Playlist of special Sonu Nigam songs ahead of his hotly anticipated UK concerts
By Asjad NazirMar 28, 2023
WHETHER it is singing classics from the golden era of Bollywood or his immense body of work in diverse languages, genres and musical styles, Sonu Nigam has a phenomenal number of hit songs to his name.
That brilliant body of work combined with a natural vocal ability and mastery on stage make his concerts truly special. The popular singing star returns to the UK with a full live band for two shows at OVO Arena in London on March 31 and Morningside Arena in Leicester on April 1.
Eastern Eye looked ahead to the shows by preparing a playlist of his Bollywood hits, listed in chronological order, knowing there are many more.
Sandese Aate Hai from Border (1997): The song about frontline soldiers missing loved ones has lost none of its power 26 years later. The duet with Roop Kumar Rathod is an iconic musical number filled with emotion that reaches deep into your heart. It was a star-making moment for the singer.
Satarangi Re from Dil Se (1998): This multi-layered musical masterpiece composed by AR Rahman was brought brilliantly to life by the superb singer. There is so much going on from the catchy music, to changes of paces and vocal breaks featuring Kavita Krishnamurthy, in a song that still has plenty of power.
Panchhi Nadiyan Pawan Ke Jhonke from Refugee (2000): Nigam and Alka Yagnik received multiple award nominations for this stunning duet. The standout musical moment in this cross-border drama won Javed Akhtar a National Award for Best Lyrics. The love song filled with feeling was wasted on a movie very few watched.
Suraj Hua Maddham from Kabhi Khushi Kabhie Gham (2001): One of the greatest love songs of all-time oozes romance from start to finish. The delightful duet with Alka Yagnik perfectly puts across deep feelings of love and 22 years later, we still can’t get enough of it.
Kal Ho Naa Ho title track (2003): Arguably, the greatest song of the popular singer’s career won him multiple awards. The deeply meaningful number driven by feeling, emotion, and an inspiring message is more needed than ever. It remains a magical moment whenever he performs it live.
Tumse Milke Dil Ka from Main Hoon Na (2004): Although he is known for slow emotional numbers, Nigam has consistently shown his ability to light up something more upbeat like this top tune. His vocal acrobatics on this catchy song show off his skill and provide pure entertainment.
Do Pal from Veer Zaara (2004): This phenomenal duet about the pain of separation teamed Nigam up with legendary singer Lata Mangeshkar. Both vocally complement each other wonderfully well on a song that appeals to all ages. What made this top track extra special was that it was composed by the late Madan Mohan.
Sonu Nigam
Kabhi Alvida Naa Kehna (2006): The film has two outstanding duets from Nigam and Alka Yagnik, including phenomenal love song Tumhi Dekho Naa. The title track makes this list because it has that universal emotion, of not wanting a loved one to ever say goodbye. Both singers add feeling to a musically rich number marvellously well.
Main Agar Kahoon from Om Shanti Om (2007): The talented singer once again used him immense skill of adding feelings of love with this romantic duet. He makes the lyrically rich song relatable and leads beautifully into a great vocal from Shreya Ghoshal. The timeless quality of this song makes it remain relevant.
Phir Milenge Chalte Chalte from Rab Ne Bana Di Jodi (2008): Having made a name for himself singing classics from the golden era of Bollywood, Nigam was the only singer, who could have sung this entertaining song. He glides across different decades of Hindi cinema with a song that has clever nods to familiar hits from the past.
Abhi Mujh Mein Kahin from Agneepath (2011): One of the singer’s personal favourite songs is another illustration that few can do raw emotion quite like him. The heartfelt love song is powered by a deeply philosophical message that has connected with anyone who has ever felt love for someone.
Kahani from Laal Singh Chaddha (2022): The Indian adaptation of Hollywood film Forrest Gump added to the life-affirming songs sung by the incredible singing talent with his version of this soothing musical gem. He shows less can be more on a song that makes you love life.
The Sonu Nigam Show is on at OVO Arena, Arena Square, Engineers Way, London HA9 0AA on Friday March 31; and Morningside Arena, 31 Charter Street, Leicester LE1 3UD on April 1. www.ticketmaster.co.uk
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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