KABIR DUHAN SINGH REVEALS HIS LOVE FOR PLAYING THE ANTI-HERO
by MOHNISH SINGH
WHEN it comes to playing a tough, moustache-twirling villain, Kabir Duhan Singh is probably one of the best.
The actor is so well-versed in portraying a negative character that he has successfully carved out a career as an antagonist in Tamil, Telugu and Kannada films. After essaying some of the most compelling villains in multiple blockbusters in the south Indian film industry, the versatile actor is now ready to set his foot in Bollywood with multiple projects.
No prizes for guessing what kind of roles he will be playing. He may be scary on-screen, but the extremely down-to-earth actor is super friendly in real life and was happy to speak with Eastern Eye about his forthcoming projects, including his Bollywood debut and working with Nawazuddin Siddiqui.
He also discussed his big unfulfilled dream and why he chose to make a living as a villain on-screen.
How would you describe 2020 for you?
2020 started off on a good note for me. I had finished three films by March. One film each in Marathi, Telugu and Kannada. I will be making my debut in Marathi cinema with Shreyash Jadhav’s Fakat. I even purchased an apartment in Mumbai. But by March 20, all shooting activities came to a grinding halt, and we had to get back to our homes from wherever we were shooting. I was shooting in Pune. Thereafter, 2020 turned out to be a peculiarly challenging year for many.
How did you spend your lockdown?
I worked on my craft. I even finished writing a script. I will share it with some producers in the south. It’s an out-and-out commercial action entertainer, the kind of film people love watching down south.
When did you resume work?
I went to the sets in the month of November to resume work on all the pending projects. I was shooting for almost seven films before the coronavirus pandemic struck India and the world. Of all those seven films, two are mainstream Bollywood films. One of them is called Bole Chudiyan alongside Nawaz (Nawazuddin Siddiqui). I am playing an anti-hero in the film.
Does Bole Chudiyan mark your debut in Hindi films?
No! I will be making my Bollywood debut with a mega-budgeted project. The makers are yet to announce it officially, so I cannot talk about it right now. It has been sold to a leading streaming media platform because of the Covid-19 situation. The makers will announce it in March, I guess. It’s a negative role, but a very powerful one for me.
How was your experience working with Nawazuddin Siddiqui?
It was fantastic. I always wanted to work with three actors in life; Nawazuddin Siddiqui, Manoj Bajpayee, and Irrfan Khan. Irrfan is no more with us, so my dream of working with him will never come to fruition. I am hopeful I’ll get to work with Manoj Bajpayee soon. Nawaz is one of the finest actors that we have today. The kind of struggle that he has gone through to fulfil his dreams, I don’t think today’s actors can do even half of it. He is an inspiration for me. I loved working with him, eating food together and going for a walk in the evening.
You have also signed an international film, if I am not wrong…
Yes, I am very much excited about my international debut. That film will be releasing in 80 countries across the world. It is a Bangladesh-Turkey co-production titled Netri: The Leader. It is expected to get off the ground soon.
You come from the Hindi belt, then why did you choose to go all the way to the south of India to kick-start your career in films?
I belong to Faridabad, Haryana. When I came to Mumbai for my modelling assignments, there was always a thought at the back of my mind that I should first get into south films. Today, my 22 films have been dubbed in Hindi. They are being played on television. The audience here is yet to see my work in Hindi, but they already know me. Now that I am finally ready to set my foot in Bollywood, there is already an atmosphere of anticipation, I feel.
Why did you choose to become an anti-hero in films?
I always wanted to play grey-shaded characters. A villain has a lot more things to do in a film than a hero. I think that audiences like anti-heroes more than heroes. There is something irresistible about them. Look at the crazy popularity of Yash who played an anti-hero in KGF: Chapter 1 (2018). People are waiting for KGF: Chapter 2 with bated breath. Whatever fan following I have today, I guess it is because I play antagonists and not conventional roles.
Why did you take so much time for your debut in Hindi films?
I had been getting offers from Bollywood since the beginning of my acting career. I had rejected almost 15 films before signing my first film in Hindi. I was always looking for projects where I play the antagonist. Why? Because if I kick-off my career with a lead character, they will call me for lead characters only. If I make my debut with a side character, I will be practically typecast for such roles. I will never get a lead character after that. That’s sad but true. I didn't want to be typecast as a character artist. I always receive calls from casting directors for the main villain. So I hope that those calls keep coming to me forever (laughs).
Was it difficult to learn south Indian languages at the beginning of your career?
Of course, but I will always be thankful to my first director who really helped me in the beginning. A lot of Hindi-speaking actors who work in south industries dub their dialogues, but Radha Krishna Kumar, who was the director of my debut film Jil (2015), was very particular about the fact that I learnt my dialogues in Telugu. And I cannot thank him enough for that. He worked really hard on me. I will never forget him. Had he not encouraged me to learn my dialogues then, I would have never reached here, I feel. Today, I am able to learn my dialogues easily, be it in any language.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.