Australia's two-time world Cup-winning former skipper Ricky Ponting considers the 2008 ‘Monkeygate’ scandal the lowest point of his captaincy stint as he feels he was not in control of what was happened at that time.
The scandal unfolded when senior Indian off-spinner Harbhajan Singh was charged with racially abusing Australian all-rounder Andrew Symonds during the second Test at Sydney.
“Monkeygate was probably the lowest (point in career as captain). Losing the 2005 Ashes series was tough but I was in full control of that. But I wasn’t in full control of what happened during the Monkeygate thing,” Ponting, who led Australia to 48 wins from 77 Tests and 164 triumphs in 228 ODIs, told a Skysports podcast.
Harbhajan was eventually cleared of the charge and Symonds’ career went into a downward spiral after the incident.
“It was a low point and also because it dragged on for so long. I remember coming off the ground during the Adelaide Test match and speaking to Cricket Australia officials about the case because the hearing was at the end of the Adelaide Test match,” Ponting added.
The incident created a lot of bitterness between the two teams with India threatening to pull out of the tour before the ICC intervened.
“We all felt let down by the end result (of the Monkeygate controversy). The fact that it got in the way of the way we played our cricket for the next Test match was probably the most disappointing thing,” said the Australia batting great.
“So we go over there and India at Perth is game we expect to win and then we lost the match and after that the next few days things just got worse and worse,” he went on to add.
Under Ponting's captaincy, Australia also suffered Ashes defeats in 2005, 2009 and 2010-11.
“The first two probably hurt more because we were expected to win more, certainly in 2005,” he said.
“Everyone in 2005 expected us to just come over here, whitewash them [England] again and come back with the Ashes. That didn't happen that way.
“Certainly, for me, the 2005 defeat was the hardest to cope with. But 2010-11, we were just completely outplayed.”
Production houses confirm three-way collaboration between Mehta, Pellissery, and Rahman
Film currently in casting stage with shooting planned later this year
Pellissery's track record suggests an unconventional take on the romance genre
Rahman returns to work with Mehta after their Gandhi series collaboration
Project marks Pellissery's first major crossover into Hindi film circles
Wait, read that again. Hansal Mehta's production is backing a romantic drama from Lijo Jose Pellissery. And AR Rahman? He's building the entire soundscape for it. The combination feels almost unreal, right? It's like three separate rivers of filmmaking talent suddenly crashing into one project.
Hansal Mehta teams up with Lijo Jose Pellissery and AR Rahman for a lyrical romantic drama. Getty Images/goodadsmatter.com
What's the actual plot of this pellissery film?
They're keeping story details locked down tight. The official line calls it a "lyrical exploration of love," which sounds nice but means very little coming from a director known for chaotic chases and funeral processions that spiral into madness. The script comes from Pellissery and writer Karan Vyas. Given Pellissery's history, expect something raw and unpredictable rather than rose-tinted. His approach to human relationships typically involves peeling back layers until things get messy.
Look at their backgrounds. Mehta built his name on biographical dramas and sharp social commentary. Pellissery operates in his own cinematic universe where conventional rules do not apply. Rahman's involvement guarantees the music will be another character entirely. Sahil Saigal from Mehta's production company called it "momentous" and for once that does not sound like empty producer talk. This feels like one of those projects that could actually shift how Indian films get made.
No confirmed release window yet; these things take time, especially with directors as particular as Pellissery. The production houses involved are Mehta's True Story Films and Amen Movie Monastery. This also marks the second time Rahman and Mehta have worked together after finishing their Gandhi series, which premiered at Toronto last year.
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