Who is Halima Aden? Former burkini supermodel poses for a selfie with royals – Meghan and Harry
The Somali counselor reportedly moved to the US when she was seven.
By Kimberly RodriguesSep 06, 2022
History-making Muslim model Halima Aden was seen posing for a selfie with Meghan Markle and Prince Harry while attending the One Young World Summit in Manchester this evening.
The Duke and Duchess of Sussex were present to deliver the keynote address at the event at Bridgewater Hall. The royal couple was pictured taking a photograph with Halima after Meghan’s speech.
The speech is reported to be Meghan’s first speech in the UK since the Megxit which was more than two years ago.
The Duchess of Sussex supposedly gushed about Prince Harry and the “life-changing” implications of becoming a mother to their son Archie.
Meghan was seen hugging Halima, who is a consultant to One Young World.
The 24-year-old shared the picture to Instagram with the caption that read: “This is what One Young World is about!! Stand up for young world leaders who embark on this journey to change the world! Plus, meeting Meghan and Prince Harry was so amazing. She is more than inspirational.”
The Somali counselor reportedly moved to the US when she was seven - she was born in a refugee camp in Kenya and was the first hijab-wearing woman to enter the Miss Minnesota pageant.
She first shot to worldwide fame at the age of 19 when she was hailed the first supermodel to don a hijab.
Halima also became the first woman to pose in a burkini for Sports Illustrated and is said to have quit the runway because it “compromised her religion.”
The ex-supermodel who has fronted campaigns for Rihanna and Kanye West's clothing labels, was seen wearing a flowy white blouse, and wide-leg black trousers as she huddled for a photo with the highly anticipated keynote speaker.
Last year Halima revealed that she had quit the fashion industry to give it a “taste of its own medicine” - claiming they treat models like they are “disposable” and “replaceable.”
Speaking about her claim, she is quoted as saying, “So I wanted to give the fashion industry a taste of its own medicine.”
She adds, “Thank you for these incredible four years, but just like you churn through all these bright, young people, I'm going to move on with my life and replace [modelling] with something better.”
Speaking to the BBC previously, Halima reportedly told of feeling horrified when she found herself featured in the same magazine which included an image of a naked man inside.
She is reported to have said, “Why would the magazine think it was acceptable to have a hijab-wearing Muslim woman when a naked man is on the next page?”
She also admitted of feeling forced to “compromise” her religion.
When asked whether she has fallen out of love with fashion, Vogue's first hijab-wearing woman supposedly said, “Oh, just a little bit.”
She recalls how her hijab seemed to shrink with every shoot once she started getting styled by stylists - to the point in which she was asked where her hijab was.
She is quoted as saying, ‘Despite me saying, "Don't change yourself, change the game", that was exactly what I was doing,' she continued, adding how one magazine cover made her look like a 'white man's fetishised version' of herself.
“I'm not saying it's not right for other Muslim, hijab-wearing women, I'm saying it was not right for me. I wear a hijab, I'm a Muslim, I'm Somali, so yes, all these identities set me up to be the perfect token to check all the boxes. I felt like one of the biggest tokens in the industry. I always felt like an outsider in my own career.”
During her glamourous career Halima has modelled for the likes of Marc Jacobs, Alberta Ferreti and Fenty. She has also graced the covers of Vogue Arabia, CR Fashion Book, Allure, and British Vogue in a hijab.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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