Speculation has been rife lately that Keerthy Suresh is set to walk down the aisle with a Chennai-based businessman.
The National Film Award-winning actress, however, has dismissed all the baseless rumours floating around. Talking to a leading publication, Suresh said that she is currently focusing on her career and even if she ever decides to get married, she would be the first person to tell the world about the same.
“I find rumours regarding my marriage quite amusing. I wonder from where these rumours pop up in the first place. If I ever decide to get married, I'll be the first person to tell the world about it. I urge everyone to refrain from speculating about my wedding. I am completely focussed on my work now and I'm not planning to get married anytime soon,” she said.
Before rumours about her wedding with a Chennai-based businessman emerged in the media, Tollywood was flooded with rumours that she was about to tie the knot with composer Anirudh Ravichander. The actress had, however, denied them too.
On the work front, Keerthy Suresh is presently busy with her much-awaited Telugu film Sarkaru Vaari Paata. Directed by Parasuram Petla, the film features Tollywood superstar Mahesh Babu as the male lead.
According to reports, the makers of Sarkaru Vaari Paata are planning to release the teaser of the film on May 31st, on the occasion of superstar Krishna’s birthday. Actor Mahesh Babu wants to treat his fans on his father's birthday and hence, the teaser of the film being readied on an urgent basis.
Sarkaru Vaari Paata is slated to hit theatres on Sankranthi next year. However, some reports suggest that the film might get postponed as a major portion of it is yet to be shot. The team is waiting for the coronavirus situation to get better to resume production.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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