PAKISTAN is seeking a "civilised" and "even-handed" relationship with Washington like the one that existed between the US and the UK or with India "right now", prime minister Imran Khan has said, underlining the role Islamabad could play in the region, including in Afghanistan after America leaves the war-torn country.
Khan made the comments during an interview with The New York Times in which he also expressed his disappointment that his bid to normalise ties with India did not make any progress though he approached prime minister Narendra Modi soon after assuming office in August 2018.
In the interview that comes as US President Joe Biden had his first face-to-face meeting with his Afghan counterpart Ashraf Ghan at the White House on Friday (25), Khan recalled that Pakistan has had a closer relationship with the US than other nations in the region, such as India, and was a US partner in the war against terrorism, Dawn newspaper reported.
"Now, after the US leaves Afghanistan, basically Pakistan would want a civilised relationship, which you have between nations, and we would like to improve our trading relationship with the US,” he said.
Asked to elaborate his concept of a civilised relationship, Khan said he was seeking relations like the one that existed "between the US and Britain, or between the US and India right now. So, a relationship which is even-handed".
"Unfortunately, the relationship during the war on terror was a bit lopsided," he said.
"It was a lopsided relationship because the US felt that they were giving aid to Pakistan, they felt that Pakistan then had to do US' bidding.”
"And what Pakistan did in terms of trying to do the US bidding cost Pakistan a lot - 70,000 Pakistanis died, and over $150 billion (£108 bn) were lost to the economy because there were suicide bombings and bombs going on all over the country," he said.
The main problem with the lopsided relationship was that "Pakistani governments tried to deliver what they were not capable of", and it led to a "mistrust between the two countries", Khan said.
"And people in Pakistan felt they paid a heavy, heavy price for this relationship. And the US thought Pakistan had not done enough."
The prime minister said his government wanted the future relationship to be based on trust and common objectives, including a peaceful and stable Afghanistan.
The US and the Taliban have signed a landmark deal in Doha on February 29, 2020 following multiple rounds of negotiations to bring lasting peace in the war-torn Afghanistan and allow US troops to return home, effectively drawing curtains on America's longest war.
Asked if Pakistan will continue to have any strategic relevance to the US after the pull-out, Khan said: "I don't know, really. I haven't thought about it in that way, that Pakistan should have some strategic relevance to the US."
Khan said he could not predict the future of the military and security relationship between Pakistan and the US.
"Post the US withdrawal, I don't know what sort of military relationship it will be. But right now, the relationship should be based on this common objective that there is a political solution in Afghanistan before the United States leaves," he stressed.
Asked if Pakistan was still using its leverage with the Taliban to move the peace talks towards a deal, Khan said, "Pakistan has used the maximum leverage it could on the Taliban."
He said the US decision to fix a date for withdrawing its troops from Afghanistan also diminished Pakistan's leverage on the Taliban.
"Given that the US gave a date of withdrawal, from then onward, our leverage diminished on the Taliban. And the reason is that the moment the United States gave a date of exit, the Taliban basically claimed victory,” Khan said.
Khan said Pakistan has been emphasising to the Taliban that they should not go for a military victory because it would only lead to a “protracted civil war”.
He also said Pakistan would have had a better relationship with India if it had a “different government” and they would have resolved all their differences through dialogues.
"When I assumed office, the first thing I did was I made this approach to prime minister Modi (to seek) a normal, civilised trading relationship...We tried but didn't get anywhere," he said.
"Had there been another Indian leadership, I think we would have had a good relationship with them. And yes, we would have resolved all our differences through dialogue," Khan claimed.
The strained ties between India and Pakistan deteriorated further after New Delhi announced the withdrawal of special status of Jammu and Kashmir and bifurcation of the state into two union territories in August 2019.
On the status quo in Kashmir, Khan said, "I think it's a disaster for India because it will just mean that this conflict festers on and on, and (prevents) any relationship, normal relationship between Pakistan and India."
India has told Pakistan that it desires normal neighbourly relations with it in an environment free of terror, hostility and violence.
Khan said the US assumption that India would be the bulwark against China was wrong. "I think it would be detrimental for India because India's trade with China is going to be beneficial for both India and China."
Pakistan, he said, was "watching the scenario unfold and with a bit of anxiety”.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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