Stunning Bangladeshi short film Moshari has received awards and acclaim at major festivals around the world.
The unique story of two sisters seeking shelter from a mysterious threat has qualified for the Oscars and will have its UK premiere at the London Film Festival this month.
Talented writer-director Nuhash Humayun has masterminded the path-breaking movie and gained a lot of attention for his artistry and injecting interesting messages into a chilling horror film. Having already got support for his upcoming film Moving Bangladesh from high profile organisations like the Sundance Institute, he is now looking forward to building on the success of Moshari.
Humayun spoke to Eastern Eye about the short film that so many people have been speaking positively about and creative inspirations.
OSCAR BUZZ: Nuhash Humayun
What connected you to filmmaking?
I was 13 years old when my mom bought a family digital camera, and I kept using it to make funny videos. I was a bit of a weirdo at school, and didn’t have a lot of friends, so making shorts was my way of connecting with people. It all started from there.
What inspired your acclaimed film Moshari?
We always see the end of the world in movies – whether it is alien invasions or monster apocalypses – in New York or London. But what’s happening in Dhaka, Bangladesh? What’s the story of the survivors there?
Tell us a little about the unique movie?
Moshari is set in the near future where two sisters must survive a strange new world. Moshari means mosquito net in Bengali, and the only way these sisters can survive is inside a moshari. But the real question is, can they survive each other?
There is everything from climate change to family relations in the film. What is the key message you wanted to convey?
What I love, from our long festival run, is that every viewer has their own takeaway from what the film means. At the end of the day, it’s about dealing with family and how trauma affects us in different ways.
How do you feel about it being part of this year’s BFI London Film Festival?
Moshari at BFI as our UK premiere is immensely exciting, It’s such a grand, prestigious festival and also so diverse. This year’s line-up is incredible and it’s an honour to be amid such great films.
How much did it mean when the movie qualified for the Oscars?
We are the first Oscar qualifying film in Bangladesh’s history – something I could have never imagined. That too, multi-Oscar qualifying. It’s not just my team that’s excited, I feel all of Bangladesh is rallying behind me.
According to you, what makes for a great film, whether short or a feature?
Heart – I believe that makes for a great movie. A film should ultimately have a little piece of the filmmaker’s soul in it.
What inspires you?
I am inspired more by real life than films that already exist. There’s a rich world around us to draw from.
What can we expect next from you?
Moshari has been slated to become a studio feature film, which is very exciting.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.