Khushalii Kumar: Deep dive into an underwater drama
The actress talks about her role in Starfish, what made her agree to it, and how she prepared to play a diver
By Mohnish SinghDec 01, 2023
TALENTED newcomer Khushalii Kumar has followed up an impactful film debut in 2022 psychological thriller Dhokha: Round D Corner with the newly released Starfish.
The daughter of late music baron Gulshan Kumar plays a professional diver in her new ocean-set action-romance. Based on author Bina Nayak’s book Starfish Pickle: A Goan Adventure, the movie also features Milind Soman in an important role and shows the actress is one to look out for.
In a freewheeling conversation with Eastern Eye, Khushalii spoke about her role in the film, what made her agree to it, and how she prepared to play a diver.
She also talked about her love for London.
Could you tell us something about your new film Starfish?
It is a very unusual relationship drama with amazing and thrilling action sequences.
We have shot the film in Malta amid some beautiful locations. There are great visuals for people to see. The story is very engaging. I am pretty excited and now looking forward to people’s reaction to the film. They have given a good response to the trailer, and the song Fanna.
The film has good songs and great performances. I am keeping my fingers crossed and hope that the audience enjoys the story of Starfish also.
Tell us about your character in the film?
I am playing a commercial sea diver. She cleans the sea. She brings out the dead bodies and gets out the debris after ships wrecks from deep in the water.
What propelled you to be a part of Starfish?
The film is based on the book Starfish Pickle: A Goan Adventure. When I read the book, I liked the graph of the girl. After finishing the book, I was like, ‘this is what I want to do. There is a lot to do over here’. I wanted to do this because there is so much for a girl to do. So, this attracted me from the very first page.
Tell us more about that?
You jump into the sea for scuba diving, pleasure, to see reefs, and film songs. It was a different set-up here. Besides that, it has a very good storyline which follows this girl, her past traumas, current situations and how her love interests come into her life. So, I found the story very engaging and interesting.
Do you think the film will meet the expectations of those who have read and loved the book?
See, what I have felt and heard from people is that the audience who reads books is completely different from those watching movies in theatres. Having said that, I personally feel that when you have read a book, you are more excited to see how the makers have imagined it visually. You are excited to see that written text come alive on screen. In the case of Starfish, the author is very happy with the way the book has been adapted.
I feel if the author is satisfied, the audience will also love it.
How did you prepare to play a diver?
This requires a special scuba diving training. I went to Malta 10 days before the shoot began. I did a certificate course. Till the time you are not certified, you cannot enter the deep water over there. So, I did full training. They first started with an indoor pool and then took me into the deep water.
Starfish also features Milind Soman and newcomers like Ehan Bhat and Tusharr Khanna. Do you try to learn anything from your co-stars?
Yes, I am always a student and always learning. It was fantastic working with Milind. We have seen him as a very handsome, goodlooking Greek god, but he is an amazing actor. I have immense respect for him.
The way he says his dialogues - his eyes speak.
He makes the whole aura of a scene look so good. When I enacted my scenes with him and the way he did it with his eyes was amazing. You observe and pick up a few things from every actor you work with.
How was it working with Ehan Bhatt?
It was fantastic with Milind and equally with Ehan. I have worked with him before. He is a fantastic actor as well. He will blow you away with his performance. Tusharr is making his film debut. Everyone came well-prepared. We did multiple reading sessions with the director.
Why does your film have the title Starfish?
This is what I had asked author Bina Nayak. She gave the proper explanation, which is very interesting. She said: ‘Starfish is a special fish.
If it gets cut or wounded, it regenerates its body parts on its own. It’s self-healing and that’s what Tara’s character is about. How she self-heals from her past wounds is a great metaphor and that’s why it’s called Starfish’.
What are your favourite London memories?
Oh, I love London. Summers are beautiful there. Winters are a different feel altogether. I love winter carnival. I love going there and having hot chocolate. I love Southall also. When I miss Indian food, I go over there and eat. London always brings a smile to my face. Jim (Edgar) who shot our film is from Britain itself. There are a lot of memories which come from there.
What are your upcoming projects?
There is Ghudchadhi and then there is Dedh Bigha Zameen. Both films are in the pipeline. They will be coming out next year.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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