NOTEWORTHY among the dazzling new crop of Asian crime writers is Ram Murali, who has come up with Death in the Air, a remarkably clever murder mystery (where it’s difficult to guess the identity of the killer).
Among crime writers, Abir Mukherjee and Vaseem Khan are now established names. In fact, the latter was elected chairman of the Crime Writers’ Association in 2023.
This year has belonged to AA Dhand, one of whose crime novels set in Bradford has been turned into a six-part TV series, Virdee, by the BBC. Another author showing promise is Atima Srivastava.
Murali’s novel is set in Samsara, a world-class hotel spa in Rishikesh in the Himalayas.
His central character is Ro Krishna, whose family come from Tamil Nadu. He has easy charm and an Oxford education behind him, but he has come to Samsara to decide what to do next in life, since he was forced out of his last job by a woman described as a “latrine with a face”.
There are other characters – Indian, American and British– who gather at Samsara, which is owned by a Mrs Banerjee. The resident yoga teacher is Fairuza. Sanjay Mehta is a not very nice Indian politician. Ro appears destined to have an affair with a ravishing Bengali beauty, Amrita Dey, who has turquoise-coloured eyes. But, alas, she turns out to be the first murder victim. Ro becomes a sort of assistant to an Inspector Singh, who takes charge of the investigation.
There is a feel of an Agatha Christie thriller about Death in the Air. In fact, her 1935 novel, Death in the Clouds, about murder on an aeroplane, had been published originally as Death in the Air.
It turns out Murali is a devotee of the “Queen of Crime” and has scattered Christie references and clues through his novel as though he was organising a treasure hunt for the reader.
He told Eastern Eye: “I’ve probably read every Agatha Christie book five times, and I probably read them all three times by the age of 15. She’s like a deity to me. She’s the best-selling fiction writer ever in the English language, but I don’t think she gets enough credit for the quality of her writing. She was a huge influence on me as I was writing the book. It’s filled with secret Agatha Christie jokes.”
Murali said he loves Conan Doyle as well – “one of my first memories is my father reading me The Hound of the Baskervilles”.
His favourite authors also include John Buchan and Somerset Maugham, as well as the writer Hector Hugh Munro, who was better known as Saki.
But if he were ever on Desert Island Discs, “I would say that I’m not taking Shakespeare, but the classic works of Agatha Christie instead. I can read Agatha Christie over and over and over again. I probably read at least some Agatha Christie every week.”
He does not consider himself to be a professional writer and reveals Death in the Air came about almost by accident. “I never wanted to be a writer, at all. I never wrote a word of fiction until I wrote this book. It was not a dream of mine. But I have always been a reader. I probably read almost a book a day.
“Just before the pandemic, in Christmas 2019 I had left my last job and was taking time to figure out what to do next. I ended up at a hotel called Ananda in Rishikesh, just like Samsara. And while I was there, I kept thinking, well, this would be such a great place for an Agatha Christie-style murder mystery, but I’d never written in my life.
Agatha Christie
“For the first time in my life, I started taking random notes. And actually, almost all the characters in the book are based on people I saw there.” When he imagined the character of the yoga teacher Fairuza, the plot fell into place. In the summer of 2021, he rented a cottage in Scotland. His 100-page outline became the manuscript. He found an agent the following April and the book “sold to HarperCollins in the US a year and a week after I started writing. I was very lucky. It has been published by Atlantic in the UK and Penguin in India”.
He has his own ideas about how a murder mystery should end. “To be honest, I think a lot of crime writers want everything sort of tied up at the end and feel like there was justice.
But I don’t know. I think one of the points of my book was there’s more than one kind of justice.” He said the story of Ro Krishna, “is very similar to mine. My family’s from Tamil Nadu. My parents came to the UK to study. They are both doctors who lived in Scotland for a very long time. My sister was born in Scotland. Then my father went to New York for a fellowship, and I was born there (in 1978). They never left. I grew up in New York.”
His parents now live in California, but London has been Murali’s home for the past seven years. Prior to that, he lived in Paris for 15 years. He first attended Dartmouth College, an Ivy league institution in New Hampshire in the US. He said: “I then did a master’s at the LSE in London, then went to Law School in Columbia. Then I did a LLM in commercial law at Queens’ College, Cambridge (where he got a First).”
As a lawyer in private practice in London and Paris, his CV says he worked for many years across all aspects of film and TV development, production and distribution.
Death in the Air is written in a deceptively simple style, but that disguises its depth and subtleties. He said: “I wanted the book to be very accessible. I wanted this to be a book that an 11-year-old could read, but then maybe read it again when they are 25 and find it completely different.“There’s not a single obscenity in the book, which was one of the first choices I made as I started writing it, because the book is dedicated to my grandmother. And it’s a love letter to Agatha Christie, so I wanted it to be a book that the two of them could have read and not found distasteful. The book was going to be very chaste, because also I was always thinking about India. I wanted it to be a book that Indian people could appreciate. I wanted it to be a book that my parents could read and send to their friends.”
Murali added: “Maybe my biggest motivation in writing the book was to make India look glamorous and desirable and alluring as a place. My father always says that the west is obsessed with making India look dirty and poor and filthy. I wanted to write something very different.
“Really, for me, the core of the book was I wanted to tell the story of reconnecting to your ancestors, and talk about the cost of immigration and being uprooted from your past and from your ancestors and where they lived.
“Every person in the last 1,000 years of my family on both sides probably was born within the same 500-square-mile part of India. And so what does that mean when you’re the first person not to have been born there?
“That territory has obviously been covered in books like TheNamesake by Jhumpa Lahiri. But I wanted to write that in an entertaining way. I wrote a murder mystery because I wanted to make it fun. But those were the themes I really wanted to explore.”
Death in the Air by Ram Murali has been published by Atlantic Books. £16.99
First edition of The Hobbit sold for £43,000 by Auctioneum in Bristol.
Only 1,500 copies were printed in 1937; few hundred believed to survive.
Book was found during a routine house clearance without a dust jacket.
Bound in light green cloth, it features original black-and-white illustrations by Tolkien.
Copy once belonged to the family library of Oxford botanist Hubert Priestley.
A rare first edition of JRR Tolkien’s The Hobbit has sold for £43,000 at auction after being discovered during a house clearance in Bristol. The copy, uncovered by Auctioneum, was part of the original 1937 print run of 1,500 copies and is considered “unimaginably rare”, with only a few hundred believed to still exist.
The book was bought by a private collector based in the UK. Auctioneum, which handled the sale, noted that bidding came from across the globe, pushing the final sale price to more than four times the original estimate.
Discovered on an ordinary bookcase
The copy was found without a dust jacket on what was described as a “run-of-the-mill bookcase”. Caitlin Riley, Auctioneum’s rare books specialist, recognised the value immediately upon examining the book.
“It was clearly an early Hobbit at first glance, so I just pulled it out and began to flick through it, never expecting it to be a true first edition,” Riley said. “It’s a wonderful result for a very special book.”
Bound in light green cloth with black lettering, the edition features black-and-white illustrations by Tolkien himself, who was then a professor at the University of Oxford.
Historical connection to Oxford
This laid the foundation for his epic sequel, The Lord of the RingsAuctioneum
Auctioneum said the book was part of the family library of Hubert Priestley, a botanist linked to Oxford and the brother of Sir Raymond Edward Priestley, an Antarctic explorer and geologist. It is believed that the Priestley family had personal or academic ties with Tolkien, and possibly CS Lewis, who was also part of Oxford’s literary circle.
High-value collector’s item
Tolkien’s The Hobbit has sold over 100 million copies worldwide and laid the foundation for his epic sequel, The Lord of the Rings. First editions of The Hobbit are in high demand; in 2015, a copy featuring a handwritten note by Tolkien in Elvish fetched £137,000 at Sotheby’s.
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Reeta Chakrabarti with her ACTA trophy for Best Presenter
REETA CHAKRABARTI is wonderfully eloquent when talking to Eastern Eye about her debut novel, Finding Belle, which she says has been “inspired” by Charlotte Brontë’s Jane Eyre “rather than a retelling of the classic published in 1847”.
To most people in Britain – and indeed across the world – Reeta is the calm, authoritative, reassuring presence on the BBC, which she joined in 1994. Indeed, in March this year she was named “Best Presenter” in Eastern Eye’s Arts, Culture & Theatre Awards (ACTA). After speaking to Eastern Eye last Tuesday (15), she headed back to Broadcasting House to front the BBC’s flagship News at Ten as chief presenter.
A different picture of Reeta emerges as she talks about Finding Belle, which is quite a dark novel that tells of the effect of schizophrenia on Belle, an Indian woman who has met and married a handsome Englishman, Fairfax, in Mombasa, before uprooting to suburban England. The tale is told by their daughter Mivvi, who witnesses the collapse of her parents’ marriage and her mother’s descent into almost a kind of madness. Belle also miscarries. What makes everything worse is Fairfax’s infidelity and cruel refusal to give his wife medical treatment.
Chakrabarti as a seven-year-old in Kolkata
At school, Mivvi is humiliated by a couple of blonde twins, who chant, “Mivvi! Superstar! How many boys have you kissed so far? 24? Maybe more? Ten on the bed and the rest on the floor!”, adding, “Paki! Paki! Blackie, Mivvi, Paki!”
She was “determined to be Daddy’s daughter, not Mama’s,” but, alas, all the soap in the world cannot make her complexion fair and lovely.
Reeta said she has always been a bookworm and read Jane Eyre at the age of eight. Five novels she would take to a desert island would include Jane Eyre, along with Mary Shelley’s Frankenstein; or, The Modern Prometheus; Never Let Me Go by Kazuo Ishiguro; Tender Is the Night by F Scott Fitzgerald; and George Eliot’s Middlemarch, A Study of Provincial Life. She considered herself to be “an author in search of a novel”. During Covid, she realised it was “now and never”.
She said Jane Eyre “is the book I have read most”. When she was growing up, she was “consumed by the romance between Jane and Rochester”.
“But then as I got older, I started to think Rochester is quite a bastard because he locks up his wife in a cellar. She’s ill, very ill, but instead of finding a treatment, he locks her up. Then he leads Jane a merry dance. The themes within Jane Eyre are of secrecy, a marriage where the wife becomes very mentally ill and is hidden away. She’s a shameful secret, and our attitudes to mental illness these days are entirely different. So that’s where my novel comes from. Schizophrenia is a particular form of psychosis whereby somebody, who may lead their lives fairly normally, can have delusions so they hear voices or imagine scenarios that are not real. This is the condition that I decided to give my fictional character, based on the classical reference to Bertha from Jane Eyre.”
Finding Belle “is not ultimately a bleak novel”, she said.
Mivvi, a bright girl at school, goes off to Bristol to study French (Reeta herself read English and French at Exeter College, Oxford) and finds friendship and marriage with an Indian boy, Ashish. After they have a baby, there is a brief sojourn through Kolkata, a city Reeta knows well.
Reeta’s father, Bidhan Kumar Chakrabarti, a junior doctor, and mother, Ruma, a civil servant, arrived in Britain in 1960. Now 90, her father worked for the NHS, ending up as a surgeon. Her mother passed away in 2016. Reeta’s younger sister, Lolita Chakrabarti, is the wellknown actress and writer (she adapted Life of Pi for the West End).
“My father particularly was very ambitious for me,” said Reeta. “He wanted me to be a doctor and continue the tradition because his father was a doctor and his father was a doctor and his father was a doctor. His older brother was a doctor. I was quite happy to continue the line. Then one day, he took me to theatre to see an operation. I was 13, and he was operating, and I remember being very overcome by the environment, and I fainted to his mortification.” However, he was “over the moon” when Reeta got into Oxford.
In Finding Belle, she initially set Mivvi’s childhood in the 1990s but pushed it back into the 1970s at her editor’s suggestion to reflect her own schooldays.
Although born in London, Reeta moved when she was five to Birmingham, where she attended various state schools before joining King Edward VI High School for Girls.
“1970s Britain was a harsher, cruder place when it came to race,” she said. “I was brought up in Birmingham and although I did not experience very harsh racism there was a lot of teasing at school. This was a few years after Enoch Powell’s (1968 ‘Rivers of blood’) speech, the National Front was quite strong there. Football hooliganism was quite tainted by racism. This is the atmosphere I was trying to recreate from my memory of being a child in the 1970s.”
Chakrabarti holding her book Finding Belle
Her parents did consider returning to Kolkata.
“We made two attempts to live there,” she remembered, “once just for a few months, then for 18 months. When I was 15, we went back to Kolkata. Until I was 16 and a half, I went to the international school there. I did my O levels there. So, I know Kolkata quite well. I still go back quite regularly now. My uncles, aunties, and cousins are all there. And the descriptions that I have of Kolkata towards the end of the novel are very much my accumulated feelings about the city.” In Kolkata she is happy not to be treated as the big BBC star from London but instead, “I am somebody’s niece, the eldest in our group of cousins. These are important relationships for me. My uncles range from their late seventies to mid-nineties. I feel close to them. I feel my Bengali identity increasingly strongly.”In the 1970s, she, like other Asians or Afro-Caribbeans, felt “a strong need to assimilate and be British. I see younger colleagues who don’t feel the need to assimilate in quite the same way. They can have mixed dual heritage much more openly. I can, too, now. Is that a function of changing society or is that because I am older and more confident? I am at the stage where my Indian heritage is very important to me, and so I go back frequently. My three children are British. I use the word British (rather than English) because my husband is Scottish. My children were born here. They are mixed race. They are part of the new Britain.
Chakrabarti at Exeter College, Oxford
“When I was a child, I used to be teased for having Chakrabarti as a surname. It’s now part of the national fabric. People know how to spell it as well.”
She would encourage young people, especially Asians, to go into journalism: “It’s a fantastic career. Some people say it’s an uncertain career, but I’m a great optimist. Each generation remakes an industry for themselves, don’t they? We’re some way from being as integrated and as equal as we should be, but we are so much better than we used to be. I’m, by and large, very proud of the way in which the country has developed.”
n Finding Belle is published by HarperCollins. £16.9
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The controversy, now widely referred to as The Salt Path scandal
The Salt Path author Raynor Winn calls media claims “highly misleading”
Allegations published in The Observer raise doubts about key memoir details
PSPA charity ends relationship with Winn and her husband Moth
Winn pulls out of Saltlines tour but is still scheduled for literary events
Author rejects claims as legal advice sought
Raynor Winn, the author of the best-selling memoir The Salt Path, has strongly denied accusations that parts of her book are fabricated, describing recent media coverage as “highly misleading” and confirming that she and her husband are taking legal advice.
The controversy, now widely referred to as The Salt Path scandal, follows an Observer report that disputes aspects of the memoir’s central narrative, including the timeline and medical diagnosis that prompted the journey at the heart of the book.
Winn has previously said that the story is based on detailed notes taken during a 630-mile walk along the South West Coast Path, undertaken after the couple lost their farm and Moth, her husband, was diagnosed with the neurological condition Corticobasal Degeneration (CBD).
Memoir defended as a “true story”
In a statement to Sky News, Winn said: “The Salt Path lays bare the physical and spiritual journey Moth and I shared, an experience that transformed us completely and altered the course of our lives. This is the true story of our journey.”
She added that, due to legal advice, the couple would not be making further public comment at this time.
PSPA severs ties over unanswered questions
In response to the media coverage, the Progressive Supranuclear Palsy Association (PSPA), which supports individuals affected by CBD and similar conditions, confirmed it had “terminated” its relationship with Raynor and Moth.
In a message to its supporters, the charity said: “Many questions currently remain unanswered,” referencing the uncertainty raised by The Salt Path scandal and the need for clarity.
Tour appearances cancelled
Winn had been due to appear throughout the summer as part of Saltlines, a spoken-word and music collaboration with the Gigspanner Big Band. However, the band announced via social media that she would no longer take part in the tour.
Despite this, she remains listed for several upcoming events including literary festivals, creative writing courses, and author Q&As.
A publishing success and a film adaptation
Since its publication in 2018, The Salt Path has sold over a million copies worldwide and spent almost two years on The Sunday Times bestseller list. It is described by publisher Penguin as “an unflinchingly honest, inspiring and life-affirming true story.”
The memoir is the first in a planned series of four books centred on nature, walking, and overcoming adversity. The fourth instalment is due to be released in October 2025.
In 2023, a film adaptation starring Gillian Anderson and Jason Isaacs was shot across various UK coastal regions and released earlier this year.
Film companies respond to controversy
The producers of the film, Number 9 Films and Shadowplay Features, issued a statement distancing the production from the allegations. “The allegations made in The Observer relate to the book and are a matter for the author Raynor Winn,” they said. “We have passed any correspondence relating to the article to Raynor and her agent.”
They added that no claims had been raised at the time of optioning or during production and that standard due diligence was undertaken before adapting the memoir.
Actor Jason Isaacs, who plays Moth in the film, previously told Sky News he had spoken with the couple before filming and described them as “humble” and uninterested in seeking the spotlight. He also called the film “a true, beautiful, real-life love story” and hoped it would encourage empathy toward homeless people.
Publisher contacted for comment
Sky News has contacted Penguin, which published The Salt Path as well as two of Winn’s follow-up works, for comment regarding the allegations now being described as part of The Salt Path scandal.
When Jasbinder Bilan first paused her teaching career to pursue a creative writing degree, she had no idea it would lead to a life-changing breakthrough. What began as a leap of faith became a journey filled with hope, rejection and ultimately triumph. Inspired by her beloved grandmother and her Indian roots, Bilan poured her soul into her debut manuscript Song of the Mountain. Though the publishing world was not immediately ready for her story, perseverance paid off when she won the 2016 Times Chicken House Prize, launching her celebrated writing career. Now, following the success of her Costa Award-winning Asha and the Spirit Bird, Bilan returns with a powerful new historical adventure, Naeli and the Secret Song. In this exclusive interview, she speaks about the emotional inspiration behind the book, her love for young readers and the importance of believing in your voice — no matter how long it takes to be heard.
What first connected you to writing? It was stories more than writing that were my first love. My grandmother, Majee, was the storyteller in our house and it was those bonding moments that sparked my love for creating my own stories. She told me lots of Indian folk tales at bedtime, but she also shared stories of our life in India on the farm near the foothills of the Himalaya. So, I grew up feeling connected to a place that I then filled with my imagination. As a little girl I loved drawing and writing, and always wanted to be a writer, but it took me a long time to make that dream come true.
What led you towards writing children’s books in particular? Although I did not become a published author straight away, I became an English teacher. I was surrounded by children’s literature and of course by young people, so it felt like a natural fit to want to write stories for this age group. At each stage of development there are challenges, and the wonderful thing about stories is that as an author you can really help young people navigate an increasingly complex and difficult world. In each of my stories I create empathy and show my readers how they can be a little braver in their own worlds.
Which of your books is closest to your heart? It has to be Asha and the Spirit Bird, because it is the book that made me a published author and the one inspired by my Majee, who I was very close to. It is also a celebration of my family roots.
Tell us about your new book. My latest book, Naeli and the Secret Song, is another historical adventure with a musical twist. It is set in both Hyderabad, India, and England towards the middle of the 19th century. It follows my main character Naeli as she bravely boards a ship bound for Southampton, in search of her English father. The story has many twists and turns as she explores gas-lit London, armed with her precious violin. With help from a newfound friend, Jack, she follows faint clues that take her as far as the wilds of Northumberland. It is the song her papa taught her that propels her on her quest, and the strange Uncle Daniel she needs to escape.
Naeli and the secret song
What inspired the story? As with many of my stories, the inspiration comes from a very real source. India and Britain have been connected for many hundreds of years, and these connections, as well as being economic, have also been personal. I came across a collection of letters written by a girl called Mary Wilson. She was the daughter of Sir Henry Russell, an officer in the Indian Army. Her mother was Indian. When Sir Henry moved back to England, he arranged for Mary to go too, but he hid his identity from her. Although he supported her financially, he did not want her to know he was her father. These letters show how desperate she was to know him.
What happened next? This gave me the idea for the story. I also wanted to shine a light on the love between the two nations. Hyderabad was a city full of music and literature, and culture is a great connector, so Naeli’s parents were brought together by their passion for music.
You always come up with really interesting titles. What inspired this one? I was looking for a way into this story and came up with the idea of a family mystery hidden by a secret song. There are also misunderstandings in the story, family jealousies and some dastardly goings-on.
Is there a key message you want to convey with this particular book? I wanted to show that the connections between India and Britain are long and strong. As well as the complexities of colonialism, this book explores the things that brought people together at the time. It also highlights the fact that Victorian Britain was a diverse place. I hope readers will see that period in history in a fresh light.
What, according to you, makes for a great children’s book? I would say having characters the reader can identify with and root for. It has to be a page-turner and have an adventure at its heart. I also think there should be a surprise that takes readers to a place they have not been before and makes them think.
What advice would you give parents selecting a book for their children? Try to let the child pick their own books rather than choosing for them. In this way they will develop their own tastes. Reading together is fantastic too. Parents also need to be role models – having family time when everyone reads is something to aim for.
What inspires you creatively? I get my inspiration from lots of different places. I like to have an open mind, walk in nature, visit places and let my mind wander. I find walking my dog is a great way to relax and I usually start thinking of a new story. I have so many ideas — my only problem is finding the time to write them all!
Why do you love being a writer? It was my childhood dream and I never thought someone like me could become a writer. I think of this and realise that if you want to do something, you just have to knock down the obstacles, not take no for an answer and keep going. It is my dream job and I love all the different aspects, especially meeting my readers. I have been lucky enough to have many ‘pinch me’ moments, such as being invited to Buckingham Palace and doing events for Queen Camilla.
Naeli and the Secret Song by Jasbinder Bilan (£7.99, Chicken House) is available now.
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K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative
From the blood-soaked backstreets of Dhaka to the polished kitchens of Manhattan’s elite, K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative. A satirical thriller steeped in class tension, culinary obsession and primal survival, Carnivore follows Kash, a Bangladeshi immigrant-turned-chef who launches a high-end restaurant serving exotic meats – only to become embroiled in a sinister world of appetite and ambition.
But this is no simple tale of knives and recipes. Ahmed – a seasoned journalist, publisher, and president of PEN Bangladesh – brings a sharp eye to the grotesqueries of power and privilege. In this exclusive interview with Eastern Eye, he speaks about his passion for food, the moral murkiness of his characters, and why even the most ordinary people can spiral into extraordinary darkness.
A compelling premise, layered and unpredictable charactersAMG
What first connected you to writing?
I have been an avid reader since childhood – starting with Bengali and Russian fairy tales, before moving on to Enid Blyton and Agatha Christie. In my teens, I discovered Somerset Maugham and Graham Greene. Their travel writing sparked my imagination. The idea of being a wanderer through the world as a writer captivated me and pulled me toward writing as a vocation.
What inspired your new novel Carnivore?
I lived in New York for a time and love the city. I have always had a strong interest in food and found the idea of running a café, bar or restaurant quite enticing. Since I could not do it in real life, I created one in fiction – and let it go in some wild directions.
Tell us a little about the story.
It is about a young immigrant, Kash, who runs a wild game restaurant in downtown Manhattan. When the 2008 financial crash hits, his investors and clientele disappear. To stay afloat, he turns to hosting private dinners for the super-rich. In chasing a gig for a secretive billionaire’s dining club – while also dealing with a Russian money-lender – things soon spiral out of control.
What drew you to the culinary aspect?
It came from my passion for food and cooking. But cooking, for me, is more than just food – it is about identity, values and cultural expression.
As a writer, how do you develop the darker elements in a story like this?
It usually begins with a simple ‘what if’. I ask myself: how far could a seemingly ordinary person be pushed, given enough pressure or temptation? And who might they take down with them?
What inspired the title?
It was suggested by my brilliant agent, Charlie Campbell. The title captures not just the wild game theme, but also the broader idea of appetite – its excesses, its destructive potential.
Anyone who enjoys a gripping story with a diverse cast and unexpected twistsHarperFiction
What was the biggest challenge in writing the book?
Making the ultimate meal they plan feel believable – both to Kash and his team, and to the clients. None of these characters are inherently sociopathic. I wanted to explore the extremes that ordinary people might reach when driven by circumstance.
What is your favourite part of the book?
There is an episode where they go “hunting” for a peacock – I really enjoyed writing that. The backstory draws from my own memories of Eid-ul-Azha in Dhaka, where animal sacrifices take place in driveways and courtyards. It is surreal to see such rituals on such a scale in a modern city.
Who are you hoping the novel resonates with?
Anyone who enjoys a gripping story with a diverse cast and unexpected twists. It is for fans of crime thrillers, but also for general fiction readers who like discovering new subcultures – and morally daring propositions.
What do you enjoy reading, and do you have a favourite author?
I read a lot – both fiction and non-fiction, from science to history. The novel is my greatest love, and my favourite authors span classics and contemporaries. Some recent writers I have particularly enjoyed include Paul Beatty, Alejandro Zambra, Rachel Kushner and Ottessa Moshfegh.
What inspires you as a writer?
Intriguing ‘what if’ ideas, morally complex characters and the challenge of crafting sentences that feel exactly right.
What are you working on next?
I am working on a story where a seemingly normal person slowly descends into sociopathy. I want to explore how someone can unravel and become unrecognisable from who they once were.
What, in your view, makes a great novel?
A compelling premise, layered and unpredictable characters, and prose that is fresh and evocative – without being overwrought.
Why should readers pick up your new book?
Because it is a truly fun read – simple as that.
Carnivore by K Anis Ahmed is published by HarperFiction, £16.99.