Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
FOR Michael Vaughan, Pep Guardiola is the best sporting leader in the last 15 years and the former England skipper won’t mind if Ben Stokes employs Manchester City manager’s approach of never allowing players to take their places for granted.
Vaughan made the statement on the back of England’s aggressive “Bazball” strategy under coach Brendon McCullum and Stokes which backfired in the ongoing India tour.
England have already lost the five-match series 3-1 after winning the first Test in Hyderabad.
Vaughan questioned the approach of England batters and demanded greater accountability from them.
“I often mention Pep Guardiola’s approach. In my eyes he’s the best sporting leader of this generation, say the last 15 years. He never allows his players to get comfortable. He always keeps them guessing, and they all know they are guaranteed nothing,” he wrote in a column for Daily Telegraph.
“If a great sporting leader like Pep has everyone on their toes like that, is it right that an England cricket team that is decent but struggling to crack the next level should be as comfortable as it seems? “The whole batting lineup has known week in, week out on this tour that it will be playing the next game. That is about to change, because after this tour Harry Brook will be back. He has to bat at No 5, because he should be the bedrock of their batting with Joe Root. Does that mean England’s statement moment is coming?,” he questioned.
Vaughan questioned England’s selection policy and said despite losing the series the visitors have a lot at stake to play for in the final Test in Dharamsla beginning Thursday (7).
“Consistency of selection is such a fine balance in team sports. Making people comfortable is right, and England have generally batted well over the last two years.
“There comes a point, though, where when it’s your batting that is costing you the biggest series you can’t keep sending the same guys out there every week,” he wrote.
“The series may have been lost already with a game to spare but a big week looms for England in Dharamsala. There is a massive difference between losing the series 3-2 and 4-1. You have lost either way but 3-2 would show England were right in this series for much of it, and two wins in India is an achievement.” Vaughan said a loss in Dharamsala would be a demoralising result for England.
He once again criticised England’s batters approach.
“India haven’t lost two matches in a series at home since 2012, on their run of 17 series wins in a row. 4-1 would be a very disappointing end to a disappointing winter, with the World Cup debacle, both white-ball series lost in the Caribbean and even a poor World Cup for the Under 19s,” he wrote.
“It’s a huge week for a number of England’s batsmen. When we think of this England team, we think of their wonderfully dynamic batting. But when you look at why they haven’t won any of their last three series, it’s down to the batting."
He added, “There never seems to be much scrutiny or noise around England’s batsmen. Even last week I chuckled. They lost in Ranchi in large part because they didn’t bat well enough, but there was lots of finger pointing at Ollie Robinson, a bowler who scored an important half-century!
“He looked well short of a gallop with the ball and dropped a catch but I thought it was ironic that he became a scapegoat. It’s classic ‘batsmen vs bowlers stuff.”
Vaughan feels when it comes to team selection there should be consistency in the batting order.
“Complacency can be damaging. As a management team, how you approach selection of batsmen and bowlers is obviously different. Fast bowlers, especially, sit out games and are rightly rotated to preserve their bodies,” he wrote.
“With batsmen you want consistency. When you play like England do, backing is important. Aggressive, expansive cricket means mistakes will be made. Players need to have the confidence to take on risky shots without fear that they will be dropped immediately. That is good, and as captain I always preferred to give a player one game too many than one too few.”
In hindsight he also took a dig at McCullum and Stokes for their approach.
“I do wonder, though, if this England setup takes backing a bit too far. Since Stokes and McCullum took over, only one batsman has been dropped, and even that was the tamest dropping you will ever see,” he wrote.
“England inherited Alex Lees from the previous regime and gave him a crack, but always had their eye on Ben Duckett to open with Zak Crawley so simply moved Lees on at the end of their first summer.
“Ultimately, on any sporting team’s road to greatness, you need a moment, a rod, where every player realises ‘wow, maybe I’m not part of the furniture’. As soon as people think they are part of the furniture it creates a bit of comfortable complacency, which can be damaging.”
THE ROYAL SOCIETY OF ARTS (RSA) has announced the appointment of David Joseph CBE as its next chief executive officer. He will take over the role in September, succeeding Andy Haldane.
Joseph previously served as chairman and CEO of Universal Music UK for 17 years. During his time at the company, he oversaw its transformation into a global exporter of British music and worked with several major international artists.
He began his career in advertising before moving into music, where he held roles in artist development and label management. He became chairman and CEO of Universal Music UK in 2008.
Alongside his commercial career, Joseph has been involved in a number of social and cultural initiatives. In 2019, he launched Universal Music’s Creative Differences initiative, which produced the first industry handbook for supporting neurodiversity in the workplace. The handbook has been adopted by more than 200 organisations globally.
He is a founding board member of Julie’s Bicycle, a group focused on climate issues in the cultural sector, and served on the National Council of Arts Council England for eight years. In 2013, he collaborated with Baroness Doreen Lawrence to mark the 20th anniversary of Stephen Lawrence’s murder through the Unity project. He also serves as Chair of the Grenfell Foundation.
Joseph has chaired several BRIT Awards shows and was an executive producer of the Oscar and BAFTA-winning 2015 documentary Amy.
RSA Chair Sir Loyd Grossman said: “David’s commitment to effecting social change, his compassion and his commitment to nurturing people is exemplary.
“We are thrilled that David will join us in the autumn, knowing that he will foster a collaborative and caring culture that speaks to our fellows, partners, staff teams and the wider world. These qualities make David superbly placed to lead the RSA into its next vital phase, and we are thrilled to have him on board.”
Commenting on his appointment, Joseph said: “The RSA has a remarkable heritage and untapped potential. At a time when fresh thinking and collective action are urgently needed across the globe, the RSA is uniquely positioned to drive meaningful change - uniting its rich tradition of arts, creativity and policy influence with the energy of its global Fellowship to spark ideas that shape society. I’m excited to join such a talented organisation where we will build a bold new chapter together.”
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Scarlett Johansson wins praise in Jurassic World Rebirth as reviews split over story and mutant dinosaurs
Jurassic World Rebirth, starring Scarlett Johansson and Jonathan Bailey, releases on 4 July.
Twitter reactions praise the cast and visuals but criticise the film’s story and lack of emotional depth.
Rotten Tomatoes score stands at 54% from 95 reviews; Metacritic rates it 53.
Some fans applaud the Spielberg-style thrills, others feel it strays too far with mutant dinosaurs.
Jurassic World Rebirth, the latest addition to the iconic dinosaur saga, has sparked intense debate online ahead of its 4 July release. With Scarlett Johansson and Jonathan Bailey leading the cast, early Twitter reviews show a split audience, some impressed by the action and spectacle, others disappointed by the story’s direction and use of genetically altered dinosaurs.
Mixed response to mutant dinos and CGI-heavy action
Many fans on X agree that Johansson delivers a commanding performance. “She’s shot like a star, presented like a star,” one viewer wrote, praising her as the film’s standout. Jonathan Bailey also earns praise for a subtle emotional moment that resonated with viewers.
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However, critics aren't holding back. Film critics called the film “the dullest entry yet,” while others labelled it “flat and emotionless.” Some appreciated the “mutated dinos and thrilling set pieces” but slammed the pacing and dialogue.
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One viewer described the movie as “a monster-sized adrenaline ride” and praised its nostalgic tension, likening it to Jaws. Another drew comparisons to Alien: Romulus, applauding the darker horror elements, while some fans felt the movie “just ends with no momentum.”
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Rotten Tomatoes score reflects fan divide
With a current Rotten Tomatoes rating of 54% and a Metacritic score of 53, Jurassic World Rebirth becomes the third consecutive film in the franchise to be rated ‘rotten’. Still, it fares better than Fallen Kingdom (47%) and Dominion (29%).
Despite the criticism, major UK outlets gave it four and five stars, with one calling it “easily the best Jurassic in a decade.” Whether the mixed reviews will impact box office numbers remains to be seen, past entries have shown strong ticket sales despite critical setbacks.
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Raducanu and Jack Draper are making most of the headlines
Emma Raducanu defeated fellow Briton Mimi Xu 6-3, 6-3 in the Wimbledon first round.
Xu, 17, was making her Grand Slam debut and appeared overwhelmed early on.
Raducanu dropped just three points on serve in the first set.
Despite a series of breaks in the second set, Raducanu regained control to seal victory.
She described the all-British clash as “difficult” but was pleased with the result.
The biggest home assault on Wimbledon for 41 years got off to a great start on Monday when Emma Raducanu triumphed in an all-British clash.
British tennis is enjoying a buoyant period, and although former U.S. champion Raducanu and Jack Draper are making most of the headlines, 23 local players started in the men's and women's singles this week, the most at Wimbledon since 1984.
With Draper not in action until Tuesday, British women's number one Raducanu was the main attraction, although home loyalties were somewhat split as she faced 17-year-old Welsh wildcard Mimi Xu, making her Grand Slam debut.
Xu had not beaten a top 50 player and never looked likely to break that duck on Number One court as she went down 6-3 6-3. Raducanu, desperate for a deep run in her home slam after a previous best of two fourth-round exits, did not have to do anything too extraordinary against a rival who for a while seemed intimidated by the occasion.
After Xu swung wildly for a rare air shot and then tumbled to the pristine turf after a slip, the 318th-ranked teen got what no young player wants to hear – some sympathy applause.
Raducanu swept to the first set, dropping only three points in her four service games, and with a lack of tension on court, the obligatory “come on Britain” shout drew the usual ripple of Wimbledon laughter usually reserved for any lingering pigeon.
Xu settled in the second set, however, finally getting to grips with the Raducanu serve during a run of five successive breaks, but the favourite got back on track to come through.
Raducanu moves into round two
Home favourite Emma Raducanu claimed a 6-3 6-3 win over fellow Briton Mimi Xu, who was making her Grand Slam debut."I'm super pleased to have come through that match. It is so difficult playing against another Brit in the first round," Raducanu said after her victory on Court One.
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Taylor Fritz’s opening-round clash against France’s Giovanni Mpetshi Perricard was suspended
Play was suspended for Fritz and Zverev after curfew. Taylor Fritz’s opening-round clash against France’s Giovanni Mpetshi Perricard was suspended on Monday evening with the score tied at two sets apiece. The match was halted just before 11 pm local time due to Wimbledon’s curfew regulations. Alexander Zverev’s match against Arthur Rinderknech, also level at two sets all, was similarly paused for the night. Both contests will resume on Tuesday.
Zverev and Fritz matches suspended for the night
German third seed Alexander Zverev’s match against France’s Arthur Rinderknech, level at two sets all, and U.S. fifth seed Taylor Fritz’s clash with Frenchman Giovanni Mpetshi Perricard, all square after two sets, have been suspended for the evening.
Credit : Reuters
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Mystery woman kissing Harry Styles at Glastonbury revealed as Ella Kenny
• Harry Styles was seen kissing a woman at Glastonbury 2025 in a viral video
• The woman has now been identified as London-based producer Ella Kenny
• The pair were dancing and kissing in the VIP section early Saturday morning
• This is Styles’ first public romance since his split with Taylor Russell in 2024
Harry Styles made headlines over the weekend after being filmed kissing a woman in the VIP section of Glastonbury Festival 2025, and now, the mystery is solved. The woman has been identified as London-based producer Ella Kenny, according to a report by The Sun.
The 31-year-old singer, best known for Watermelon Sugar and As It Was, was spotted at the festival in Somerset early Saturday morning, dancing closely with Kenny before sharing a kiss that lasted nearly 12 seconds. Eyewitnesses described the pair as "inseparable" and "very familiar with each other", adding to speculation that this may not have been a first-time encounter.
Harry Styles attends Spotify Celebrates The Launch of Harry Styles' New AlbumGetty Images
Harry Styles’ Glastonbury kiss with Ella Kenny grabs attention
Styles arrived at the festival around 1:45 a.m. on 28 June with friends, including long-time collaborator Kid Harpoon. Not long after, Ella Kenny reportedly joined the group. The two were seen chatting, dancing and sharing kisses on the cheek before eventually making out in full view of others in the VIP area.
One witness claimed the chemistry between the two was undeniable. “Harry only had eyes for her,” they said. “They looked like they’d known each other a while.” Neither Styles nor Kenny has commented publicly on the moment or their relationship.
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Who is Ella Kenny? Meet the producer linked to Harry Styles
Ella Kenny is a visual and experiential producer based in London, working at creative studio Noir. Her LinkedIn lists experience across high-end fashion and arts projects, but until now, she’s kept a relatively low public profile. That changed when footage of her kiss with Styles began circulating online, prompting fans to ask: “Who is she?” The kiss is the first time Styles has been publicly linked to anyone since his 2024 breakup with actor Taylor Russell. Before Russell, he dated Olivia Wilde, with whom he had a high-profile two-year relationship.
Harry Styles leaves following the funeral of singer Liam Payne Getty Images
While neither party has confirmed the nature of their relationship, the chemistry on display suggests this may not have been just a fleeting festival moment. Whether it's the start of something new or simply a weekend romance, fans will be watching closely, and Styles, as always, remains firmly in the spotlight.