At a time when more and more of us are feeling the overload of restlessness, stress, and anxiety – caused by work, family, and mass media – Rishab Sharma’s Sitar for Mental Health is just what is needed.
His show isn’t just a performance – independent of the audience – but an interactive movement that explores the intersection of sound, consciousness, and wellbeing. From the outset, the audience become part of the music and its hypnotic qualities.
To create this effect, Sharma draws upon the ancient raga system to tap into the therapeutic essence of Indian music, using tone, rhythm, and resonance to restore balance to the audience’s psyche.
In effect, the concert is – in parts - a trace-like meditation to the inner consciousness, a dialogue between the body and the soul. In other parts, it’s a raucous fusion of classic ragas and hits from popular culture – there’s even a quick nod to The Game of Thrones. It’s this modern fusion with just the right mix of spirituality and pop that makes the show an extraordinary blend that is soothing, serene, and tranquil.
Glimpses from Rishab Sharma's concert
The show opens with a short biographical film that highlights Sharma’s own battle with anxiety and depression, and the way the sitar has helped him to fight those mental demons. Sharma (a fourth generation of satarists) refers to his music guru, the late Ravi Shanker, his isolation during the lockdown, and the numerous international accolades he has received over the last few years (he’s still only 27).
After a light-hearted introduction, Sharma begins with a short pranayama (breathing exercise) to prepare the audience for the transcendental experience. The show is clearly a focus on mental health and wellbeing aspects which in recent years, have highlighted in social policies.
It’s no hyperbole to say that Sharma’s ragas unfold with astonishing grace and artistry. Though they are all beautifully composed, some of the pieces are particularly moving. For instance, Kailashon Ke Vaasiis a powerful work inspired by Lord Shiva’s cosmic abode. The slow-burning tune is spiritually rich, and as the other instruments joined in, the performance lifted into another realm. Every pluck and pause of the sitar is measured as if Sharma knows what the audience is feeling. With some members brimming with tears, the auditorium becomes a collective experience of shared memory. It’s as if the music and his strumming of the sitar is like a wormhole into our deep consciousness.
Other pieces seem more delicately composed – quiet and personal. Roslyn for instance, has a certain restraint, melancholy, and vulnerability. The silence between the notes speak as loudly as the notes themselves.
The sitar, with its shimmering overtones and elastic glides, becomes a tool for emotional release. The interplay between sitar and tabla creates a pulsating energy that gently realigns the listener’s attention inward, offering an experience that is simultaneously grounding and transcendent.
Glimpses from Rishab Sharma's concert
The finale ShivTaandav is, of course, a beautiful and emotional tribute to Sharma’s Hindu roots and the audience – all standing – felt a certain religious and cultural pride in seeing the passion with which this was delivered. Sheer poetry in motion.
In the end, Sharma’s performance leaves the listener not just musically enriched, but spiritually and emotionally renewed. This is entertainment and therapy at its finest – a rare and beautiful gift in our restless age of modernity and cacophony of life. If you are to see one classical performance this year, this is it.
Stephen Fry is playing Lady Bracknell. Yes, that is correct.
It completely sold out at the National Theatre.
Olly Alexander and Nathan Stewart-Jarrett are the two young men lying about their names.
It is directed by Max Webster, the man behind the Life of Pi play.
You can see it at the Noël Coward Theatre until 10th January.
The highly anticipated production of The Importance of Being Earnest returns with Shobna Gulati joining Nathan Stewart-Jarrett and a bold Max Webster vision that previously sold out at the National Theatre.
Shobna Gulati takes a prominent turn as Miss Prism in the West End transfer of The Importance of Being Earnest, joining a cast that also features Olly Alexander and Stephen Fry. The production, directed by Max Webster, has moved from the National Theatre to the Noël Coward Theatre in London after selling out its initial run, and much of the chatter since the transfer has centred on the casting choices, not least Fry’s decision to play Lady Bracknell.
Stephen Fry delivers a commanding performance as Lady Bracknell in the West End transfer Marc Brenner
What is the deal with Stephen Fry playing Lady Bracknell?
Look, it is genius casting. The role is usually played by a formidable older woman, but Fry completely owns it. He has the height, the voice, and the sheer presence. You truly believe he could silence a room just by walking into it. That famous "A handbag?" line? With him, it is not a shriek. It is slower, deeper, and somehow much more devastating. It is the kind of performance people will definitely remember.
Stephen Fry takes on Lady Bracknell in the West End run of 'The Importance of Being Earnest'Marc Brenner
Who else is in this production?
He is not up there by himself. Olly Alexander from Years & Years is playing Algernon, bringing a truly playful charm to the part. Nathan Stewart-Jarrett is Jack, the character with the fake country brother. The supporting cast is rock solid. Hugh Dennis is the Reverend Chasuble, and Shobna Gulati is a wonderfully flustered Miss Prism. It is a proper ensemble; there are no weak links.
Jessica Whitehurst and Kitty Hawthorne in West End transfer of The Importance of Being EarnestMarc Brenner
How do I actually get tickets to see it?
Right, pay attention. The production is at the Noël Coward Theatre and the run ends on 10 January 2026. That is not very far away. Tickets start at £25 (around ₹2,990). Given its history of selling out, you would be smart not to wait around. Check the theatre's official website.
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