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Sindhu wins gold at World Tour Finals

A relieved PV Sindhu let out a joyous scream when she finally laid her hands on a gold medal by claiming the World Tour Finals with a win over 2017 world champion Nozomi

Okuhara on Sunday (16).


With the straight-game victory, coming after seven straight finals losses, Sindhu became the first Indian to achieve the feat.

Playing her third successive season-ending finale, Sindhu, who had lost in the summit clash to another Japanese, Akane Yamaguchi, to settle for a silver in the last edition, prevailed 21-19 21-17 in a match that lasted an hour and two minutes.

This was her career’s 14th title but the year’s first. Prior to this in 2018, she has won silver at the World Championships, Asian Games, Commonwealth Games, Thailand Open and India Open.

Dubbed a bridesmaid after falling short of gold on a number of occasions, Sindhu finally broke her jinx, screamed and sunk to her knees.

Saina Nehwal had reached the finals of 2011 World Super Series Finals, while Jwala Gutta and V Diju finished runners up at the 2009 edition.

Sindhu, an Olympic and World Championship silver medallist, was composed and held her nerves at the crucial moments to stay a step ahead of the Japanese through the match.

In the first game, Okuhara made a couple of errors and Sindhu took early lead. She used some drop shots and looked good at the net to lead 7-3 but Okuhara narrowed down the deficit to 5-7. Sindhu dominated the next long rally and nosed ahead 11-6 at the mid-game break.

After the breather, Sindhu extended her lead to 14-6 before Okuhara reeled off four successive points to narrow the deficit.

Okuhara seemed to control the proceedings next as she erased the deficit to claw back at 16-16. In fact, the Japanese grabbed 10 of the 12 points after being down 6-14 down, to draw parity. But Okuhara also smashed wide twice to hand Sindhu a 19-17 advantage.

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Jaivant Patel brings queer south Asian existence to the stage with 'ASTITVA'
'ASTITVA' pushes back against old stereotypes, choosing to focus on joy and celebration instead of struggle
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Jaivant Patel brings queer south Asian existence to the stage with 'ASTITVA'

Highlights:

  • Pushes back against old stereotypes, choosing to focus on joy and celebration instead of struggle.
  • It insists the community deserves stages for celebration, not just for sharing pain.
  • It walks through four raw, human chapters: Seeking, Desire, Acceptance, and Love.
  • Its core mission is putting brown, queer male bodies on stage in a way that is still rarely seen.

In an exclusive chat with Eastern Eye, choreographer Jaivant Patel spoke about ASTITVA, a new dance work that reimagines what it means to be queer and south Asian through movement, rhythm, and emotion.

ASTITVA translates to “existence,” an apt title for a piece born from the need to simply be seen and heard. It reflects Patel’s journey and the lived realities of queer south Asian people today.

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