kishore. I don’t have a surname. I have two names, Raj and Kishore. My character has got seven years of bad luck. It’s about how everything goes wrong when anyone associates with him. That includes my two friends, gang members and how things go totally wrong. They spiral down and that’s what this madcap ride is about.

How much does it help when good actors surround you like they have in Pagalpanti?

That is fantastic. Anil Kapoor said something so rightly – that in his career, when he was coming up, he always made sure he surrounded himself with really strong actors to buffer him. He said it is important the cast around you is strong. In my case, I have Anil Kapoor, Arshad Warsi, Pulkit Samrat, Ileana D’Cruz, Saurabh Shukla and so many more. I have fantastic people around me and think that only helps you as an actor.

When you are feeding off such good actors, it does make all the difference. What is your favourite moment in the film?

There are so many great moments, but you will really laugh in the scene where we enter the hospital. That hospital moment is really funny. There is a scene in a truck that is really funny. There are so many cute, nice fun moments in the film.

Anees Bazmee is a specialist when it comes to comedy, but what is he like to work with as a director?

I have been a fan of Anees Bazmee for the longest time and always wanted to work with him, and did that with Welcome Back. I needed an opportunity to work with him again. I think as far as comedy goes, it is all about the writing, and Anees is the best writer we have in this genre in the industry by light years. There is no one who can come close to him. He is outstanding.

What do you most like about him?

The beauty about Anees Bazmee is that he makes family entertainers. This is a film you can take your six-year-old niece or 96-year-old grandmother to and not be embarrassed about sitting with them. There is no double meaning or bad language in this film and no bloodshed. Even the villain is cute. So everything is fun and easy, I think rarely do we make a film, including myself, for children. I think Pagalpanti is a film that will reach out to family audiences.

You have shot loads of films in UK, but how do you handle the unpredictable weather?

We shot most of the film in Leeds and some of it in London. The rest of the film was shot in Mumbai. There were certain scenes where it was minus four degrees, and we nearly died because it was so biting cold. I always enjoy shooting in the UK.

What do you do in the UK when you are not shooting for a film?

The UK is a great place because I get to ride my motorcycle. The last time I was there, I went to Brands Hatch and rode on the track there. I love my riding time on the track. It is really enjoyable and the only time I can go at 300 plus kilometres an hour, feel good about life and myself. And be at one with my motorcycle.

What kind of comedies do you like watching?

If you honestly give me an option, then my own films. I would take my family to watch a comedy film and, definitely, an Anees Bazmee film because I know my entire family can watch it. Anees Bazmee films are really funny.

Is there a comedy actor you admire?

I think in today’s day and age, Akshay (Kumar). I love Akshay. His comic timing is absolutely fantastic. He is lovely. I’m talking about a hero who does comic scenes really well.

Who is the funniest person you know?

The funniest person I know in real life is my mother. She changes everyone’s names, forgets things and not to forget she is a Parsi.

You have been unpredictable, what can we expect next from you?

People say that we see you in a cop uniform all the time, so in my next film, I play a gangster. The film after that will be about motorcycle racing. I am also doing Satyamev Jayate part 2. So there are some fun films coming up.

I keep asking you this, but when will you go to Hollywood?

I have been offered stuff in the past, but have never really spoken about it. I would rather do a film that centres on me or a role that is substantially good that it convinces me to do it. But I have not tried too hard to get into the mainstream of Hollywood. I am content with acting in films here and producing films here. I would love to do a film that crosses all boundaries and borders; that everyone can see!

Today what inspires you, is it the desire to do good work?

Actually, that is bang on! You have answered the question. It is just the desire to do good work. It is not about the money or the fame. It is a different John Abraham today. I am like a beggar, I beg for appreciation and the minute I get it, I hold that appreciation in my palm, I close my fist and put it in my pocket. With each film I am trying to improve my craft. With Batla House, I tried to do exactly that, and it was so heartening to see the response of the audience.

So is that the plan?

I think with each film it is important that you keep improving yourself. As a producer, I want to set a benchmark, making different films. Vicky Donor, my first production was a clutter breaker. Madras Café was also a clutter breaker at that point of time. I want my next five productions to be clutter breakers.

Pagalpanti is in cinemas now

More For You

One year on, Starmer still has no story — but plenty of regrets

Sir Keir Starmer

Getty Images

One year on, Starmer still has no story — but plenty of regrets

Do not expect any parties in Downing Street to celebrate the government’s first birthday on Friday (4). After a rocky year, prime minister Sir Keir Starmer had more than a few regrets when giving interviews about his first year in office.

He explained that he chose the wrong chief of staff. That his opening economic narrative was too gloomy. That choosing the winter fuel allowance as a symbol of fiscal responsibility backfired. Starmer ‘deeply regretted’ the speech he gave to launch his immigration white paper, from which only the phrase ‘island of strangers’ cut through. Can any previous political leader have been quite so self-critical of their own record in real time?

Keep ReadingShow less
starmer-bangladesh-migration
Sir Keir Starmer
Getty Images

Comment: Can Starmer turn Windrush promises into policy?

Anniversaries can catalyse action. The government appointed the first Windrush Commissioner last week, shortly before Windrush Day, this year marking the 77th anniversary of the ship’s arrival in Britain.

The Windrush generation came to Britain believing what the law said – that they were British subjects, with equal rights in the mother country. But they were to discover a different reality – not just in the 1950s, but in this century too. It is five years since Wendy Williams proposed this external oversight in her review of the lessons of the Windrush scandal. The delay has damaged confidence in the compensation scheme. Williams’ proposal had been for a broader Migrants Commissioner role, since the change needed in Home Office culture went beyond the treatment of the Windrush generation itself.

Keep ReadingShow less
Eye Spy: Top stories from the world of entertainment

Ed Sheeran and Arijit Singh

Eye Spy: Top stories from the world of entertainment

Ed Sheeran and Arijit Singh’s ‘Sapphire’ collaboration misses the mark

The song everyone is talking about this month is Sapphire – Ed Sheeran’s collaboration with Arijit Singh. But instead of a true duet, Arijit takes more of a backing role to the British pop superstar, which is a shame, considering he is the most followed artist on Spotify. The Indian superstar deserved a stronger presence on the otherwise catchy track. On the positive side, Sapphire may inspire more international artists to incorporate Indian elements into their music. But going forward, any major Indian names involved in global collaborations should insist on equal billing, rather than letting western stars ride on their popularity.

Ed Sheeran and Arijit Singh

Keep ReadingShow less
If ayatollahs fall, who will run Teheran next?

Portraits of Iranian military generals and nuclear scientists, killed in Israel’s last Friday (13) attack, are seen above a road, as heavy smoke rises from an oil refinery in southern Teheran hit in an overnight Israeli strike last Sunday (15)

If ayatollahs fall, who will run Teheran next?

THERE is one question to which none of us has the answer: if the ayatollahs are toppled, who will take over in Teheran?

I am surprised that Iran’s supreme leader, Ayatollah Ali Hosseini Khamenei, has lasted as long as he has. He is 86, and would achieve immortality as a “martyr” in the eyes of regime supporters if the Israeli prime minister, Benjamin Netanyahu, succeeded in assassinating him. This was apparently Netanyahu’s plan, though he was apparently dissuaded by US president Donald Trump from going ahead with the killing.

Keep ReadingShow less
Comment: Talking about race isn’t racist – ignoring it helped grooming gangs thrive

A woman poses with a sign as members of the public queue to enter a council meeting during a protest calling for justice for victims of sexual abuse and grooming gangs, outside the council offices at City Centre on January 20, 2025 in Oldham, England

Getty Images

Comment: Talking about race isn’t racist – ignoring it helped grooming gangs thrive

WAS a national inquiry needed into so-called grooming gangs? Prime minister Sir Keir Starmer did not think so in January, but now accepts Dame Louise Casey’s recommendation to commission one.

The previous Conservative government – having held a seven-year national inquiry into child sexual abuse – started loudly championing a new national inquiry once it lost the power to call one. Casey explains why she changed her mind too after her four-month, rapid audit into actions taken and missed on group-based exploitation and abuse. A headline Casey theme is the ‘shying away’ from race.

Keep ReadingShow less