The Ugandan Asian Expulsion: Role of the Aga Khan family in creating “Alternative Pathways to Resettlement”
Prince Karim Aga Khan celebrates his 87th birthday
By Dr Mohamed KeshavjeeDec 13, 2023
THE year 2022 marked the fiftieth anniversary of the Ugandan Asian expulsion which saw the uprooting and resettlement of some 80,000 Ugandan Asians when Idi Amin Dada, the self-styled dictator of Uganda, declared on 4 August 1972 that he had had a dream in which he was enjoined by God to rid Uganda of the “Asian menace”.
The Ismailis are a Shia Muslim community, many of whom had been in Uganda for three to four generations and a majority of them were Ugandan citizens. Amin gave them 90 days to get out of the country, with the warning that, should they remain after this time, they would only have themselves to blame for what might befall them.
As the 90-day countdown progressed, the situation began to change somewhat as the government of Edward Heath in the UK decided to admit some 28,606 British passport holders to the United Kingdom. Canada, under the dynamic leadership of Pierre Elliott Trudeau, was at the time toying with the idea of accepting immigrants from non-traditional (in effect, non-European) areas and opened the country’s doors to both displaced and stateless Ugandans — mostly Ismailis who earlier, under the guidance of Prince Karim Aga Khan, had opted for Ugandan citizenship. This gesture by the government of Canada led to some 6,500 Ismailis resettling in different parts of Canada. A small number of Ugandan Asians (no more than about 5,000) ended up in various parts of Europe, most notably Austria, Belgium, Italy, Malta, Spain, and Sweden.
HH Karim Aga Khan (right) in conversation with Kofi Annan then UN Secretary-General (Photo credit: AKDN)
It was at this juncture that Prince Sadruddin, the United Nations High Commissioner for Refugees, played an important role in utilising new approaches in ensuring that a number of European countries would open their doors as temporary transit points for those Asians who were not able to go to other areas for resettling.
In this article, we will touch briefly on Prince Karim Aga Khan's vision of a multicultural post-independence society in East Africa and his endeavours towards achieving this aim. Secondly, we will highlight Prince Sadruddin’s role in enlarging the global vision of the office of the UNHCR. And finally, we will describe how the Ismailis of Canada began to play an important civic role nationally and internationally through the Aga Khan Development Network.
Prince Sadruddin Aga Khan (Photograph courtesy: Office of the UNHCR)
THE VISION
From the early 1960s Prince Karim Aga Khan visualised a multiracial society in East Africa where people would co-exist in mutual harmony. Immediately at the time of Ugandan independence he advised Ismailis to take up Ugandan citizenship and contribute to the newly-formed country by playing an active participatory role in nation building through the way they conducted their daily lives. Prince Karim Aga Khan himself played an important development role by assisting in many national projects in health, education, and economic development throughout the other new East African countries as well.
He reoriented the institutional communal structures inherited from his grandfather, which had been established under a few colonial governments to the dynamics of nation building in the new nation states. This entailed creating new institutions with greater indigenous participation. In brief, Prince Karim Aga Khan engaged himself wholeheartedly in the post-independence socio-economic development of East Africa, with the Ismaili community fully aligned with his vision.
The Aga Khan attends the 'Supporting Syria Conference' at The Queen Elizabeth II Conference Centre on February 4, 2016 in London (Photo by WPA Pool - Toby Melville/Getty Images)
It was therefore a great shock for both Prince Karim Aga Khan and the Ismaili community when Idi Amin ordered all Asians out of the country within 90 days — the shock of this edict being compounded by the fact that an overwhelming majority of the Ismailis in Uganda had by then become citizens of the country.
ENSURING A PROPER RESETTLEMENT PROCESS FOR THE ISMAILIS IN CANADA
The Ugandan Asian crisis coincided with Canada’s change of immigration policy to one of seeking qualified immigrants from non-traditional areas of catchment — which meant from non-European countries.
Although Canada Manpower, the lead government agency, was now beginning to grapple with this new reality, the Canadian Government was not fully geared to processing applications from Africa. The Canadian Manpower office for the whole of Africa at that time was based in far-off Beirut from where Canada Manpower provided services to process applications from Africa. When the Ugandan crisis erupted the Canadian Immigration team that arrived in the country faced massive challenges and here the Ismaili National Council through its system of volunteers played a critical role in helping consolidate the applications of all Ismaili Ugandans so that they could be ready to board the planes the Canadian government had chartered for the evacuation of the expellees.
With late Queen Elizabeth II while she hosted a private dinner at Windsor Castle on March 8, 2018 in honour of the diamond jubilee of HH Aga Khan's leadership as Imam of the Shia Ismaili Muslim Community (Photo by Dominic Lipinski-WPA Pool/Getty Images)
In Canada itself, newly arrived immigrants formed themselves into committees to receive even newer arrivals to settle by finding them employment at any level — from menial to professional. Utilising its social networks and years of experience in communal service, the small existing Ismaili community in Canada helped individuals and families find employment, establish themselves and make contingency plans for expelled members of their families to join them.
Some years into this resettlement project, Prince Karim Aga Khan, through the Industrial Promotion Services — an entity of the Aga Khan Fund for Economic Development — arranged with two leading Canadian banks, the Canadian Imperial Bank of Commerce, and the Bank of Nova Scotia, to provide shortfall loans to Ismailis, which he himself underwrote, under a Guarantee Programme, to help them start their own business ventures. Over time, Ismailis became established in their new lives in Canada, worked at all levels of the economy, with their children attending good schools.
In 1978 Prince Karim Aga Khan visited Canada as a semi-official guest of the Canadian government. He visited most of the areas where Ismailis were settled, met Pierre Elliott Trudeau in Ottawa and was received as a state guest in all the provinces he visited. His oft-stated advice to his followers was to make Canada their permanent home.
With King Charles III (then Prince of Wales) as they tour Altit village on November 03, 2006 in Skardu, Pakistan (Photo by Pool/Getty Images)
His main advice to the youth was to work hard, go into the professions that were going to be required in the future and to be ready for any service they could provide, once trained, to less privileged people in the developing world through the institutions of the Ismaili community which he was reorienting globally for this purpose.
While the Ismaili community in Canada was still in the process of resettlement, Prince Karim Aga Khan, through his Secretariat based in Aiglemont, France, oversaw the evolution of the Aga Khan Development Network (AKDN) — a global network of institutions, projects and programmes aimed at improving the quality of life of all people regardless of faith, race or gender.
PRINCE SADRUDDIN AND HIS INNOVATIVE APPROACHES TO RESETTLING THE UGANDAN ASIANS
Prince Sadruddin Aga Khan (1933–2003) was a statesman and activist who was the United Nations High Commissioner for Refugees from 1966–1977, during which time he reoriented the agency’s focus beyond Europe and prepared it for the complex refugee issues that were on the horizon. He was a great proponent of increasing collaboration between NGOs and UN agencies and played a seminal role in shaping the UNHCR and its vision at a very critical time in its history.
With German Chancellor Angela Merkel (right) on November 13, 2007 in Berlin to mark the 50th year since the title "Aga Khan" was passed to the Prince from his grandfather (Photo by Sean Gallup/Getty Images)
Aged 33, Prince Sadruddin was the youngest person, and the first non-European, to be appointed to the position of High Commissioner for Refugees. For the next twelve years be guided the institution through a period of great transformation, from the wars of decolonisation, through the 1971 Bangladesh crisis that uprooted upwards of ten million people, and to the Burundi civil war in 1972 leading to thousands of Hutus fleeing to Tanzania. This period also witnessed the Vietnamese boat-people tragedy of the mid-1970s and the Ugandan Asian expulsion of 1972 in both of which Prince Sadruddin was deeply involved.
According to Arafat Jamal, a senior diplomat with the UNHCR, Prince Sadruddin assumed and met the challenge of balancing the 1951 UN Refugee Convention’s geographical and temporal limitations with the UNHCR’s global mandate which he was able to leverage considerably given his deep knowledge of facts on the ground. Though his predecessor in office was aware of the limitations of the 1951 Convention, it would be fair to say that it was during Prince Sadruddin’s leadership that major changes actually took place.
Prince Sadruddin was also able to leverage the “Good Office” mechanism, whereby the UN Secretary-General — on sensing that a situation required an exceptional response — can call for exceptional and unprecedented measures.
Dr Mohamed Keshavjee, member of the Steering Committee of British Ugandan Asians at 50 (BUA 50) (Photo credit: Russell Harris)
In the case of the Ugandan Asians, the situation was unique to the extent that the Asians were threatened with expulsion and the UNHCR had to operate from within the country while many potential expellees were still there. Prince Sadruddin invoked the principle of shared responsibility, calling on various UNHCR member states to share the burden, and, to their credit, some European countries responded positively. This principle is now enshrined as part of soft law and was used during the time of the second Iraq crisis (2003 onwards).
While he saw immediate help as the priority, Prince Sadruddin was also a strong believer in the need for long-term solutions to integrate refugees into the countries of resettlement. Relief, he felt saved lives, but development gave people dignity.
Prince Sadruddin, it must be noted, played a major role in changing the outlook of the UNHCR office. During the 1950s, the agency had between 200,000 and 300,000 refugees to deal with. By the 1970s the European refugee problem had been largely solved but was replaced by the displacement of millions in the Third World. Prince Sadruddin widened the UNHCR’s reach to include refugees from Algeria, Angola, Palestine and Vietnam.
Many Ugandan Asians recall with great fondness his visits to the various camps in Europe while they were still waiting to be permanently resettled.
Here it is important to keep in mind the critical fact that while Prince Karim Aga Khan as Imam (or spiritual leader of the Ismaili community) saw his primary responsibility to care for the safety and security of his followers worldwide, he also broadened the horizons of the network of institutions worldwide to cater not only for evolving national needs but also to address global issues. And here, while the Ugandan Ismaili expellees were in the process of resettlement, the Aga Khan developed institutional connections with leading Canadian universities, NGOs and government agencies. Today Canada houses two Ismaili Centres, as well as the Ismaili Imamat Delegation Building, the Global Centre for Pluralism — a project run in partnership with the Canadian government, and the Aga Khan Museum, as well as a host of socio-cultural projects in partnership with provincial governments.
Prince Amyn Aga Khan, chairman of the Aga Khan Fund for economic development executive committee (Photo by Mario Vedder/Getty Images)
While the Ugandan Ismailis are only a part of the multi-ethnic, multi-national and multi-cultural community that makes up the Canadian Ismaili community today, it would be fair to say that their arrival in Canada and all the lessons learned from the Uganda expulsion constituted a major catalytic factor for the AKDN to blossom into the global development agency it has become today.
In brief, both Prince Karim Aga Khan and Prince Sadruddin’s contributions to the resettling of the Ugandan Asians have been seminal and in the words of the UNHCR they represent “alternative pathways to resettlement".
In the case of the Aga Khan, he carefully nurtured the Ismaili community and guided its destiny as it matured following post-expulsion resettlement. He judiciously shaped Ismaili human resources through foregrounding education among the community so that its members would be able to play a role in global programmes contributing to the knowledge society.
In the case of Prince Sadruddin, he used his extensive international experience, coupled with his global connections in encouraging European and other nations to interpret the 1951 Refugee Convention in the broadest terms to empower the world community to be prepared for the migration issues that were yet to come.
Actor and singer Suchitra Krishnamoorthi has issued a public apology after facing strong criticism on social media for questioning the survival story of Vishwas Kumar Ramesh, the sole survivor of the recent Air India plane crash in Ahmedabad.
Deleted post sparks backlash
The controversy began when Krishnamoorthi, known for her role in Kabhi Haan Kabhi Naa, shared a now-deleted post on X (formerly Twitter) alleging that Vishwas Kumar Ramesh had fabricated his account of surviving the 12 June crash. In her post, she wrote: “So this #vishwaskumarramesh lied about being a passenger on the plane & the only survivor? This is seriously weird. Didn't his family in the UK corroborate his story? What about his brother's funeral that he was seen giving kandha to? Deserve not only some serious punishment but some mental asylum time if this is true uff.”
Krishnamoorthi deleted the post and issued a statement of apologyX/ suchitrak
Her comments appeared to have been influenced by unverified social media speculation claiming that Ramesh’s survival narrative was false. The post drew significant backlash from users who criticised her for spreading misinformation and making insensitive remarks without confirmation.
Public apology issued
In response to the mounting criticism, Krishnamoorthi deleted the post and issued a statement of apology, also on X. She wrote: “Took out my last tweet on the Air India crash survivor. Seems to be false news circulated for God knows what reason. My apologies.”
The apology was shared on 19 June 2025, but reactions have remained mixed, with some social media users accepting the clarification while others questioned the haste in making the original accusation.
Who is Vishwas Kumar Ramesh?
Vishwas Kumar Ramesh, a 40-year-old British national, is the only known survivor of the Air India crash that occurred in Ahmedabad on 12 June. The crash claimed the lives of at least 260 people.
Ramesh was reportedly seated in seat 11A, close to an emergency exit on the Boeing 787 Dreamliner, and managed to escape the burning aircraft. He was treated for injuries at Ahmedabad Civil Hospital and was later seen attending the funeral of his brother Ajay, who also boarded the same flight to London but did not survive.
Suchitra Krishnamoorthi’s comments on social media questioning the legitimacy of a plane crash survivor’s account have drawn widespread criticism. Following the backlash, she deleted the post and issued a public apology, admitting the claim was based on false information.
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From the moment Poppy and Rubina stepped onto the stage of Soho Theatre in central London for Brown Girls Do It Too: Mama Told Me Not to Come, the energy was electric, the laughs non-stop, and the message loud and clear: British Asian women are done with silence.
What began as a ground-breaking, award-winning podcast that sparked online backlash for daring to talk openly about sex and relationships within South Asian communities has now evolved into arguably the most unique and fearless live show of the year.
Set against a cheekily colourful bedroom backdrop, this dynamic duo dived headfirst into everything from sex, shame, fantasies and motherhood to the layered realities of growing up as British Asian women. With sharp, smart transitions between confessional-style conversation and character-driven sketches, the show
managed to feel both intimately honest and wildly theatrical.
It is rare to witness a show that is both this hilarious and this importantAMG
One moment they were sat discussing sexual awakenings and mother–daughter culture clashes; the next, they were morphing into wickedly satirical versions of Priti Patel and Suella Braverman or belting out a catchy song – a side-splitting ode to Jolen bleach and body hair, brilliantly riffing off Dolly Parton’s Jolene. A recurring sketch involving a “Coconut Crimes Hotline” was a comedic masterstroke, and their hilarious mother–daughter bits had most in the audience instantly relating.
It is no surprise the crowd, largely women, many of them British Asian, responded with raucous joy. This representation, delivered with bite, boldness and belly laughs, made them feel seen. They did not just watch Mama Told Me Not to Come – they felt it, because it reflected them.
Poppy and Rubina’s magnetic chemistry, unstoppable presence and ability to straddle personal vulnerability with political satire was nothing short of genius. It is rare to witness a show that is both this hilarious and this important. And just when you think it is all laughs, they deliver a powerful emotional gut punch, ending the evening with heartfelt letters to their respective mothers, which brought tears to many eyes and underlined just how deeply the show resonates.
This is not just a standout – it is the show that is going to take the Edinburgh Fringe by storm in August. Bold,
brilliant, blisteringly funny and ultimately moving, Brown Girls Do It Too is a fantastic five-star triumph in every sense.
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An Air India Airbus A320-200 aircraft takes off from the Sardar Vallabhbhai Patel International Airport in Ahmedabad, India, July 7, 2017. Picture taken July 7, 2017.
INDIA’s aviation regulator has warned Air India for violating safety rules after three of its Airbus aircraft operated flights without undergoing mandatory checks on emergency escape slides, according to official documents reviewed by Reuters.
The Directorate General of Civil Aviation (DGCA) issued warning notices and a detailed investigation report highlighting the breach. These documents were sent days before the recent crash of an Air India Boeing 787-8, in which all but one of the 242 people onboard were killed. The Airbus incidents are unrelated to that crash.
According to the DGCA report, spot checks carried out in May found that three Air India Airbus aircraft were flown even though scheduled inspections on the escape slides – considered “critical emergency equipment” – were overdue.
One Airbus A320 was flown for more than a month before the check was completed on 15 May. AirNav Radar data showed that the aircraft operated international flights during that period, including to Dubai, Riyadh and Jeddah.
In another case, an Airbus A319 used on domestic routes had slide checks overdue by over three months. A third case involved a plane where the inspection was two days late.
“The above cases indicate that aircraft were operated with expired or unverified emergency equipment, which is a violation of standard airworthiness and safety requirements,” the DGCA report stated.
The report also said Air India failed to respond on time to DGCA’s queries on the issue, which “further evidenc[ed] weak procedural control and oversight.”
Air India, which was acquired by the Tata Group from the government in 2022, said in a statement that it was “accelerating” verification of all maintenance records, including escape slide checks, and expected to finish the process soon.
In one case, Air India said the issue came to light after an AI Engineering Services engineer “inadvertently deployed an escape slide during maintenance.”
The DGCA and Airbus did not respond to requests for comment from Reuters.
Vibhuti Singh, a former legal expert at India’s Aircraft Accident Investigation Bureau, said checks on escape slides are “a very serious issue. In case of accident, if they don’t open, it can lead to serious injuries.”
The DGCA report said aircraft that miss mandatory inspections have their airworthiness certificates “deemed suspended.”
The warning notices and report were issued by Animesh Garg, deputy director of airworthiness, and were addressed to Air India CEO Campbell Wilson, as well as the airline’s continuing airworthiness manager, quality manager and head of planning.
An Indian aviation lawyer told Reuters such breaches often lead to monetary and civil penalties for both the airline and individual executives.
Wilson said in a 2023 interview with Reuters that global parts shortages were affecting most airlines, but the problem was “more acute” for Air India, whose “product is obviously a lot more dated,” with many aircraft not updated since 2010-2011.
‘Systemic control failure’
The DGCA report said some Air India aircraft inspected by officials also had outdated registration paperwork. Air India told Reuters that all but one of its aircraft met the required standards and said this “poses no impact” to safety.
The report criticised the airline’s internal oversight systems, stating: “Despite prior notifications and identified deficiencies, the organisation’s internal quality and planning departments failed to implement effective corrective action, indicating systemic control failure.”
India’s junior aviation minister told parliament in February that airlines were fined or warned in 23 cases over safety violations last year. Of these, 12 involved Air India and Air India Express. One case involved “unauthorised entry into cockpit”, and the biggest fine – $127,000 – was imposed on Air India for “insufficient oxygen on board” during a San Francisco-bound flight.
Air India’s Chairman N Chandrasekaran addressed employees on Monday, calling on staff to remain focused amid criticism following last week’s crash and said the incident should serve as a catalyst to build a safer airline.
(With inputs from Reuters)
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Raj follows with a large glass of mango lassi in an effort to cool him down
A viral video has captured the intense aftermath of a food challenge involving what is being called London’s “hottest curry”, as a man was seen sweating and sitting on the pavement outside the restaurant shortly after attempting the dish.
The footage, shared by Instagram account UB1UB2: Southall, West London, shows a man identified as Daniel taking on the extreme curry challenge at Bengal Village, an Indian restaurant in East London. The video begins with restaurant owner Raj presenting the dish while wearing a gas mask — a precaution, it appears, against the powerful fumes of the curry.
Soon after, Daniel is seen outside the restaurant, visibly distressed, sweating and seated on the pavement. Raj follows with a large glass of mango lassi in an effort to cool him down and encourage him to continue.
Curry made with 72 chilli varieties
According to a report by the Evening Standard, the curry in question is prepared using a specially made paste that blends 72 different types of chilli sourced globally. Among these are the Carolina Reaper — one of the hottest chillies in the world — as well as scotch bonnet, bird’s eye, naga and snake chillies.
The intense blend is cooked with traditional Indian spices including cumin, fenugreek and mustard seeds, along with garlic, onions, and ghee, resulting in a deep red chicken curry known for its extreme heat.
Chefs are reportedly required to wear gloves during preparation due to the potency of the ingredients.
Not everyone can handle the heat
The Standard further reports that previous challengers have suffered strong reactions. One diner was nearly hospitalised, while another was found lying on the restaurant floor, overwhelmed by the curry’s strength.
While the challenge continues to attract daring food enthusiasts, the restaurant has made it clear that it’s not for the faint-hearted, and comes with plenty of warnings.
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Real life inspires me more than fiction: Jay Thakkar on acting, ambition and human truths
Starting his journey on stage at the tender age of four, Jay Thakkar has grown up in front of the camera, having transformed from a precocious child performer into a versatile actor known for compelling roles across television, web, and cinema.
Whether mimicking dance moves in competitions as a child or biting into dark, psychologically complex characters as an adult, Thakkar has always approached his craft with sincerity, resilience, and emotional depth. His latest project, Bhool Chuk Maaf, a time-loop Bollywood film, was recently released on Amazon Prime. It marks yet another bold turn in a career built on fearless choices. In this exclusive interview with Eastern Eye, he reflects on key roles, lessons learned, working with legends, what drives him as an artist, and his future. He also shares fond memories of working with the late actor Sushant Singh Rajput.
Jay Thakkar
How do you reflect on your journey as an actor?
As a child, I participated in various competitions and often found myself mimicking actors and dance performances. These early experiences instilled in me a love for performance and storytelling. Over the years, facing both opportunities and rejections, I’ve grown as an actor and individual. Each experience, whether triumphant or challenging, has shaped my perspective and deepened my commitment to the craft. Performing never felt like a task – it felt like expression. These collective experiences have given me an understanding of resilience, humility, and growth – lessons I still carry with me every day.
Which of the roles has been closest to your heart?
The role of Sethji in Colors TV’s Laagi Tujhse Lagan holds a special place in my heart. Produced by Paresh Rawal and Hemal Thakkar, this character took me on an emotional journey – from innocence to a young gangster, and finally to a heartbroken child dealing with his mother’s incarceration. Adopting the ‘tapori Bambaiyaa’ accent and portraying a lower-middle-class chawl boy added layers to the character. This role allowed me to explore a wide emotional spectrum, making it both challenging and rewarding. It taught me that even in a limited arc, if the emotions are real, they leave a lasting impact.
Which project challenged you the most as an actor?
Portraying psycho-terrorist Muzammil in Sony LIV’s Adrishyam was one of my most demanding roles. The character was sociopathic, merciless, and completely devoid of empathy. In one intense scene, he bites off his father’s ear and, during interrogation, chews on his own nails – highlighting how unhinged he is. Sharing the screen with Divyanka Tripathi, who played an Indian secret agent, added further intensity to the performance. It pushed me to dive deep into the psyche of someone emotionally detached from humanity. I had to access a kind of darkness I had never explored before – it changed me as an actor.
Does your approach change between film and television?
Yes and no. Technically, film allows more time for introspection and preparation, while television trains you to think on your feet. But emotionally, my commitment remains the same. Whether it is a 30-second scene or a three-minute monologue, I aim to serve the character with authenticity and heart. The medium may shift, but my mindset is always rooted in honesty and empathy. Television’s fast-paced nature demands quick adaptability, often with limited preparation time.
Jay Thakkar
And what about film?
In contrast, films allow for deeper exploration of character and more time to develop nuance. But regardless of the medium, my approach stays consistent: understand the character’s psyche fully and deliver a performance that resonates with the audience.
What was the experience of working on Bhool Chuk Maaf?
It was a transformative experience. I spent months preparing – working with a dialect coach and immersing myself in Banaras to learn the local slang and tone. That preparation was essential to bring authenticity to the role. Working alongside Rajkummar Rao, Wamiqa Gabbi, and legends like Sanjay Mishra ji and Seema Pahwa ji was enlightening.
Do any moments from the shoot stand out?
Yes, one in particular. During a dance sequence, Rajkummar and director Karan Sharma sir noticed my energy and insisted I join the song, even though I had not rehearsed. Their encouragement made me feel valued and reinforced the collaborative spirit on set. There was a deep respect for the craft throughout the team. When you are surrounded by such passion, it does not feel like work – it feels like purpose.
You also worked with Sushant Singh Rajput on Pavitra Rishta. What are your fondest memories of him?
Sushant bhaiya was pure magic on set. He stayed grounded, no matter how much fame came his way. He would joke with me, share his food, and talk to everyone like a playful, innocent child. He once told me, “Never stop being a student of life,” and that has stayed with me. He was not just an actor – he was a thinker, a dreamer, and a beacon of humility. I fondly remember him stealing theplas from my tiffin during shoots.
Jay Thakkar
Tell us more about your time working with him.
Even as his fame grew, he remained humble and generous with his time. He encouraged me and offered guidance. His dedication to acting and his authenticity left a lasting impression. One of my favourite memories is him telling me to stay curious and keep learning – advice I live by today.
What can audiences expect next from you?
I am looking forward to the release of my next film, Apna Amitabh. I am also part of a web series titled Pranksters. I have done several high-profile ads and am in talks for new film and series projects that will begin soon. Right now, I am focused on roles that challenge me and say something meaningful. I am not in a rush, but I am hungry for layered storytelling.
Do you have a dream role?
I am drawn to characters that challenge societal norms and explore deep emotional layers. I would love to play a morally grey protagonist – someone who is flawed, yet relatable. Such roles let you explore the full range of human behaviour and complexity. I would love to play a conflicted revolutionary – someone who walks the line between right and wrong and makes the audience think. Such characters allow you to show both strength and vulnerability.
Who is your acting hero?
Shah Rukh Khan has always inspired me. His journey from humble beginnings to global stardom shows what passion and dedication can achieve. His emotional range and authenticity on screen are remarkable. Internationally, I admire Denzel Washington – the intensity and depth he brings to every role is powerful. Both actors prove how cinema can transform and move people.
Jay Thakkar
If you could master something new, what would it be?
I would love to master calisthenics, martial arts, and classical Indian dance. These disciplines train not only the body but also the mind and spirit. As an actor, your body is your instrument. The more control and expression you develop, the more powerful your performance becomes – sometimes without saying a single word.
What inspires you as an actor?
Real life inspires me more than fiction ever could – the flaws, contradictions, and hopes people carry. I observe unspoken gestures – a tired smile, a long pause, a look of doubt. Every person is carrying a story, and as an actor, it is my job to honour that with honesty. The struggles and triumphs of everyday people drive my passion. Everyone has a unique narrative, and I want to bring those stories to life with empathy and truth. The human experience is endlessly rich – and it reminds me why cinema matters.