India captain Virat Kohli said losing wickets in a heap was the primary reason for their 72-run defeat against South Africa in the first Test here.
"Well in hindsight, we lost by 70-odd, if we had taken chances in the first innings, they would have been 220," said Kohli in the post-match presentation.
"Losing wickets in bunches is something have to plug in. We were in the game for the three days and it was a wonderful match to be part of. We would have taken that if someone told 208 would be the target," the captain was honest in his admission.
Kohli felt India needed a batsman to score a 70 or 80 in the second innings.
"It was a great effort but we needed someone to get a 75 or 80. 20s or 30s were not enough. They were a bowler short (Dale Steyn) but they pitched the balls in the right areas and bowled their hearts out. We need to rectify our mistakes also."
Not having a single big partnership (save Bhuvneshwar Kumar-Hardik Pandyas 99 for 8th wicket in the first innings) is something to worry about for the team.
"This game is all about partnerships, and crucial runs, and they did better. The bowlers learnt pretty quickly and did well in the second innings. We are still feeling good about how we went about this Test match.
"The mindset really matters when you travel away from home. You need to be positive in defence and leaving, and cash in on scoring," the straight-talking skipper said.
He was all praise for Pandya, whose 93 was a face-saver in the first innings.
"We believe in Pandya. He always wants to do well, even away from home. He showed a lot of character and the knock was brilliant."
His opposite number Faf du Plessis was happy how his team responded during tough periods.
"Every single time in this Test, we had to stand up in tough periods. The way we responded was brilliant. Even with them getting to a decent start, we stuck to our guns.
"The first morning, we expected it to move around, but quite a bit of damage was done in the first hour.
"I thought 270 was par but Pandya then took risks and it came off. Once again, the bowlers stepped up. The plan was to try and get 200 runs and have a lead of 350 and have a crack at them.
"We were surprised how much the ball was doing. It was like a day one pitch. Green, again," Du Plessis said.
The former Chennai Super Kings batsman is happy that they have been able to put opposition under pressure first up.
"It is really important to put the opposition under pressure in a three-match series. Dale would have been a real handful. We feel sorry for him and wish him a speedy recovery."
Man of the match Vernon Philander said that India had caught them off-guard on first morning but 286 was a fantastic score.
"Coming to Newlands, it is generally slow, but they caught us off guard in the first morning. It was a wonderful effort with the bat from us in the first innings. What better crowd, what better conditions you can ask for!"
Philander complimented Kagiso Rabada and Morne Morkel for keeping things tight in Steyns absence.
"We were one seamer down but KG and Morne also bowled pretty well. I have been coming back after the break, so I felt a little stiff.
"Look, Dale has been one hell of a champion, one hell of a leader. Hopefully, he is back as soon as possible," he added.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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