The organiser of the biggest annual celebration of Indian culture in the Caribbean has called on Bollywood and prime minister Narendra Modi to help the regions popular genre chutney. George Singh, who organises the annual Chutney Soca Monarch competition, which sees top singers compete for a huge cash prize, wants those working in Hindi cinema and top ranking politicians to draw attention to a music genre rooted in Indian culture.
“We want to reach out to all cultures around the world, especially the South Asian community because the roots of our music are in India. It was great to see Indian prime minister Narendra Modi draw attention to the Caribbean Indian culture with his recent visit to Guyana. We want build on that,” he said.
Narendra Modi's visit to Guyana in NovemberGetty Images
The 30th edition of BMobile Chutney Soca Monarch will be held on March 1 in Trinidad and Tobago. It had a star-studded launch event at the Queen’s Park Savannah, in the countries capital Port of Spain recently. This year’s competition commences with a semi-final on February 8 ahead of the main event at Skinner Park, San Fernando.
The biggest event in the calendar for popular music genre chutney, which combines strong South Asian influences with soca, African and reggae beats will take place in the Trinidad and Tobago city, in front of tens of thousands of people. Founder George Singh has promised to deliver the biggest show in the event’s 30 year history and said: “This is an important annual event that has not only entertained millions, but brings together diverse cultures every year and gives a platform to chutney music, which is rooted in Caribbean history and a genre that is on the verge of blowing up globally. This year marks 30 years, so it will be a spectacular show with incredible artists and be made available to music lovers around the world.”
This year’s event has received global interest ahead of the show on March 1 and plans are underway to broadcast it globally across various television networks. There will be ten music acts in the finals competing against one another for a huge cash prize, with 2024 Rick Ramoutar defending his title. Ramoutar said: “Chutney Soca Monarch is the home of our music. It's the only competition that displays our culture on such a grand scale and keeps our music alive. It is the biggest chutney soca stage in the world. It encourages us to strive to be better and produce quality music on a world stage.”
The annual show organised by Southex Events has showcased the best chutney soca talent, along with giving new talent a chance to shine.
The event has received government support and is now looking to be a springboard for Caribbean Indian culture globally. Chairman of the National Carnival Commission Winston “Gypsy” Peters praised organiser George Singh for his 30 year commitment and is looking forward to it growing even bigger.
Chutney music genre was created in the 1940s by the Indian immigrants, who had come to work in the Caribbean. They had fused Indian folk music, with Caribbean calypso and soca music, with Bollywood influences being added in later years. The first known recording of the genre was in 1968. Chutney spread across Caribbean countries like Jamaica, Guyana and Trinidad and Tobago, along with internationally in places like Fiji, South Africa and Mauritius.
Critics praise Gulzar’s opening narration as the series’ emotional anchor.
Several reviewers find the animation ambitious but uneven.
Many reviews note secondary voice performances lack range compared with the narration.
Reviewers differ on pacing and storytelling focus: some call it tight, others say it feels stitched.
Viewers and critics recommend watching for the scale and music, not for flawless character work.
This Kurukshetra review is a round-up of what critics and early viewers are saying about Netflix’s new animated retelling, and one name keeps coming up: Gulzar. Across reviews, the opening narration is almost universally singled out as the strongest element, while opinions split sharply on animation quality, voice casting and whether the series’ narrow battlefield focus pays off.
Netflix’s animated Kurukshetra draws praise for its ambition but criticism for uneven voice performances Instagram/netflix_in
What do reviewers say about Kurukshetra and Gulzar’s role?
Multiple reviews call Gulzar’s baritone the series’ single greatest asset. Critics write that his lines give scenes emotional gravity. They said the narration "grounds" the show and often rescues moments that might otherwise feel flat. A few outlets even suggested his voice elevates sequences beyond the animation’s limits.
Do critics think Kurukshetra gets the animation right?
The answer is mixed. Several reviewers applaud the scale, chariot set pieces, wide battle frames and the sheer ambition. Others point out inconsistencies, like faces that do not always register emotion and occasional stiffness in character movement. Many reviews used the same phrasing: “impressive in scope, uneven in detail.”
How do reviewers view the voice cast beyond Gulzar?
This is where opinions cluster on the negative side. A number of critics say secondary voiceovers feel one-note and do not match the gravitas Gulzar brings. A handful of reviews praised specific performances, but the dominant note was: solid, not stellar.
Pacing and focus. Some reviewers appreciated the choice to limit the story to battlefield days and called it focused and brisk. Others felt certain backstories were teased, leaving them wanting more, and described the structure as stitched together. So, pick your critic: some loved the discipline, others wanted a fuller sweep.
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