As soon as his news conference ends, Jagmeet Singh pulls out his phone, gathers the crowd for an Instagram video and leads them in song, jumping and spinning in place while filming.
As he campaigns ahead of next week's snap elections, Singh, the 42-year-old leader of Canada's leftist New Democratic Party (NDP), is looking to embody a new way of doing politics. And by relying heavily on social media he hopes to woo young voters who once helped propel prime minister Justin Trudeau into office.
A few hours later, he appears dancing to rap music on TikTok, where his videos typically get in excess of one million views.
"People, where are they? They are on social media. I try to use all possible tools to connect with them," says Singh.
Further to the left on the political spectrum than Trudeau's Liberals, his party could find itself holding significant sway in the House of Commons if voters return another minority Liberal government to Ottawa.
Currently, the New Democrats are credited with 20 percent of voting intentions, while Trudeau's Liberals and the Conservatives, led by rookie leader Erin O'Toole, are neck and neck with less than 35 percent support each -- below the threshold for a majority of seats in parliament.
- 'Winds of change' -
"Singh embodies, with his presence on social media, the youthfulness and winds of change that helped Trudeau a few years ago, and what sets him apart from the others is his use of TikTok," Felix Mathieu, a politics professor at the University of Winnipeg, told AFP.
On the policy front, his party's plank also echoes that of the Liberals in many respects, but whereas Trudeau, according to Singh, is "a big talker and a little doer," especially in respect to climate change, he promises to deliver.
He has pledged to cut greenhouse gas emissions in half by 2030, increase taxes on the rich, cancel student debts and check soaring housing prices.
"I am not Justin Trudeau. I'm not like him. I've lived a different life," Singh said during a visit to an indigenous community in Saskatchewan reeling from past federal policies that stripped them of their language and culture.
"And I've felt some of the pain, what it's like to be considered less than (because of the way you look). I understand the pain of not being valued."
Born in Ontario to parents who fled persecution in their native India, Singh became the first non-white leader of a Canadian federal political party and is easily recognizable by his brightly coloured turbans.
"This helps him to stand out while waging an election with a smaller war chest than the Liberals, for example," Mathieu said. "But will this result in more votes, it's not clear,"
On TikTok, "a large part of his followers are not yet old enough to vote," Mathieu added.
And on September 20, unlike in past ballots, "there will be no voting on college campuses due to the pandemic and this is bad for the NDP," said Genevieve Tellier, a politics professor at the University of Ottawa.
His campaign on social media "has led millions of people to watch our content and get involved," says the NDP campaign's Emily Coutts.
That has boosted his support among eligible voters, but also attracted an army of volunteers who've gone out to campaign for him, she said.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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