Rageshri Dhairyawan: Prescription for positive change
The senior NHS doctor dissects who gets listened to and who doesn’t in medicine, and how this leads to a culture of silencing at every level
Dr Rageshri Dhairyawan
By Mita MistrySep 21, 2024
WITH her book Unheard, Dr Rageshri Dhairyawan takes readers on a journey through history, revealing how not listening to patients has been ingrained in medicine from its inception.
The senior NHS doctor dissects who gets listened to and who doesn’t in medicine, and how this leads to a culture of silencing at every level – from the consultation room and workforce to research and global health.
She also describes her book as a “prescription for change” to help create a healthcare system that no longer dehumanises, but listens and subsequently improves care for all.
The ultimately empowering book, aiming to build a bridge between doctors and patients, also explores hidden truths connected to treatment and offers a way to reshape the health system for the future.
Eastern Eye caught up with the doctor to discuss her book and its key message. She also gave advice for those struggling to be heard in the healthcare system and revealed authors who have inspired her.
What inspired your book Unheard?
In 2013, I was admitted to the hospital with excruciating abdominal pain due to my endometriosis flaring up during fertility treatment. To my dismay, throughout my admission, I was denied adequate pain relief by the staff and made to feel like a fraud or attention-seeker. I think this was partly due to my gender and ethnicity, and stereotypes of being ‘an anxious south Asian woman’.
Thanks to my husband advocating for me, I finally got the treatment I needed. I didn’t complain at the time or afterward, as I did not want to be seen as more of a nuisance.
How did that experience lead to writing this unique book?
I felt silenced. I wondered, if this could happen to me, a senior NHS doctor, what happens to everyone else? To those who can’t speak English, or don’t have someone to advocate for them? To those with life-threatening illnesses?
For a long time afterward, I felt guilty for not speaking up. I wrote Unheard to break this silence. Second, it’s also for my patients who come from marginalised backgrounds and whose voices are seldom heard in healthcare policy.
Finally, as a doctor, I know that despite my best intentions, I don’t always listen well. I wanted to understand why that was.
Why is it so important to be heard?
We see the consequences of patients not being heard or believed far too often in safety investigations. They don’t receive the tests or treatment they need, which can lead to serious physical and mental harm. Patients report feeling gaslit, which increases mistrust in their medical teams and may deter them from seeking help when ill.
Did writing the book help you heal in any way?
Yes, it felt cathartic to use my experiences of being unheard in different ways to explore the issues and hopefully create positive change.
What was the biggest challenge in writing it?
Time. I was working full-time as a clinician and researcher, so balancing everything was difficult.
The cover image of her book
Who are you hoping will connect with this book?
I hope that patients (or their loved ones) who have experienced being dismissed in healthcare find that the book validates their experiences. I also want healthcare professionals and students to read it so they can reflect on their own practice, and policymakers to consider how they can develop services that encourage listening.
Is there a key message you want to convey?
When people say they don’t feel heard in medicine, the usual solution is to tell them to ‘speak up louder’. However, it’s hard to speak up when you’re at your most vulnerable. The responsibility for patients being heard should lie with the healthcare system – we must learn to listen better.
What does a fairer healthcare system look like?
A system with inclusion and equity at its core, valuing all voices equally and recognising the importance of patients’ voices at every level.
What was your favourite part to write?
I enjoyed writing the chapter Devalued: Why Doctors Don’t Listen. When I started, I thought it would be mainly about bias against certain groups of patients. But through my research, I learned that not listening to or believing patients is ingrained in our profession, something reported for centuries, and it starts in our training. I found this eye-opening and it shows how much we need to change.
However, I think doctors would find their jobs more enjoyable if we had the time and skills to listens well to our patients.
What advice would you give to those struggling to be heard by their healthcare practitioners?
I recommend preparing for appointments by writing down what you want to say or ask, bringing useful information like results or medications, and asking in advance for an interpreter if needed. Having a trusted friend or relative as an advocate can be very powerful. If you don’t feel heard, try using a phrase like, ‘Thank you, but I’m still worried about…’ If things go wrong, know your rights – how to complain or ask for a second opinion.
What sort of books do you like to read?
I mainly read fiction, and my favourite authors are Jhumpa Lahiri, Marian Keyes and Kate Atkinson.
Which writers inspire you?
I admire Annabel Sowemimo and Rachel Clarke, both practising clinicians and beautiful writers, who passionately use their books to advocate for better patient care in a meaningful way that I hope to achieve with Unheard.
Do you have plans to expand your writing with additional resources?
I have much more to say, so with the right opportunity, I’d absolutely love to write more.
Why should we all pick up your new book?
I hope you will find it a tool for advocacy and, hopefully, a fascinating and accessible read.
The airline did not provide details on the departure time, number of passengers or crew on board, or how long the flight was in the air before returning. (Representational image: Getty Images)
A BRITISH AIRWAYS flight bound for Chennai returned to London mid-air on Sunday after reporting a technical issue.
The airline said the aircraft landed safely and passengers and crew disembarked normally. “The aircraft returned to Heathrow as a standard precaution after reports of a technical issue,” British Airways said in a statement.
The airline did not provide details on the departure time, number of passengers or crew on board, or how long the flight was in the air before returning.
Live flight tracking data from Flightradar24.com showed that British Airways flight BA35 was scheduled to depart at 12.40 pm and arrive in Chennai at 3.30 am. The Boeing 787-8 aircraft departed from London Heathrow at 1.16 pm, following a delay of more than 35 minutes.
According to the website, the flight remained airborne for nearly two hours before returning to London. It also flew in multiple holding patterns before landing at Heathrow.
“Our teams are working hard to get their journeys back on track as soon as possible,” British Airways added.
Meanwhile, a Lufthansa flight from Frankfurt to Hyderabad also turned back mid-air on Sunday, Flightradar24.com showed. The reason for the diversion was not known.
Flight LH752, operated by a Boeing 787-9 Dreamliner, departed from Frankfurt at 14.29 instead of its scheduled departure time of 13.05 pm. The flight was due to arrive in Hyderabad at 1.20 am, according to the website.
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Fans express concern over Bieber’s intense Instagram updates
Bieber posted over a dozen updates in a matter of hours, many of them laced with frustration. One post read, “Happy daddy day to me u lil ho,” while another simply stated, “quit f–ing with me. I’m really not the one.” Accompanying the messages were moody selfies and a video of him silently shaking his head with the caption “how I feel about you.”
The timing raised even more eyebrows. Just days earlier, Justin had an angry confrontation with paparazzi outside Soho House in Malibu. When one photographer wished him a happy Father’s Day, Bieber snapped: “You don’t go to people you don’t know and say sh–t out of nowhere with a camera in their face.” He went on to say, “I’m a father. I’m a dad. You guys are on private property.”
The next day, he followed up with unseen photos of his baby boy, Jack Blues, and captioned it with a middle finger emoji and the phrase “ay bay bay.” His wife Hailey, who gave birth to their son in August 2024, liked the post, but fans remained unsettled.
Fans express concern over Bieber’s emotional health
Longtime followers have noted a pattern in Bieber’s recent behaviour. Last week, he lamented on Instagram about feeling drained by “transactional relationships.” In his story, he wrote, “If I have to do something to be loved, that’s not love.” In another post, he added, “I don’t think any of us can handle hearing ‘try harder and you’ll be like me.’”
Though some fans supported his right to speak openly, many expressed worry. Comments ranged from “I love you but I’m worried, king,” to “I just hope you find peace.”
While his representative previously dismissed drug rumours as “pitiful and exhausting,” Bieber’s emotional vulnerability and anger continue to fuel speculation. As of now, he hasn’t addressed the backlash or clarified the meaning behind his Father’s Day posts.
In the wake of the tragic plane crash in Ahmedabad on June 12, London came together in an emotional outpouring of grief and unity at the Siddhashram Shakti Centre in Harrow. Over two solemn days, the revered spiritual haven hosted a series of powerful ceremonies led by His Holiness Rajrajeshwar Guruji, drawing together faith leaders, public figures, and residents from across communities.
On the day of the tragedy, Guruji led a spiritually charged recitation of the Hanuman Chalisa 12 times, joined by a team of spiritual practitioners from India. The prayer created a deep atmosphere of collective mourning and healing.
“Prayer is our greatest strength in the face of such loss,” Guruji said. “We do not grieve as Hindus, Muslims, or Christians — we grieve as one humanity.”
The prayer service was attended by several distinguished figures, including Gareth Thomas MP, Minister for Services, Small Businesses and Exports.
Two days later, on June 14, Siddhashram partnered with the Harrow Interfaith Forum to host a candlelight vigil — a remarkable expression of unity, attended by representatives of Hindu, Sikh, Muslim, Jain, Jewish, and Zoroastrian communities. Children from the temple led the lighting of candles, setting the tone for an evening of shared sorrow, solidarity, and prayer.
Key dignitaries included:
Simon Ovens DL, Representative of His Majesty King Charles III, who read a message of royal condolence and described the gathering as a reflection of “true British compassion.”
Cllr Anjana Patel, Worshipful Mayor of Harrow, who spoke with visible emotion as a member of the grieving Gujarati community.
Bob Blackman CBE, MP for Harrow East, offered messages of comfort and pledged support for those affected.
Kareema Marikar, former Harrow Mayor, recited a heartfelt Muslim prayer.
Mahavir Foundation’s Nita Sheth and Mukesh Kapashi, who led Jain prayers.
Bobbi Reisel, Jewish representative from Bereavement Care Harrow, who offered messages of solace.
Dorab Mistry, representing the Zoroastrian community, and
Gopal Singh Bhachu, Chair of Harrow Interfaith Forum, who led Sikh prayers with fellow community leaders.
PC Elaine Jackson, Met Police Faith Officer, attended in support of the event’s interfaith spirit.
Attendees travelled from across the UK, including Leicester, to be present. Musicians lifted spirits through devotional melodies, and volunteers ensured all were cared for on a sweltering summer day.
The Siddhashram Shakti Centre, long a sanctuary for spiritual guidance and community healing, once again stood at the heart of London’s collective conscience. As Guruji reflected, “In our unity, we find peace, in prayer, we carry the light of those we lost.”
Executives from the Madhvani Group, including Shrai Madhvani, his wife Aparna Madhvani, and director Nitin Gadhia, met Indian Prime Minister Narendra Modi at his official residence in New Delhi on Saturday to discuss the group’s proposed investments in India, including the acquisition of Hindustan National Glass Ltd (HNGIL).
The meeting focused on the group's plans to invest in India through INSCO, which is seeking to acquire HNGIL, the country’s largest container glass manufacturer. The acquisition is currently awaiting approval from the National Company Law Tribunal (NCLT), following key rulings by the Supreme Court of India on January 29 and May 16, 2025.
On the same day, the Committee of Creditors, led by the State Bank of India, approved INSCO’s resolution plan with 96.14% voting in favour.
Prime Minister Modi welcomed the proposed investment, highlighting its potential to generate employment and contribute to India’s economic development.
During the meeting, Madhvani presented Modi with Tide of Fortune, a book written by his late father, Manubhai Madhvani, and Flowers from the Bhagavad Gita, authored by his brother, Kamlesh Madhvani. Aparna Madhvani also shared two poems she had written for the Prime Minister as a personal tribute.
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Fielder’s work often revolves around themes of performance in everyday life
Canadian comedian and writer Nathan Fielder has long been known for his unconventional television work. Gaining recognition through Nathan for You, Fielder built a reputation for creating boundary-pushing, satirical content that blurred the lines between reality and performance. One of the most talked-about episodes involved a frozen yoghurt flavour that deliberately tasted unpleasant, while The Rehearsal, another of his projects, explored the complexities of human behaviour by meticulously recreating real-life scenarios to prepare people for difficult conversations or events.
Fielder’s work often revolves around themes of performance in everyday life, the blending of public and private personas, and the anxiety surrounding authenticity. His limited media presence and rare interviews add to the intrigue, leaving audiences unsure whether he is playing a version of himself or deliberately maintaining a fictional persona.
The Curse and a shift to fictional storytelling
In 2023, Fielder made a significant shift in his career by co-creating and starring in The Curse, a limited series that further explored his interests through scripted drama. Co-created with filmmaker Benny Safdie, the show also stars Academy Award-winner Emma Stone. This marked a departure from Fielder’s earlier, semi-documentary style work and introduced him into the realm of fictional narrative television.
The Curse follows a married couple, played by Fielder and Stone, who are producing a home improvement reality show while also trying to start a family. Their personal and professional lives take a dark turn after an unsettling encounter with a young child who places a curse on them. The story examines themes such as performative activism, media manipulation, and the illusion of kindness, set against the backdrop of a seemingly well-intentioned couple who struggle with their own moral contradictions.
Nolan’s high praise for the series
Acclaimed director Christopher Nolan expressed his admiration for The Curse in an interview, describing it as a rare and groundbreaking piece of television. “It’s an incredible show, and it’s unlike anything I’ve ever seen on television before,” Nolan said. “There are so few shows that come along that have genuinely no precedence. You’re going back to things like Twin Peaks, or The Prisoner, or Dennis Potter’s The Singing Detective… you’re in an amazing space, and I can’t wait to catch up with the climax.”
Nolan’s comments place The Curse among some of the most influential and surreal television dramas of the past, underlining its unconventional storytelling and emotional impact.
Critical reception and cultural relevance
The Curse has received praise for its sharp commentary on social media, authenticity, and the performance of morality in the public eye. The show’s unsettling tone and layered narrative structure have sparked discussions around the ethics of entertainment and the lines between fiction and reality.
- YouTubeYouTube/ Rotten Tomatoes TV
Emma Stone’s participation in the project aligns with her previous roles in unconventional films, particularly her collaborations with director Yorgos Lanthimos. Her performance, alongside Fielder’s restrained and often ambiguous portrayal, has been noted for adding depth to the show’s central themes.
A bold entry into prestige television
With The Curse, Nathan Fielder has successfully transitioned into the world of prestige television drama, maintaining the thematic interests that defined his earlier work while exploring them in a new, scripted format. The show’s ability to provoke discussion, confuse genre expectations, and attract praise from figures like Christopher Nolan marks it as a standout series in today’s media landscape.
Whether audiences view it as satire, drama, or something in between, The Curse demonstrates Fielder’s continued commitment to challenging conventional storytelling, and his growing influence in both comedy and drama alike.