Supporters of Sri Lanka's fired prime minister and a top election official on Monday (12) challenged in court the president's sacking of parliament, upping the ante in a political crisis that has sparked international alarm.
President Maithripala Sirisena last week called snap elections and dissolved the legislature, two weeks after sacking the prime minister and installing the divisive Mahinda Rajapakse in his place.
The United States has led a chorus of international voices expressing concern over events in the strategically important Indian Ocean island nation of 21 million people.
Three political parties holding an absolute majority in parliament and an election commissioner, one of three officials tasked with conducting polls, on Monday asked the supreme court to declare the president's actions illegal.
Commissioner Ratnajeevan Hoole was among 12 petitioners arguing that Sirisena had violated the constitution.
In the five-page petition, Hoole said Sirisena broke the law in calling the snap elections for January 5 after a string of unconstitutional moves since October 26 when he fired Ranil Wickremesinghe, the prime minister.
Wickremesinghe's United National Party (UNP), the main opposition Tamil National Alliance (TNA) and the leftist JVP, or People's Liberation Front jointly filed the action.
TNA spokesman MA Sumanthiran said the Supreme Court agreed to rake up the petitions immediately considering the importance of the issue.
"We are also asking for an interim order" for an injunction against preparations for the election, which would be two years ahead of schedule, Sumanthiran said.
Court officials said chief justice Nalin Perera and two other judges decided to fast-track the hearings.
Sarath Amunugama, Sirisena's anointed foreign minister, told Colombo-based diplomats on Monday that he expected a verdict within five days.
Legal experts say the dissolved parliament would have to be restored if the supreme court holds with the petitioners. If not, the January 5 election will have to go ahead.
Independent election monitors have also questioned the legality of the snap poll announced by Sirisena.
Civil Unrest Fears
Wickremesinghe remains holed up in the prime minister's official residence, and both he and Rajapakse are attempting to run parallel administrations.
On Sunday (11) night, speaker Karu Jayasuriya urged civil servants to defy Sirisena's "illegal orders".
But later Sirisena defended his actions, saying violence among rival MPs could have led to "civil unrest" across Sri Lanka if the legislature had met as scheduled this week.
"Had I allowed the parliament to meet on November 14, there would have been violence in the House and it could have spread to our villagers and towns," Sirisena said in a televised address.
"I acted to prevent civil unrest."
Sirisena's rivals maintain that he had no constitutional power to sack the assembly until it completes four-and-a-half years of its five-year term that ends in August 2020.
Only China has recognised the appointment of Rajapakse, who during his decade as president until 2015 relied heavily on Beijing for diplomatic and financial support as the West shunned him.
While in power Rajapakse ended Sri Lanka's four-decade civil war by crushing the separatist Tamil Tigers. But 40,000 ethnic Tamils were allegedly massacred in the process.
Seventeen journalists and media workers were killed during his time in power, and Rajapakse and his family have been accused of using his period in office to line their pockets through corruption.
Monday's meeting of diplomats called by Amunugama was boycotted by several Western diplomats while others sent low-level representatives, diplomatic sources said.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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