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Vistara gets its first B787-9 Dreamliner

VISTARA took the delivery of its first wide-body Boeing 787-9 Dreamliner plane on Friday (28), making it the first Indian airline to fly this aircraft.

The plane, which has the registration number VT-TSD, will depart from the Boeing facility here at 02.00 pm (local time) on Friday and land in Delhi at 02.00 pm (local time) on Saturday (29), Vistara officials said.


The new aircraft is the first of the six that Vistara has purchased from Boeing.

The second Dreamliner aircraft is currently on the production line and will be delivered soon.  Vistara's Boeing 787-9 Dreamliner aircraft comes with 299 seats in a three-class cabin configuration, giving customers a choice of business, premium economy and economy cabins.

The aircraft features lie-flat business class seats in a 1-2-1 configuration that gives a direct aisle access to each business class passenger and a separate premium economy cabin that offers seats in a 2-3-2 configuration.

The aircraft has in-seat televisions in all three cabins with a high-definition (HD) display, powered by Panasonic as well as in-flight WiFi internet connectivity onboard long-haul international flights, officials stated.

It would make Vistara the first airline to offer WiFi service in India.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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