It has been five long years since showman Subhash Ghai has not directed any film. His last directorial venture was Kaanchi: The Unbreakable (2014), which failed to break any records at the box-office and turned out to be the biggest flop of his storied career.
After the failure of Kaanchi, Subhash Ghai took a long break from films and is yet to make his directorial comeback. In the past five years, he has produced only one film Hero (2015), featuring debutants Sooraj Pancholi and Athiya Shetty, which was a remake of his own 1983 movie of the same name.
Unfortunately, Hero too bombed at the box-office, incurring heavy losses to Subhash Ghai’s Mukta Arts and Salman Khan Films. The love story was co-produced by Salman Khan. Since then, the filmmaker has not touched any film.
However, if latest reports are to be believed, Subhash Ghai is set to bankroll a new project. Not only that we also hear that he has signed Anil Kapoor and Jackie Shroff for his next production venture, titled Ramchand Kishanchand. The film will mark the on-screen reunion of Ghai, Kapoor and Shroff after their 1991 blockbuster film Ram Lakhan.
According to reports, Ramchand Kishanchand is a crime-comedy, which revolves around two 50-year-old cops. After Ram Lakhan, Anil Kapoor and Jackie Shroff are set to play cops once again in the upcoming movie. As per sources, the film is expected to mount the shooting floor towards the end of the year.
Confirming the development, Ghai said, “We have been working on various scripts for Anil and Jackie and have liked one.”
Meanwhile, Anil Kapoor and Jackie Shroff are presently busy with their upcoming projects. Kapoor is currently shooting for the Mohit Suri directorial Malang. Shroff, on the other hand, will next be seen in Shraddha Kapoor and Prabhas’ multilingual action entertainer Saaho.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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