ACCLAIMED British actor Raj Ghatak has consistently dazzled audiences with his expertly crafted performances in major theatre productions.
His latest venture is The Producers, currently running at the Menier Chocolate Factory in London until March 1, 2025. This freshly revived production of Mel Brooks’ iconic show, backed by a stellar creative team, promises to entertain and delight audiences.
Eastern Eye spoke to the versatile performer about his passion for theatre, his role in The Producers, and the enduring appeal of this classic comedy.
What do you most love about theatre?
Theatre provides an incredible escape – it takes you on a journey, letting you experience something entirely different. A great production has the power to touch, move, and inspire. It allows you to leave the day’s stress behind, laugh, cry, and be transported to a magical space. I’ve experienced that magic, and it’s incomparable.
How do you usually approach a new stage character?
I start by reading the script and making notes. Everyone has their own process, but I like to come prepared with ideas and remain responsive in the rehearsal room. Theatre is all about collaboration, and working together towards a shared goal is a rewarding experience.
How do you feel about joining an iconic show like The Producers?
It’s incredibly exciting. I remember watching it on Broadway and in the West End, so being part of it now feels like a huge milestone. The Producers has a legendary reputation, with 12 Tony Awards on Broadway (a record) and three Olivier Awards in the UK. Being part of its first revival since 2005 is both daunting and exhilarating.
Tell us about your role.
I play Carmen Ghia, the flamboyant assistant to renowned theatrical director Roger DeBris. Carmen is a comedic character with sharp wit and some iconic moments. He’s unpredictable, and that makes him such fun to portray.
Why do you think The Producers remains a timeless classic?
It’s all about the writing. The book for the show is written by comedy legends Mel Brooks and Thomas Meehan, who really know what they’re doing. The music is breathtaking, and the combination of comedy, deliberate bad taste, and a self-deprecating look at the theatre industry ensures its timeless appeal.
What is it that you love the most about this show?
I absolutely love the humour. After all the challenges and hardships we face, a show like this provides a welcome escape and uplifting joy. The cast is immensely talented, and working alongside them has been such a joy and privilege. It’s been wonderful to be part of something that spreads so much laughter and positivity.
Yes, I feel nervous while waiting in the wings. It’s an intense moment when everything feels heightened. But as soon as I step onto the stage, those nerves disappear. Rehearsals prepare you well, and once you’re in the moment, everything falls into place.
How does performing comedy compare to other genres?
Comedy demands skill just like anything else. There’s an art to delivering a joke and nailing comedic timing, especially when paired with song and dance. In The Producers, the audience’s reactions vary, creating a dynamic conversation between us and them. This connection makes comedy a particularly rewarding genre. You’ve performed in several West End productions.
What makes them special to you?
The West End represents the pinnacle of British theatre, renowned for its unmatched production quality and calibre. Whether it’s a grand musical or a thought-provoking play, the West End offers theatre at its finest. I’ve been fortunate to perform there multiple times, and the thrill of it is unbeatable.
Why should audiences come to watch The Producers?
The Producers offers an unforgettable night out. You’ll laugh, be amazed by the cast’s performances, and enjoy incredible music, choreography, sets, and costumes. It’s a spectacular extravaganza that you won’t want to miss.
The Producers is on at Menier Chocolate Factory, 4 O’Meara Street, London SE1 1TE until March 1, 2025. www.menierchocolatefactory.com
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.