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Now get ready for a biopic on Sanjay Dutt by Ram Gopal Varma

If you were not satisfied with Rajkumar Hirani’s Sanju (2018) and thought that the acclaimed filmmaker tried to whitewash Sanjay Dutt’s controversial image, you can wait for director Ram Gopal Varma’s biopic on Dutt.  

Yes, you heard that right! Varma, who has to his credit such path-breaking movies as Rangeela (1995) and Satya (1998), is coming up with a rival biopic on Sanjay Dutt, tentatively titled Sanju: The Real Story.


Confirming the news, Varma told a leading daily, “Yes, I am making the film.” When asked to dish out more information on the project, the director chose to stay quiet.

“That Dutt was doing drugs, was traumatised by his mother’s battle with cancer, had multiple flings, many of them one-night stands, is all well documented,” a source says.

Reportedly, the brand-new biopic will shed light on a string of unanswered questions, like how Sanjay Dutt came to be in possession of an AK-56 assault rifle during the Mumbai blastings in 1993.

“Ramu has been meeting Sanjay’s associates and cops involved with the investigation as part of his research,” the source adds.

The cast is yet to be finalized.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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