Paris 2024: Nadeem wins historic javelin gold, Neeraj claims silver
Before Nadeem’s victory, Pakistan had never won an individual gold medal at the Olympics. The country’s previous three gold medals were all in field hockey.
By EasternEyeAug 09, 2024
PAKISTAN's Arshad Nadeem made history by winning the Olympic men's javelin title in Paris on Thursday, marking his country's first individual gold medal at a Summer Games.
Nadeem set an Olympic record with a throw of 92.97 meters, securing the gold medal. India's Neeraj Chopra, the defending champion, took silver with a distance of 89.45 meters, while Grenada's Anderson Peters earned bronze with a throw of 88.54 meters.
"When I threw the javelin, I felt it leaving my hand and sensed it could be an Olympic record," said Nadeem, 27.
Nadeem, who won the Commonwealth Games in 2022, finished fifth at the Tokyo Olympics, and secured a silver medal at the Budapest World Championships last year. He emphasised the importance of this result for Pakistan, noting the hard work he put in over the years.
"My training and hard work have paid off," he added.
Addressing the rivalry with Chopra, Nadeem acknowledged its significance. "The rivalry with Chopra is there, no doubt," he said. "People back home in Pakistan and India were eager to see us compete together."
He continued, "Rivalry is there in cricket and other sports, but it's a good thing for young people in both countries to watch our sport and follow us. It's a positive thing for both countries."
Chopra echoed this sentiment, stating that the competition between them could inspire more people in both countries to take up athletics, particularly javelin.
Nadeem also shared his ambitions for future competitions. "I was expecting to throw even further, and I am hoping to go even further," he said, after his Olympic record surpassed his previous best by more than two meters. "I will try harder to extend my personal best to over 95 meters."
Before Nadeem's victory, Pakistan had never won an individual gold medal at the Olympics. The country's previous three gold medals were all in field hockey, achieved in 1960, 1968, and 1984. Additionally, only two Pakistani athletes had won individual medals prior to Thursday—a wrestling bronze in 1960 and a boxing bronze in 1988. Since the 1992 Barcelona Games, Pakistan had not won any Olympic medals.
Chopra, though satisfied with his best throw, expressed disappointment with his overall performance. "I'm not that happy with my performance today, and my technique and runway were not that good," he said. "Only one throw was good; the rest I fouled. That second throw, I believed in myself, but in javelin, if your run-up is not so good, you can't go very far."
Chopra also revealed that he had not done much throwing in training due to a groin injury. "The last two, three years were not so good. I'm always injured. I really tried hard, but I have to do more work on my injury and technique. But I will work hard in the future. Today's competition was really great. Arshad threw really well. Congratulations to him and his country."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.