A NEW “darkly funny” play on institutional racism in the workplace is due to premiere at a top London theatre this week.
White Pearl is centred on a successful start-up business in Singapore that is gearing up to launch a beauty product.
However, drama ensures as the advertising campaign gets leaked and sparks a public relations disaster.
Farzana Dua Elahe plays the role of Priya, the CEO of Clearday™. Her character is one of a group of multi-cultural women who make up the dynamics of the business. As the crisis unfolds, the audience is witness to the level of multicultural racism in the confines of the office environment.
Described as a “satire on racism”, the dark comedy analyses the relationships between the women and the language they use to refer to various cultures and races.
Talking about the themes in the play, Elahe, from London, told Eastern Eye: “It looks at racism in terms of what is crossing the line and what are the boundaries.
“Just because you don’t use derogatory language and you are PC (politically correct) about it, you may still have a different opinion on a culture or race. Does that mean you’re racist
because you’ve been PC about it?”
Many of the characters are depicted as originating from south Asia, although Elahe explained that many grew up in westernised cultures. Her character, for example, was born in India, but was educated in the UK.
Another character was born in Thailand and grew up in the US.
“There are many iterations of being born (in Asia), having an upbringing elsewhere and then coming back with a westernised eye and seeing how those things collide,” she said.
Elahe, whose co-stars include Bad Education’s Kae Alexander and Harry Potter star Katie Leung, said it was a refreshing experience to work with a multicultural cast.
The play also taught her about the consumer industry today and how much the beauty industry affects women, she revealed.
Some of the products which Clearday™ market are controversial – skin whitening cream being one of the more common. Such products are popular in India and China, among
other countries, where there is a preference for light-skinned complexions.
They are also in demand in parts of the UK, with many creams and serums being sold online or in low-key independent beauty stores.
Elahe admitted she found them problematic.
“I feel like in some parts of the world, the whiter you are, the purer or wealthier you are seen to be,” she said. “It is down to the desire and preconceptions of what is beautiful, and I think it is quite sad.”
The power of social media has a large influence on the beauty industry, Elahe added, as it targets women, telling them how to look.
The actress, who has had starring roles in The Hundred-Foot Journey and Prince of Persia: The Sands of Time, said she had definitely felt pressure to “look a certain way”.
Social media platforms such as Instagram or fashion magazines with depictions of ‘beautiful’ women could be triggers for women who feel they need to change, she explained.
“It is very disruptive that we are constantly told these things about appearance,” she said. “We need to be kinder to ourselves. I’m only human and if I want to do something fun, like eating chocolate, I shouldn’t be made to feel guilty about it.”
Talking about White Pearl, Elahe said although she did not want anyone to feel they
were being taught the “right or wrong way to think”, she hoped the play sparked discussions
on issues such as prejudice and racism.
She also believed many people would be able to identify with the characters.
“It isn’t just your typical office-drama with the same tone... It is really colourful, even though it is about whiteness,” she joked. “It is really full of life.”
White Pearl is being staged at the Royal Court Theatre from Friday (10) until June 15.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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