TATA Motors plunged back into the red in the first quarter of 2019-20 with India's number one car maker on Thursday (25) blaming the losses on lower sales by its luxury Jaguar Land Rover brand.
Tata said it lost Rs 36.99 billion ($536 million) in the three months up to June 30, up from a loss of Rs 19.02bn a year earlier.
The heavily indebted company has now suffered losses in four of the last five quarters. It managed a profit of Rs 11.17bn ($160m) for the previous quarter.
Rating agency Fitch also downgraded Tata Motors, citing risks to its "profitability and cash generation over the next two-three years". This sparked a 4.5 per cent fall in Tata Motors shares on the Bombay Stock Exchange on Thursday.
Fitch highlighted uncertainty about Britain's withdrawal from the European Union. Most Jaguar and Land Rover production is in Britain.
Tata Motors chief executive Guenter Butschek said "the continued slowdown across the auto industry due to weak consumer sentiments" had hit sales of Jaguars and Land Rover.
Tata Motors said its revenue fell by 7.7 per cent, but record sales in Britain helped offset the poor market.
"With China stabilizing and an exciting product lineup, JLR expects to return to growth soon," Butschek added. The company is now investing in electric cars in a bid to rejuvenate its image.
Tata said it sold 1.36 million vehicles in the latest quarter, down 22.7 percent against the same quarter last year.
Earlier this month, India reported its eighth successive monthly fall in car sales as a weak economy hits demand. Several carmakers, including Mahindra & Mahindra, have slashed production.
MANCHESTER UNITED FOUNDATION has appointed two new trustees to its board, including a communications expert with experience in music and government.
Jonathan Badyal, a partner at Trafalgar Strategy and former Universal Music UK director of communications, joined the board in March alongside Professor Saul Becker from Manchester Metropolitan University, a statement said.
The pair met other board members at Old Trafford on Wednesday (18), led by chair of trustees Collette Roche, who also serves as chief operating officer of Manchester United.
Badyal brings wide-ranging experience from his career in communications and strategy. He spent eight years at Universal Music, finishing as director of communications for the UK business. Before that, he worked for five years advising the UK government's culture and digital minister on policy and communications.
During his government role, Badyal developed a focus on widening access for young people to creative industries. He currently advises chief executives and creatives on communications and reputation through his work at Trafalgar Strategy.
His other roles include senior adviser to executive search firm Saxton Bampfylde, deputy chair of the Black Country Living Museum, and interim chair at the National Academy for Social Prescribing.
"As a lifelong Manchester United fan I have admired the work of the foundation from afar," Badyal said. "One thing that has been a constant and passionate focus of mine during my career is supporting young people and improving life chances, so to be able to support the life-changing work the Foundation delivers is truly an honour and I can't wait to get stuck in."
The foundation runs programmes in technology, medicine, media, retail and music alongside football coaching sessions and education courses. It partners with businesses in these areas to help young people find jobs, the statement added.
Badyal said his background in arts and creative industries could help the foundation's work. "The foundation's values strongly align with my own in terms of nurturing ambition and creativity, and offering opportunities to young people of all backgrounds," he said.
Roche said, "It gives me great pleasure to welcome Jonathan and Saul to Manchester United Foundation. Not only do they bring to the board a wealth of experience and expertise, but a dedicated passion for improving the lives of young people."
She added that the foundation needs to keep developing as an organisation. "I'm sure they will offer an invaluable new perspective to the governance and future of the Foundation," she said.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
In a statement, the central bank pointed to a recent rise in energy prices, citing the 'escalation of the conflict in the Middle East' as a factor.
THE BANK OF ENGLAND (BoE) kept its key interest rate at 4.25 per cent on Thursday, citing persistent inflation and rising risks from US tariffs and the conflict between Israel and Iran.
The decision, which was widely expected, came a day after the US Federal Reserve also left its interest rates unchanged, pointing to continued inflation and slowing growth in the United States.
BoE governor Andrew Bailey said the UK economy remained weak but signalled that rate cuts were possible later this year.
“Interest rates remain on a gradual downward path, although we’ve left them on hold today,” Bailey said. He added, “The world is highly unpredictable.”
Official figures released Wednesday showed that UK annual inflation eased to 3.4 per cent in May, less than expected. It remains well above the BoE’s 2 per cent target.
In a statement, the central bank pointed to a recent rise in energy prices, citing the “escalation of the conflict in the Middle East” as a factor.
Despite holding rates steady, analysts expect the BoE to cut at its next meeting in August.
“The Bank of England opens the door for a cut in August as it keeps one eye on energy prices,” said Yael Selfin, chief economist at KPMG UK.
The Bank of Japan also kept its interest rate unchanged this week.
Earlier on Thursday, Norway’s central bank unexpectedly cut rates, and the Swiss National Bank reduced its rate to zero per cent. Both cited uncertainty in the global economic outlook.
Last month, the Bank of England cut its rate by 0.25 percentage points as early signs emerged that US tariffs were beginning to affect growth.
The UK economy shrank more than expected in April, partly due to a tax rise on domestic businesses.
Keep ReadingShow less
Several cast and crew members fell ill with food poisoning
Production on the third Enola Holmes film has reportedly been disrupted after several cast and crew members fell ill with food poisoning while filming overseas in Malta. The Netflix spin-off, starring Millie Bobby Brown, had shifted location from Shepperton Studios in the UK to Malta for the final weeks of filming.
Illness causes production delay
According to The Sun, a number of people involved in the shoot became unwell after consuming suspected contaminated food from on-set catering. Filming was immediately halted as a result of the outbreak.
A source told the newspaper: “It’s a nightmare because these productions run to such tight schedules and filming had to be stopped. There were a fair few affected and it meant everything had to grind to a halt until they got better.”
While the illness was reportedly not serious, the delay has added pressure to the production schedule, as the team works towards meeting Netflix’s targeted late 2025 release date for the film.
Millie Bobby Brown returns as Enola
Millie Bobby Brown reprises her leading role as the clever and independent Enola Holmes, the younger sister of Sherlock Holmes. The actress, best known for her performance as Eleven in Stranger Things, has become one of Netflix’s most prominent stars.
She is joined once again by Henry Cavill, returning as Sherlock Holmes, and Himesh Patel, who plays Dr Watson. Louis Partridge is back as Viscount Tewkesbury, while Helena Bonham Carter resumes her role as Eudoria Holmes. Sharon Duncan-Brewster also returns as Moriarty.
Speaking to Deadline, Millie Bobby Brown said, “I can't wait to collaborate again with my Enola Holmes family. Enola holds a special place in my heart – she's strong, fearless, intelligent and brave. I look forward to fans seeing how her journey continues!”
A darker direction for the third instalment
Plot details for Enola Holmes 3 remain tightly under wraps, but early reports suggest the film will take a darker tone than its predecessors. The franchise has been praised for offering a fresh take on the Sherlock Holmes universe, focusing on the adventures of the youngest Holmes sibling.
The first film, originally intended for a theatrical release under Warner Bros., was acquired by Netflix in 2020 amid the pandemic. It became a major success for the platform, followed by a second sequel released in 2022.
Millie Bobby Brown on her British accent
Although born in Dorset, Millie Bobby Brown has admitted she found it challenging to return to a British accent for the role of Enola after spending years portraying an American character in Stranger Things.
In an interview with Radio Times, she said, “For the last five years I’ve been playing an American character… and I found it really challenging being British in this, even though I am a Brit. I had to learn how to speak again.”
Despite the recent disruption, filming for Enola Holmes 3 is expected to resume soon, with Netflix maintaining its release plans for the end of 2025.
Keep ReadingShow less
Pooja Singhal on reviving Rajasthan’s Pichvai art with Feast Melody and Adornment in the UK’s largest showcase
For the first time, London’s Mall Galleries will host a major exhibition dedicated entirely to Pichvai paintings, an intricate devotional textile tradition from Rajasthan. Titled Feast, Melody and Adornment (2–6 July 2025), the show brings over 350 artworks to a British audience, highlighting the evolution and global revival of this 400-year-old art form.
Curated by Pooja Singhal, founder of Udaipur-based atelier Pichvai Tradition and Beyond, the exhibition is being hailed as the most ambitious contemporary presentation of Pichvai to date. In fact, it marks a powerful shift in how Indian temple art is being experienced: not in hushed museum archives, but as a vibrant, living tradition reaching new audiences.
Pichvai, meaning “behind the idol”, originated in the 17th century in Nathdwara, a temple town near Udaipur. Artists created these large-format cloth paintings for daily darshans (ritual viewings) of Srinathji, a baby Krishna deity. These works captured moments of shringar (adornment), bhog (feasting) and raag (devotional music), and were displayed behind the idol in the sanctum.
Deccan Miniature Images - Gold Cows on red getty images
Over time, these temple painters formed a tight-knit community. “My mother collected Pichvais, and my grandfather sold them,” says Singhal, whose childhood was steeped in this visual tradition. “I literally grew up surrounded by them.”
Layers of meaning, scale and detail
Though often mistaken for simple Krishna depictions, Pichvais are complex, layered artworks. They can include over 100 miniature elements like cows, lotuses, chariots and gopis, often spanning six to eight feet in height. Some motifs, like lotus blooms, are symbolic too, evoking cooling relief during Rajasthan’s scorching summers.
Pastel Lotus getty images
“Pichvai is unique because it marries the scale of a textile with the detailing of miniature painting,” explains Singhal. “Every inch has a hundred layers. You can stand there for hours and keep discovering new stories.”
Krishna as Govindagetty image
Schools of miniature painting from Nathdwara, Bundi, Jaipur and Kishangarh influence the styles on display. Some resemble aerial maps of temple festivals; others evoke the rhythm of music or the warmth of food being served to devotees.
Reimagining tradition for a global audience
Singhal’s goal since launching Pichvai Tradition and Beyond in 2010 has been to preserve traditional methods while adapting them for modern collectors. Her key innovations include:
Grayscale reinterpretations for minimal, contemporary homes
Greyscale Pichvais
Restored sketchbook folios, recreating daily temple scenes from archival fragments
Sketches
Pastel colour palettes and geometric cow motifs to appeal to wider interiors
Modern Cow Pastel
Framing artworks individually, allowing Pichvai sketches to stand as contemporary works in their own right
Sketches
These modern adaptations haven’t diluted the tradition; they’ve helped it grow. One of the atelier’s works was even selected by Prime Minister Narendra Modi as a diplomatic gift to a foreign leader, an unexpected milestone that, according to Singhal, affirmed the relevance and stature of this centuries-old tradition in the modern world. “When a Swedish collector bought a grayscale Pichvai at the India Art Fair, I realised the form can travel,” she says.
Pichvai gifted to Narendra Modi
A new system for old skills
Breaking away from the age-old guru–shishya (teacher–disciple) model, Singhal’s atelier now works more like a studio collective. A team of 10–12 artists from different miniature schools collaborate on large and small format works.
“Many painters had no work,” she says. “We started smaller Pichvais and even Deccan-style gold miniatures. It gave artists a viable livelihood.”
Black and gold Gopis
Bringing Pichvai to Britain
Shipping 350 works across continents has taken six months of preparation. The Victorian-era Mall Galleries, located near Trafalgar Square, has never hosted an Indian temple art show of this magnitude.
The artworks are split across three interconnected rooms, themed around Raag, Bhog and Shringar. Alongside the art, there will be over 15 events including artist walkthroughs, collector previews, academic panels, and auctions benefiting Rajasthan’s artisans.
The Haveli of Shrinathji
“I’ve never worked at this scale before,” Singhal admits. “But if every visitor leaves feeling connected to the art, it’ll be worth it.”
What it means for British-Indian audiences
This is the first exhibition in the UK to exclusively showcase newly created Pichvais, not just preserved artefacts. For British-Asian families who’ve seen such works in temples or family homes, it’s a rare chance to see them celebrated on an international platform.
“Many have never seen this tradition at such scale or detail,” says Singhal. “And now, these living artists, whose families have painted for generations, get their moment.”
📍 Mall Galleries, The Mall, London SW1Y 5BD 📅 2–6 July 2025 🕙 10:00–18:00 daily (until 19:00 on 4 July) 🎟️ Admission: £12 (₹1,280), £8 (₹850), Free for Under 12s 🔗 More info: mallgalleries.org.uk
Keep ReadingShow less
The discount is funded and distributed by energy companies across England, Scotland and Wales, but the government decides who qualifies. (Representational image: iStock)
MILLIONS of households in Britain will receive £150 off their energy bills this winter after the government changed the eligibility rules for the Warm Home Discount.
People on means-tested benefits will now automatically qualify for the discount, regardless of their property's size or energy score. This change is expected to extend support to 2.7 million additional households, including nearly a million with children.
The discount is funded and distributed by energy companies across England, Scotland and Wales, but the government decides who qualifies. Under the previous rules, only those on the guaranteed element of pension credit or on means-tested benefits living in homes with a high energy score were eligible.
Simon Francis from the End Fuel Poverty Coalition told BBC: "With bills still hundreds of pounds higher than in 2020, millions will continue to face unaffordable energy and cold, damp homes this winter."
The expansion of the scheme follows the government's recent decision to reinstate the Winter Fuel Payment for most pensioners.
Although energy companies will cover the cost of the expanded discount, it may be passed on to all customers through a rise in the Standing Charge, BBC reported. The government says savings from reduced energy company spending and improved debt management will offset this.
Energy UK's chief executive Dhara Vyas welcomed the move and said she hoped for "a new improved targeted support scheme".
Chancellor Rachel Reeves recently confirmed £13.2bn for the government's Warm Homes Plan to improve energy efficiency in homes.