Mythili Prakash's all-female show 'She's Auspicious' humanises the goddess
Mythili Prakash in 'She's Auspicious'
By Shiveena HaqueApr 01, 2025
ACCLAIMED American Bharatanatyam exponent Mythili Prakash recently took centre stage with the UK premiere of her show at the newly opened Sadler’s Wells East theatre in Stratford, London.
Any new venue drums up a world of excitement and almost feels like going on a first date, and this was no different. The freshness of everything was immediately impactful in this suitably lit venue. New carpet, modern fixtures, a Great Gatsby-inspired ambience, and the smell of unforgettable art in the air. There was also a dash of loving memories thrown in.
The appropriately dimly lit theatre added a flair of excitement as the audience swiftly made their way to their allocated seats. Enter Mythili, in all her glory, as she stepped into an intriguingly designed set filled with metal structures.
She took to the stage with an all-female cast to explore the deep relationship between femininity and purity, delivering an impressive show that explored mythical narratives. Drawing deep inspiration from the mythology of Goddess Durga, this production analysed the relationship between female deities and how society treats women.
From the opening scene, Mythili projected a goddess-like energy with every movement, carefully curated to direct the audience’s gaze exactly where she wanted it. A goddess embodies power and control, which is what the performers exuded with their interpretative dance, telling a tale that sparked passion, emotions of resistance, persistence, and determination. The team of vibrant women decorated the stage, telling a timeless story of a goddess navigating human situations. Or perhaps a human experiencing goddess-like power? With beautiful music, each scene transitioned seamlessly into the next.
The other major highlight was the clearly skilled dancers, who bounced off each other beautifully, with lead star Mythili being the central fulcrum of the performance.
The emotionally charged final scene was the most captivating and empowering of the entire performance. This transformation was visually represented as Mythili evolved from a plainly dressed woman to an elaborately adorned goddess. By humanising the goddess, the timeless piece offered something that resonated deeply with the audience, especially the women present.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.