THIS year’s Khushwant Singh Literary Festival, which aims to promote harmonious relations between the people of India and Pakistan, is going ahead in the UK despite the recent conflict between the two countries.
It will take place at the School of Oriental and African Studies (SOAS) in London next Saturday (31) from 11am to 6pm, and at Somerville College, Oxford, on June 3, from 4pm to 7pm.
The theme of the festival, which brings together writers from India and Pakistan, is Humanity Across Borders.
Devika Rege
Rahul Singh set up the festival in memory of his late father, Sikh journalist and scholar Khushwant Singh, who was born in a part of Punjab that went to Pakistan after Partition, and subsequently always tried to promote cordial relations between the two nations.
Rahul told Eastern Eye (a media partner): “The Khushwant Singh Literary Festival, inspired by the late writer Khushwant Singh, has aimed to promote good relations between the nations of the Indian subcontinent ever since it began in London seven years ago.
“This year, following the brief conflict between India and Pakistan, there were questions about whether it would go ahead. But with the theme Humanity Beyond Borders, our aim remains unchanged – to foster more people-to-people contact and strengthen the shared bonds of humanity and freedom.”
The festival organisers used the word “strangers” – it was recently used by the British prime minister, Sir Keir Starmer, in his anti-immigration speech (“we risk becoming an island of strangers”) – to define KSLF’s aims: “Let’s gather, not as strangers, but as seekers of a common good.”
They added: “From authors and journalists to filmmakers, poets, and activists, these outstanding speakers come not just to speak, but to listen, to connect, and to foster dialogue across differences.”
One author attending from Pakistan is Shueyb Gandapur, whose book, Coming Back: the Odyssey of a Pakistani through India, is receiving renewed attention because of the recent conflict. He managed to get an Indian visa in 2017 and recorded his impressions during a 16-day stay (during which he reported to a police station “10 times”).
His book avoids political commentary, focusing instead on moments of human connection and cultural echoes that defy national divides.
In New Delhi’s bustling Paranthe Wali Gali, a waiter greeted him with a strangely familiar tone: “It’s been a long time since you came by.”
Tariq Ali
Gandapur had never been there before. “It was my first time,” the author said. “But the welcome felt like I was coming back to a place I’d once known.”
As he travelled through Agra, Jaipur and Varanasi, Gandapur began to notice traces of a shared past, with old shops and streets bearing names familiar in present-day Pakistan. In the Indian capital, he found schools named after Dera Ismail Khan, his hometown.
His literary enthusiasm led him to the graves of Urdu writers Mirza Ghalib and Qurratulain Hyder.
“I wanted to see how Urdu lives on in India and what Indians think of our poets and writers,” he said.
Imtiaz Dharker
While Coming Back is framed as a personal narrative, it also reads as an invitation to look past borders and bureaucracy and notice what endures, according to his publishers, Kantara Press.
Gandapur said he hoped to return to India one day, with Lucknow, Hyderabad and Mumbai on his list.
“There’s so much still to explore,” he said. “To really understand the culture we share, one journey isn’t enough.”
Gandapur and the Indian author, Devika Rege, whose debut novel, Quarterlife, has received favourable reviews, will discuss “politics, privilege and purpose”.
Other Pakistani authors include Faiqa Mansab, an adjunct professor of English at Pakistan College of Law who is coming from Lahore to talk about her new novel, The Sufi Storyteller; and Muhammad Ali Bandial, a contributing author to Home #it’s complicated.
The latter has been edited by Saba Karim Khan, who is from Karachi, but now lives in Abu Dhabi. She, too, is coming to talk about Home #it’s complicated. The latter “changes the story of Pakistan, and features a mix of storytellers: doctors, screenwriters, journalists, filmmakers, scientists, intelligence personnel, entrepreneurs, home-makers, and authors. We hear about the strife: hunger, normalisation of violence, hypocrisies, privilege and judgmental tendencies. And also from the backstage: stories of love and wounded attachments, courage and quiet desperation, the pursuit of purpose and the skills essential to survive.”
Keshava Guha
In London, Tariq Ali will be in conversation with Farrukh Dhondy, and the launch of the Poetry Archive: A Tapestry of South Asian Verse will feature Imtiaz Dharker, Rishi Dastidar and Seni Seneviratne.
Others taking part in the festival include Francesca Kau (author of The Book of Days); architect and landscape historian Iqtedar Alam; historian Ramachandra Guha’s son, Keshava Guha, author of The Tiger’s Share; (the great grandson of Edwin Lutyens) Lord Matt Ridley, author of Birds, Sex and Beauty: The extraordinary implications of Charles Darwin’s strangest idea;historian Radha Kapuria; Zilka Joseph, author of Sweet Malida:Memories of a Bene Israel Woman; and Sunetra Gupta, Professor of Theoretical Epidemiology at Oxford.
Entry is free, but those who wish to attend should register on Eventbrite. Visit www.eventbrite.co.uk/e/khushwant-singh-literary-fe...for London, and separately for Oxford: www.eventbrite. co.uk/e/khushwant-singh-literary-festivaloxford-2025-tickets-1316955923619
REETA CHAKRABARTI is wonderfully eloquent when talking to Eastern Eye about her debut novel, Finding Belle, which she says has been “inspired” by Charlotte Brontë’s Jane Eyre “rather than a retelling of the classic published in 1847”.
To most people in Britain – and indeed across the world – Reeta is the calm, authoritative, reassuring presence on the BBC, which she joined in 1994. Indeed, in March this year she was named “Best Presenter” in Eastern Eye’s Arts, Culture & Theatre Awards (ACTA). After speaking to Eastern Eye last Tuesday (15), she headed back to Broadcasting House to front the BBC’s flagship News at Ten as chief presenter.
A different picture of Reeta emerges as she talks about Finding Belle, which is quite a dark novel that tells of the effect of schizophrenia on Belle, an Indian woman who has met and married a handsome Englishman, Fairfax, in Mombasa, before uprooting to suburban England. The tale is told by their daughter Mivvi, who witnesses the collapse of her parents’ marriage and her mother’s descent into almost a kind of madness. Belle also miscarries. What makes everything worse is Fairfax’s infidelity and cruel refusal to give his wife medical treatment.
Chakrabarti as a seven-year-old in Kolkata
At school, Mivvi is humiliated by a couple of blonde twins, who chant, “Mivvi! Superstar! How many boys have you kissed so far? 24? Maybe more? Ten on the bed and the rest on the floor!”, adding, “Paki! Paki! Blackie, Mivvi, Paki!”
She was “determined to be Daddy’s daughter, not Mama’s,” but, alas, all the soap in the world cannot make her complexion fair and lovely.
Reeta said she has always been a bookworm and read Jane Eyre at the age of eight. Five novels she would take to a desert island would include Jane Eyre, along with Mary Shelley’s Frankenstein; or, The Modern Prometheus; Never Let Me Go by Kazuo Ishiguro; Tender Is the Night by F Scott Fitzgerald; and George Eliot’s Middlemarch, A Study of Provincial Life. She considered herself to be “an author in search of a novel”. During Covid, she realised it was “now and never”.
She said Jane Eyre “is the book I have read most”. When she was growing up, she was “consumed by the romance between Jane and Rochester”.
“But then as I got older, I started to think Rochester is quite a bastard because he locks up his wife in a cellar. She’s ill, very ill, but instead of finding a treatment, he locks her up. Then he leads Jane a merry dance. The themes within Jane Eyre are of secrecy, a marriage where the wife becomes very mentally ill and is hidden away. She’s a shameful secret, and our attitudes to mental illness these days are entirely different. So that’s where my novel comes from. Schizophrenia is a particular form of psychosis whereby somebody, who may lead their lives fairly normally, can have delusions so they hear voices or imagine scenarios that are not real. This is the condition that I decided to give my fictional character, based on the classical reference to Bertha from Jane Eyre.”
Finding Belle “is not ultimately a bleak novel”, she said.
Mivvi, a bright girl at school, goes off to Bristol to study French (Reeta herself read English and French at Exeter College, Oxford) and finds friendship and marriage with an Indian boy, Ashish. After they have a baby, there is a brief sojourn through Kolkata, a city Reeta knows well.
Reeta’s father, Bidhan Kumar Chakrabarti, a junior doctor, and mother, Ruma, a civil servant, arrived in Britain in 1960. Now 90, her father worked for the NHS, ending up as a surgeon. Her mother passed away in 2016. Reeta’s younger sister, Lolita Chakrabarti, is the wellknown actress and writer (she adapted Life of Pi for the West End).
“My father particularly was very ambitious for me,” said Reeta. “He wanted me to be a doctor and continue the tradition because his father was a doctor and his father was a doctor and his father was a doctor. His older brother was a doctor. I was quite happy to continue the line. Then one day, he took me to theatre to see an operation. I was 13, and he was operating, and I remember being very overcome by the environment, and I fainted to his mortification.” However, he was “over the moon” when Reeta got into Oxford.
In Finding Belle, she initially set Mivvi’s childhood in the 1990s but pushed it back into the 1970s at her editor’s suggestion to reflect her own schooldays.
Although born in London, Reeta moved when she was five to Birmingham, where she attended various state schools before joining King Edward VI High School for Girls.
“1970s Britain was a harsher, cruder place when it came to race,” she said. “I was brought up in Birmingham and although I did not experience very harsh racism there was a lot of teasing at school. This was a few years after Enoch Powell’s (1968 ‘Rivers of blood’) speech, the National Front was quite strong there. Football hooliganism was quite tainted by racism. This is the atmosphere I was trying to recreate from my memory of being a child in the 1970s.”
Chakrabarti holding her book Finding Belle
Her parents did consider returning to Kolkata.
“We made two attempts to live there,” she remembered, “once just for a few months, then for 18 months. When I was 15, we went back to Kolkata. Until I was 16 and a half, I went to the international school there. I did my O levels there. So, I know Kolkata quite well. I still go back quite regularly now. My uncles, aunties, and cousins are all there. And the descriptions that I have of Kolkata towards the end of the novel are very much my accumulated feelings about the city.” In Kolkata she is happy not to be treated as the big BBC star from London but instead, “I am somebody’s niece, the eldest in our group of cousins. These are important relationships for me. My uncles range from their late seventies to mid-nineties. I feel close to them. I feel my Bengali identity increasingly strongly.”In the 1970s, she, like other Asians or Afro-Caribbeans, felt “a strong need to assimilate and be British. I see younger colleagues who don’t feel the need to assimilate in quite the same way. They can have mixed dual heritage much more openly. I can, too, now. Is that a function of changing society or is that because I am older and more confident? I am at the stage where my Indian heritage is very important to me, and so I go back frequently. My three children are British. I use the word British (rather than English) because my husband is Scottish. My children were born here. They are mixed race. They are part of the new Britain.
Chakrabarti at Exeter College, Oxford
“When I was a child, I used to be teased for having Chakrabarti as a surname. It’s now part of the national fabric. People know how to spell it as well.”
She would encourage young people, especially Asians, to go into journalism: “It’s a fantastic career. Some people say it’s an uncertain career, but I’m a great optimist. Each generation remakes an industry for themselves, don’t they? We’re some way from being as integrated and as equal as we should be, but we are so much better than we used to be. I’m, by and large, very proud of the way in which the country has developed.”
n Finding Belle is published by HarperCollins. £16.9
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The controversy, now widely referred to as The Salt Path scandal
The Salt Path author Raynor Winn calls media claims “highly misleading”
Allegations published in The Observer raise doubts about key memoir details
PSPA charity ends relationship with Winn and her husband Moth
Winn pulls out of Saltlines tour but is still scheduled for literary events
Author rejects claims as legal advice sought
Raynor Winn, the author of the best-selling memoir The Salt Path, has strongly denied accusations that parts of her book are fabricated, describing recent media coverage as “highly misleading” and confirming that she and her husband are taking legal advice.
The controversy, now widely referred to as The Salt Path scandal, follows an Observer report that disputes aspects of the memoir’s central narrative, including the timeline and medical diagnosis that prompted the journey at the heart of the book.
Winn has previously said that the story is based on detailed notes taken during a 630-mile walk along the South West Coast Path, undertaken after the couple lost their farm and Moth, her husband, was diagnosed with the neurological condition Corticobasal Degeneration (CBD).
Memoir defended as a “true story”
In a statement to Sky News, Winn said: “The Salt Path lays bare the physical and spiritual journey Moth and I shared, an experience that transformed us completely and altered the course of our lives. This is the true story of our journey.”
She added that, due to legal advice, the couple would not be making further public comment at this time.
PSPA severs ties over unanswered questions
In response to the media coverage, the Progressive Supranuclear Palsy Association (PSPA), which supports individuals affected by CBD and similar conditions, confirmed it had “terminated” its relationship with Raynor and Moth.
In a message to its supporters, the charity said: “Many questions currently remain unanswered,” referencing the uncertainty raised by The Salt Path scandal and the need for clarity.
Tour appearances cancelled
Winn had been due to appear throughout the summer as part of Saltlines, a spoken-word and music collaboration with the Gigspanner Big Band. However, the band announced via social media that she would no longer take part in the tour.
Despite this, she remains listed for several upcoming events including literary festivals, creative writing courses, and author Q&As.
A publishing success and a film adaptation
Since its publication in 2018, The Salt Path has sold over a million copies worldwide and spent almost two years on The Sunday Times bestseller list. It is described by publisher Penguin as “an unflinchingly honest, inspiring and life-affirming true story.”
The memoir is the first in a planned series of four books centred on nature, walking, and overcoming adversity. The fourth instalment is due to be released in October 2025.
In 2023, a film adaptation starring Gillian Anderson and Jason Isaacs was shot across various UK coastal regions and released earlier this year.
Film companies respond to controversy
The producers of the film, Number 9 Films and Shadowplay Features, issued a statement distancing the production from the allegations. “The allegations made in The Observer relate to the book and are a matter for the author Raynor Winn,” they said. “We have passed any correspondence relating to the article to Raynor and her agent.”
They added that no claims had been raised at the time of optioning or during production and that standard due diligence was undertaken before adapting the memoir.
Actor Jason Isaacs, who plays Moth in the film, previously told Sky News he had spoken with the couple before filming and described them as “humble” and uninterested in seeking the spotlight. He also called the film “a true, beautiful, real-life love story” and hoped it would encourage empathy toward homeless people.
Publisher contacted for comment
Sky News has contacted Penguin, which published The Salt Path as well as two of Winn’s follow-up works, for comment regarding the allegations now being described as part of The Salt Path scandal.
When Jasbinder Bilan first paused her teaching career to pursue a creative writing degree, she had no idea it would lead to a life-changing breakthrough. What began as a leap of faith became a journey filled with hope, rejection and ultimately triumph. Inspired by her beloved grandmother and her Indian roots, Bilan poured her soul into her debut manuscript Song of the Mountain. Though the publishing world was not immediately ready for her story, perseverance paid off when she won the 2016 Times Chicken House Prize, launching her celebrated writing career. Now, following the success of her Costa Award-winning Asha and the Spirit Bird, Bilan returns with a powerful new historical adventure, Naeli and the Secret Song. In this exclusive interview, she speaks about the emotional inspiration behind the book, her love for young readers and the importance of believing in your voice — no matter how long it takes to be heard.
What first connected you to writing? It was stories more than writing that were my first love. My grandmother, Majee, was the storyteller in our house and it was those bonding moments that sparked my love for creating my own stories. She told me lots of Indian folk tales at bedtime, but she also shared stories of our life in India on the farm near the foothills of the Himalaya. So, I grew up feeling connected to a place that I then filled with my imagination. As a little girl I loved drawing and writing, and always wanted to be a writer, but it took me a long time to make that dream come true.
What led you towards writing children’s books in particular? Although I did not become a published author straight away, I became an English teacher. I was surrounded by children’s literature and of course by young people, so it felt like a natural fit to want to write stories for this age group. At each stage of development there are challenges, and the wonderful thing about stories is that as an author you can really help young people navigate an increasingly complex and difficult world. In each of my stories I create empathy and show my readers how they can be a little braver in their own worlds.
Which of your books is closest to your heart? It has to be Asha and the Spirit Bird, because it is the book that made me a published author and the one inspired by my Majee, who I was very close to. It is also a celebration of my family roots.
Tell us about your new book. My latest book, Naeli and the Secret Song, is another historical adventure with a musical twist. It is set in both Hyderabad, India, and England towards the middle of the 19th century. It follows my main character Naeli as she bravely boards a ship bound for Southampton, in search of her English father. The story has many twists and turns as she explores gas-lit London, armed with her precious violin. With help from a newfound friend, Jack, she follows faint clues that take her as far as the wilds of Northumberland. It is the song her papa taught her that propels her on her quest, and the strange Uncle Daniel she needs to escape.
Naeli and the secret song
What inspired the story? As with many of my stories, the inspiration comes from a very real source. India and Britain have been connected for many hundreds of years, and these connections, as well as being economic, have also been personal. I came across a collection of letters written by a girl called Mary Wilson. She was the daughter of Sir Henry Russell, an officer in the Indian Army. Her mother was Indian. When Sir Henry moved back to England, he arranged for Mary to go too, but he hid his identity from her. Although he supported her financially, he did not want her to know he was her father. These letters show how desperate she was to know him.
What happened next? This gave me the idea for the story. I also wanted to shine a light on the love between the two nations. Hyderabad was a city full of music and literature, and culture is a great connector, so Naeli’s parents were brought together by their passion for music.
You always come up with really interesting titles. What inspired this one? I was looking for a way into this story and came up with the idea of a family mystery hidden by a secret song. There are also misunderstandings in the story, family jealousies and some dastardly goings-on.
Is there a key message you want to convey with this particular book? I wanted to show that the connections between India and Britain are long and strong. As well as the complexities of colonialism, this book explores the things that brought people together at the time. It also highlights the fact that Victorian Britain was a diverse place. I hope readers will see that period in history in a fresh light.
What, according to you, makes for a great children’s book? I would say having characters the reader can identify with and root for. It has to be a page-turner and have an adventure at its heart. I also think there should be a surprise that takes readers to a place they have not been before and makes them think.
What advice would you give parents selecting a book for their children? Try to let the child pick their own books rather than choosing for them. In this way they will develop their own tastes. Reading together is fantastic too. Parents also need to be role models – having family time when everyone reads is something to aim for.
What inspires you creatively? I get my inspiration from lots of different places. I like to have an open mind, walk in nature, visit places and let my mind wander. I find walking my dog is a great way to relax and I usually start thinking of a new story. I have so many ideas — my only problem is finding the time to write them all!
Why do you love being a writer? It was my childhood dream and I never thought someone like me could become a writer. I think of this and realise that if you want to do something, you just have to knock down the obstacles, not take no for an answer and keep going. It is my dream job and I love all the different aspects, especially meeting my readers. I have been lucky enough to have many ‘pinch me’ moments, such as being invited to Buckingham Palace and doing events for Queen Camilla.
Naeli and the Secret Song by Jasbinder Bilan (£7.99, Chicken House) is available now.
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K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative
From the blood-soaked backstreets of Dhaka to the polished kitchens of Manhattan’s elite, K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative. A satirical thriller steeped in class tension, culinary obsession and primal survival, Carnivore follows Kash, a Bangladeshi immigrant-turned-chef who launches a high-end restaurant serving exotic meats – only to become embroiled in a sinister world of appetite and ambition.
But this is no simple tale of knives and recipes. Ahmed – a seasoned journalist, publisher, and president of PEN Bangladesh – brings a sharp eye to the grotesqueries of power and privilege. In this exclusive interview with Eastern Eye, he speaks about his passion for food, the moral murkiness of his characters, and why even the most ordinary people can spiral into extraordinary darkness.
A compelling premise, layered and unpredictable charactersAMG
What first connected you to writing?
I have been an avid reader since childhood – starting with Bengali and Russian fairy tales, before moving on to Enid Blyton and Agatha Christie. In my teens, I discovered Somerset Maugham and Graham Greene. Their travel writing sparked my imagination. The idea of being a wanderer through the world as a writer captivated me and pulled me toward writing as a vocation.
What inspired your new novel Carnivore?
I lived in New York for a time and love the city. I have always had a strong interest in food and found the idea of running a café, bar or restaurant quite enticing. Since I could not do it in real life, I created one in fiction – and let it go in some wild directions.
Tell us a little about the story.
It is about a young immigrant, Kash, who runs a wild game restaurant in downtown Manhattan. When the 2008 financial crash hits, his investors and clientele disappear. To stay afloat, he turns to hosting private dinners for the super-rich. In chasing a gig for a secretive billionaire’s dining club – while also dealing with a Russian money-lender – things soon spiral out of control.
What drew you to the culinary aspect?
It came from my passion for food and cooking. But cooking, for me, is more than just food – it is about identity, values and cultural expression.
As a writer, how do you develop the darker elements in a story like this?
It usually begins with a simple ‘what if’. I ask myself: how far could a seemingly ordinary person be pushed, given enough pressure or temptation? And who might they take down with them?
What inspired the title?
It was suggested by my brilliant agent, Charlie Campbell. The title captures not just the wild game theme, but also the broader idea of appetite – its excesses, its destructive potential.
Anyone who enjoys a gripping story with a diverse cast and unexpected twistsHarperFiction
What was the biggest challenge in writing the book?
Making the ultimate meal they plan feel believable – both to Kash and his team, and to the clients. None of these characters are inherently sociopathic. I wanted to explore the extremes that ordinary people might reach when driven by circumstance.
What is your favourite part of the book?
There is an episode where they go “hunting” for a peacock – I really enjoyed writing that. The backstory draws from my own memories of Eid-ul-Azha in Dhaka, where animal sacrifices take place in driveways and courtyards. It is surreal to see such rituals on such a scale in a modern city.
Who are you hoping the novel resonates with?
Anyone who enjoys a gripping story with a diverse cast and unexpected twists. It is for fans of crime thrillers, but also for general fiction readers who like discovering new subcultures – and morally daring propositions.
What do you enjoy reading, and do you have a favourite author?
I read a lot – both fiction and non-fiction, from science to history. The novel is my greatest love, and my favourite authors span classics and contemporaries. Some recent writers I have particularly enjoyed include Paul Beatty, Alejandro Zambra, Rachel Kushner and Ottessa Moshfegh.
What inspires you as a writer?
Intriguing ‘what if’ ideas, morally complex characters and the challenge of crafting sentences that feel exactly right.
What are you working on next?
I am working on a story where a seemingly normal person slowly descends into sociopathy. I want to explore how someone can unravel and become unrecognisable from who they once were.
What, in your view, makes a great novel?
A compelling premise, layered and unpredictable characters, and prose that is fresh and evocative – without being overwrought.
Why should readers pick up your new book?
Because it is a truly fun read – simple as that.
Carnivore by K Anis Ahmed is published by HarperFiction, £16.99.
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Based on Khan’s lifelong proximity to immigration law
Tawseef Khan is a qualified immigration solicitor and academic who made his literary debut with the acclaimed non-fiction book Muslim, Actually. His first novel Determination, originally published in 2024 and now available in paperback, brings his legal and creative worlds together in a powerful, emotionally rich story.
Set in a Manchester law firm, Determination follows Jamila, a 29-year-old immigration solicitor juggling frantic client calls, family expectations and her own wellbeing. Based on Khan’s lifelong proximity to immigration law, including his father starting a practice from their living room, the novel explores the human cost of a broken system with compassion, wit and clarity.
In this interview with Eastern Eye, Khan reflects on the journey behind Determination, his inspirations and why writing about immigration is as much about love as it is about justice.
He says "immigrants are the lifeblood of this country"Instagram/ itsmetawseef
What first connected you to writing?
I've always been an avid reader, ever since I was a child. It helped that my parents were strict about everything except buying books. From there, I started watching TV shows and writing them out in my notebook. I loved the feeling of putting the story down on paper, making sense of what had happened.
What led you towards writing your debut novel?
I grew up with a dad who was an immigration solicitor. He started his practice from our living room when I was about six years old, so it is all I have ever known. I knew there was a strong story there. Immigrants and immigration lawyers are poorly understood but easily reviled. I wanted to explore what it was like to be inside the immigration system, navigating that bureaucracy and helping vulnerable people through the cruelty. It is a lot of pressure.
Tell us a little bit about the story of your book.
Jamila is a 29-year-old immigration solicitor who has inherited the family's precious law firm. She is prone to being woken in the middle of the night by frantic phone calls from clients on the cusp of deportation. She works every hour that God sends her, with no time for friends, family or even herself. Jamila’s life feels hectic and out of control. Then a breakdown of sorts forces her to seek change, to pursue her own happiness while navigating the endless expectations that others seem to have of her and still committing herself to a career devoted to helping others.
What inspired the story, and is any of it drawn from real-life incidents?
While it is inspired by my background, none of the stories or cases in the book are drawn from real life. That would be unethical and would probably get me into trouble since I am still a practising solicitor. But I borrowed a lot from the energies in our office. And since I have a PhD examining the British asylum system, I took a lot from my own research.
What is your own favourite passage of the book?
It is about a character called Nazish, who is appealing the Home Office’s decision to refuse her case. As she fights with Jamila to tell her story on her own terms, there is one part she has been keeping back – the experience of being sent to a detention centre.
Is there a key message you want to convey with this book?
Immigrants are the lifeblood of this country and deserve to be treated with more dignity and respect, as do the lawyers representing them.
What inspired the title Determination?
In immigration law, a final decision is often called a ‘determination’. So the book is constantly exploring the tensions in that term – the desire to build a life for yourself versus the right of the system to decide its outcome for you. It is about power and agency, really. And the term also contains the word ‘deter’, an important reference to Theresa May’s ‘hostile environment’.
This book is, in a way, a love letter to how they raised meInstagram/ itsmetawseef
How did you feel when the hardback was published last year?
Elated. The book was a hard one to write and it had a long road to publication: I had the idea at 23, I started writing it at 29, and I published it at 37. My parents were very proud too. This book is, in a way, a love letter to how they raised me and the life we have lived – in service to our clients.
Who are you hoping connects with your novel?
People who are interested in reading about the world and understanding it better. I did not write the book for any audience in particular, but there is no doubt that those who care about migration issues, about the world we currently live in, and who have some affiliation with south Asian communities will feel seen and represented in this book. How many times do we get to say a book is filled with smart, independent and unapologetic brown women?
What kind of books do you enjoy reading yourself?
I have always tried to read the ‘world’, using it to travel to places and lives I could not imagine visiting. Since I write both fiction and non-fiction, I tend to read both too.
What, according to you, makes for a great novel?
That is a hard question. I think it has to be some combination of complex characters, a compelling story and gorgeous prose – but I am open to it all.
What inspires you as a writer?
I find inspiration everywhere – in films, books, TV shows, paintings, my garden, and in my culture, community and family. These are the stories I am most interested in telling.
What can we expect next from you?
I never speak of the next project until it is a solid, confirmed thing – I am very superstitious. But also, publishing is such a difficult, unpredictable industry, you never know if you will be lucky enough to publish again.
Why should we pick up your new book? Because it is moving, enlightening, funny and hopeful, all in one. And it is written with a lot of love for South Asian communities in Britain – men and women, and the different generations of migrants that have come here.