There is great anticipation ahead of the singer's upcoming concert at the O2 Arena in London next Sunday (13).
Sid Sriram
By Anjali MehtaOct 04, 2024
A STUNNING decade of success has turned Sid Sriram into a music sensation. The singer and musician with a magical voice has delivered hit songs in multiple languages, establishing himself as a huge south Indian star.
He has also released English songs and performed at major international music festivals. A combination of standout film work, standalone singles, and collaborations with big names like AR Rahman has earned him a global fanbase, making him in demand on the live circuit. This is why there is great anticipation ahead of his upcoming concert at the O2 Arena in London next Sunday (13).
Eastern Eye decided to gear up for the event by presenting some fascinating facts about the multi-talented music maestro.
Sid Sriram was born on May 19, 1990, in Chennai, Tamil Nadu, but grew up in the United States after his parents moved to California when he was one year old.
He was introduced to classical Indian music at a young age by his mother, Latha Sriram, a renowned Carnatic music teacher, and began learning at the age of three. He later graduated in music production and engineering from the prestigious Berklee College of Music in Boston.
Sriram gained widespread recognition after singing Adiye from the Tamil film Kadal (2013), composed by AR Rahman. This marked the start of his successful playback career and his longstanding partnership with Rahman, which has produced many hit songs in various languages.
His song Ennodu Nee Irundhaal from the 2015 Tamil movie I earned him his first Filmfare South award for best male playback singer. The AR Rahman-composed track became popular for its emotional depth and Sriram’s powerful vocal delivery. It was also released in Hindi as Tu Chale.
The now-iconic song Thalli Pogathey from the movie Achcham Yenbadhu Madamaiyada (2016) was a huge hit that solidified Sriram’s status as a top playback singer in Tamil cinema and earned him awards.
Adiga Adiga from the Telugu film Ninnu Kori (2017) garnered award nominations for Sriram as best playback singer, highlighting his ability to convey deep emotions through his voice.
Sriram made a significant impact in the Telugu industry with the song Inkem Inkem Inkem Kaavaale from Geetha Govindam (2018). The Gopi Sundar-composed hit became one of the most streamed Telugu songs of all time, and Sriram won a Filmfare South award for best male playback singer (Telugu).
His rendition of Samajavaragamana from the Telugu movie Ala Vaikunthapurramuloo (2019) became one of the biggest hits of the year. The S Thaman-composed track broke several streaming records and further boosted Sriram’s popularity.
Although primarily known for his work in Tamil, the versatile artist has also sung in Telugu, Malayalam, Hindi, Kannada, and Marathi.
He has cited several legendary artists as influences, including Stevie Wonder, Donny Hathaway, and AR Rahman.
Besides playback singing for Indian films, Sriram has released standalone singles and an album in English, where he blends r’n’b, soul, pop, and Carnatic influences.
Sriram is also skilled in playing multiple instruments, including the piano.
Sriram released his debut LP Entropy in 2019, which was based on an independent song of the same name that he had published in 2012.
He sang the superhit song Srivalli for the Telugu version of Pushpa: The Rise (2021) and also for the Tamil version. The track debuted at number one on the Billboard India Songs chart and held the position for nine consecutive weeks.
Sriram on stage
With Sriram’s voice being synonymous with love and romance, many of his tracks like Inkem Inkem Inkem Kaavaale and Thalli Pogathey have become popular requests at weddings across south India.
The maestro reimagined Alanis Morissette’s classic track Uninvited as a stirring Carnatic-inspired song for the Grammys series Reimagined, earning great acclaim.
He began production on his first all-English album Sidharth in 2021 and released it in 2023 to widespread praise. The album’s singles included Dear Sahana, The Hard Way, and Friendly Fire.
Sriram has performed live around the world, including at the internationally renowned Coachella music festival in the US in 2024, where he received a rousing response.
Sriram revealed that his favourite piece of gear is his AudioTechnica AT2020 microphone, which he found while couch surfing at a friend’s house. Amusingly, he confessed that his friend still doesn’t know he borrowed it all those years ago.
He regularly collaborates with his sister Pallavi Sriram, a talented Bharatanatyam dancer and music director.
Despite his commercial success, Sriram remains connected to his Carnatic music roots, showcasing his abilities at classical Indian concerts and major festivals.
He described his debut UK concert at Wembley Arena in London last year as one of the most deeply joyful experiences he’s ever had performing.
Sriram dislikes using the term ‘fans’ and prefers to refer to his admirers as family or supporters of his music. They are expected to turn out in force for his London concert.
Sid Sriram will perform at The O2 Arena, 205 Peninsula Square, London SE10 0ES next Sunday (13). www.theo2.co.uk
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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