UK government today (27) launched its new crime reduction plan amid concerns raised by MPs and campaigners over a series of “discriminatory” proposals, including extension of police's stop-and-search power.
Launching Beating Crime Plan, UK prime minister Boris Johnson said that offenders guilty of anti-social behaviour should be in “fluorescent-jacketed chain gangs” publicly paying for their crimes, recent reports said.
“If you are guilty of antisocial behaviour and you are sentenced to unpaid work, as many people are, I don’t see any reason why you shouldn’t be out there in one of those fluorescent-jacketed chain gangs visibly paying your debt to society. So you are going to be seeing more of that as well,” Johnson told reporters on Tuesday (27).
Other proposals in Beating Crime plan include stop and search, a trial of “alcohol tags” and a named police officer for every Briton.
Meanwhile, MPs and human right campaigners have been raising objections over the planned ease of restricted use of stop-and-search, a practice which often said to disproportionately target ethnic minorities.
Liberty said the permanent relaxation of search powers might “compound discrimination in Britain and divide communities” while the former shadow home secretary, Diane Abbott, said it was “alarming and counter-productive.”
Human rights groups including Liberty and criminal justice NGO Fair Trials said the powers were “discriminatory” and “repeatedly lead to the racist profiling of Black and other racially minoritised ethnic groups”.
Johnson, however, has earlier defended his stance saying its a “kind and a loving thing to do”.
“The people who often support stop and search most passionately are the parents of the kids who are likely themselves to be the victims of knife crime,” The Guardian quoted Johnson in a report.
Stop-and-search powers were restricted in 2014 by Theresa May when she was home secretary, limiting it to immediate violent threat, during a limited number of hours.
Those restrictions were eased by current home secretary Priti Patel in 2019 to allow police to carry out searches 24 hours a day and on grounds of possible violence. These changes are set to be made permanent under the Tories’ new crime reduction plan.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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