Jaz Dhami opens up about cancer battle and his musical journey ahead of Queen Elizabeth Hall show
The British artist has made his mark on the global Punjabi music scene with hit songs such as High Heels, Aitvaar, Bas, Beparwaiyan, Teri Ah and Oye Hoye Oye Hoye
Having begun his music journey as a teenager, Jaz Dhami has been delighting fans for 17 years with his superb blend of desi beats, soulful melodies and stunning vocals.
The British artist has made his mark on the global Punjabi music scene with hit songs such as High Heels, Aitvaar, Bas, Beparwaiyan, Teri Ah and Oye Hoye Oye Hoye. But behind the rhythmic hooks, dancefloor anthems and international success, Dhami’s journey has not been without hardship, including a devastating personal loss and a silent battle with serious illness.
Now, ahead of a much-anticipated performance at Queen Elizabeth Hall in London next Friday (16), as part of the South Asian Sounds Festival, the Birmingham-born singer opened up about music, mortality, and the moments that have shaped him.
Reflecting on his journey so far, Dhami admitted that the path has not always been linear. “It has been unpredictable and beautiful at the same time. I feel like my direction changed so much as I grew as a musician, and now I feel more settled in where I am heading.
Dhami calls the most heart-wrenching chapter of his life – the loss of his beloved brother and long-time musical collaboratorInstagram/ thejazdhami
“What I mean by that is, my focus shifted from Indian classical and Bollywood to where I truly belong – Punjabi music. I would say that change happened organically.
“As I started working in India, I felt more at home doing Punjabi.”
Last year, Dhami made the difficult decision to go public with his secret battle with cancer. The usually private artist felt compelled to share his story. “Yes, that was so difficult for me to do,” he said. “But I felt a moral duty to let my fans and people know that we all have struggles – and it is about how we come through them and help others.”
Now firmly on the mend, Dhami credits the experience with giving him a new outlook on life. “I have completely changed my lifestyle. Sometimes I feel like having cancer was truly the biggest blessing of my life – it woke me up spiritually and helped me see my purpose from a more aligned perspective.”
During his physically and emotionally demanding treatment, Dhami drew strength from his family and music. “Cancer taught me the importance of family and made me realise how blessed I am to have such a strong support network around me. As they say, the real wins are the people around you.”
Dhami has teamed up with acclaimed composer Sumeet ChopraInstagram/ thejazdhami
That sense of closeness became even more profound following what Dhami calls the most heart-wrenching chapter of his life – the loss of his beloved brother and long-time musical collaborator, DJ Harvey, to cancer.
“Harvey leaving us and his cancer journey has been the most difficult phase of our lives. We miss him so much.” More than just siblings, the two brothers were creative partners who supported one another from the very beginning. “As brothers, we shared some beautiful times, especially as children. We started our careers as teenagers and saw each other grow into men.
“He was my biggest critic (after my dad), but only because he wanted me to grow. I really miss him.” Behind the decks, DJ Harvey was a talented musician in his own right.
“Not many people know this, but Harvey was a great pianist – at one point, I would say he was a better musician than me,” Dhami revealed. “Later, he turned to production and DJing. Once he had his head around something, he would not stop until he perfected it. Unlike me, I would just wing it!”
Through the highs and lows, music has been Dhami’s anchor. “It is my safe place – somewhere I can be alone in my head and find internal happiness. It is where I can be vulnerable and just get lost. I honestly do not know what I would do without music.”
Dhami’s commitment to quality over quantity has led to a string of widely loved tracks. Asked to name the one closest to his heart, he answered without hesitation: “That is easy – Meh Panjabi Boli Ah. It represents how I feel deep inside, and that song evoked a different emotion when I sang it. I felt every word.”
This month, Dhami adds another remarkable chapter to his career with a major show at London’s iconic Queen Elizabeth Hall – a celebration of Punjabi music’s roots, resilience and power.
“I am so, so excited for this show,” he said. “I have not done my own full live show in England with a live band for years, and I am thrilled it is at Southbank. I feel like I have been carrying so much over the past three years – and at this show, I will finally be able to let that out.”
The setlist promises a culturally rich journey through the music of legends who inspired him. “It will be a proper Punjabi show, covering every aspect of what that means. I have always wanted to pay respect to artists who inspired me but whose songs I have never had the chance to sing. So I will be performing songs by Nusrat Fateh Ali Khan saab, Gurdas Maan, Kuldeep Manak, and our UK legend Balwinder Safri.”
Dhami has teamed up with acclaimed composer Sumeet Chopra for the concert, which he describes as a brilliant collaboration. “What we have created for this set is phenomenal – I am excited for people to hear the levels we have taken it to.”
Beyond the upcoming show, Dhami has more music in the works. “I am really excited about dropping some new versions of Beparwaiyan,” he revealed. “Fans have been requesting this for years, so I want to give them what they want.”
A new EP is also in the pipeline, one that looks set to explore fresh creative ground. “I have got a cool and different version of me dropping later this year,” he said, keeping the details under wraps.
Despite his many accomplishments, Dhami still has his eyes on future goals. “Yes – a proper international collaboration that crosses over the way Mundian To Bach Ke did!”
So what does a popular singer like Jaz Dhami listen to in his own time? “At the moment, it is all about the songs I will be performing at Southbank. But before that, I was really inspired by the music coming out of Pakistan – the approach and diversity have been so refreshing.”
As he takes the stage this May and prepares to release new music, fans will not only see a seasoned performer at the peak of his powers, but a man who has weathered life’s storms, honoured his roots, and emerged with his spirit intact.
He ended with a reflection on what drives him today: “Every new or old artist who creates something without worrying what people will think. Freedom and lucidity in music overall inspires me.”
BAM! Jaz Dhami x Sumeet Chopra at Queen Elizabeth Hall, Southbank Centre, Belvedere Road, London SE1 8XX next Friday (16)
Mohini Dey laughs down the line, a deep, unfiltered chuckle that cuts through the noise. “Ronnie Scott’s? With my band, playing my music? That’s crazy,” she says, still letting it sink in. Speaking exclusively to Eastern Eye from Los Angeles, where she recently wrapped a show at the Hollywood Bowl with Willow Smith, the 28-year-old bassist is now preparing for her first headline performance in the UK this July.
For Dey, who grew up riding Mumbai’s local trains with a Walkman and no room for childhood distractions, this moment feels both improbable and hard-earned. It’s the kind of full-circle milestone that doesn’t come from luck, but from surviving, insisting, and showing up anyway.
A childhood full of sounds and music
Mohini was never a regular child. Born into a musically disciplined home in Mumbai, her father a bassist, her mother a singer, Mohini’s life was all structure and sound. But not the kind most children grow up with. “I didn’t have friends my age,” she says plainly. “My dad was strict. He believed childhood was for building something, not wasting time.”
While most kids her age were at birthday parties, Mohini was at Nirvana Studio, jamming with jazz legends like Ranjit Barot and Louis Banks. “It was like going to two schools: one for academics, one for music history and reality checks,” she recalls. “I was surrounded by giants, and I learned early that to make it, I had to be exceptional.”
Mohini Dey will make her UK headline debut at London’s iconic Ronnie Scott’s Jazz Club this July Instagram/dey_bass
That early push turned her into a master of her craft but also left scars. “I was depressed as hell,” she admits. “I was constantly being moulded into someone else’s dream.”
At 17, she left it all and became the family’s breadwinner
At 17, she snapped. In a moment of quiet rebellion, she left home. Cut ties. Lived alone. And decided to prove, especially to her father, that she could make it on her own. “He told me I wouldn’t be successful without him,” she remembers. “I needed to show him he was wrong.”
Those three years were lonely, but transformative. Mohini toured, hustled, and became her family’s main earner. “I learned to navigate everything. The business side, the gigs and all of it,” she says.
Bassist Mohini Dey is redefining what it means to be an Indian woman on the global music stageInstagram/dey_bass/bassplayunited
When music became medicine
The silence with her father finally broke when he called her after three years. “He said he was proud. That was enough. He didn’t apologise, but he didn’t need to.” She began taking him to her shows. In the last two years before he passed away, Mohini made sure he saw what she’d become.
“I took him to my shows. Introduced him to the life I’d built. It was healing,” she says, voice softening. “His death hit hard... but also made me push even more,” she says. “The last two years before he passed… they were good. Really wholesome. I’m glad we had that.”
Her father’s death could have derailed her. Instead, she kept playing. “I got back on stage within days. Because music took care of me when I couldn’t take care of myself.”
Mohini Dey opens up about burnout, ambition, and finding balance in a demanding industryInstagram/dey_bass
Not just the bass girl
Mohini is now one of India’s most sought-after musicians, having worked with legends like A.R. Rahman, Clinton Cerejo, Zakir Hussain, Salim–Sulaiman, and even Willow Smith, with whom she just played the Hollywood Bowl.
She’s crossed genres with ease, from Carnatic to rock, from fusion to pop. Her only rule? Never stay comfortable. “I’ll do a metal tour one week, a classical show the next,” she grins. “If it feels too easy, I’m bored.”
But don’t mistake that hustle for perfectionism. “I’m burnt out,” she says without flinching. “I’ve been working nonstop, albums, tours, even managing a side business. Sometimes I just want to disappear into a cave with my bass.”
Still, when she plays, the burnout fades. “There are these rare moments when I’m on stage, not overthinking, just being. That’s what I chase.”
Mohini Dey’s journey from a musically strict childhood in Mumbai to international acclaim is a story of rebellion, resilience, and rhythmInstagram/dey_bass
“I’m not a diversity hire. I’m just good”
Despite being a young Indian woman in an industry that rarely makes space for either, Mohini refuses to paint herself as a victim. “If anything, I used it to my advantage,” she says with a shrug. “I’m talented, I’m beautiful, I’m Indian. It made people take notice. But then I had to prove I deserved it.”
That confidence comes from lived experience. “I’ve never been treated like a diversity hire. I get called because I deliver. And because I’m versatile.” Her mentor, drummer Ranjit Barot, taught her early on: “You’re a musician first. The rest is noise.” That philosophy stuck.
From Mumbai to the world stage, Mohini plays life her own wayInstagram/dey_bass
Redefining success on her own terms
Despite the accolades, Forbes 30 Under 30, global acclaim, and sold-out venues, Mohini says awards never meant much to her. “In India, there are no awards for instrumentalists. Everything is for playback singers.”
So how does she define success? “I don’t know what it means yet,” she admits. “But contentment? That’s what I chase. Those rare moments when I play and I’m not overthinking, just flowing. That’s a win.”
Mohini Dey says music saved her when nothing else couldInstagram/dey_bass
What’s next: less travel, more life
As she readies her set for Ronnie Scott’s, including unreleased tracks and new sounds, Mohini is also thinking about slowing down. “I hate travelling,” she laughs. “By the time I’m 38, I want to be working from home, running a studio, picking only what excites me.”
She’s already laying the foundation with a social media company, side hustles and plans to support young musicians. “Music can’t feel like a grind,” she says. “It has to stay personal.”
Mohini Dey has become one of India’s most in-demand musicians across genresInstagram/dey_bass/bahrainjazzfest
Advice to dreamers: trust your gut
Asked what she’d tell her 14-year-old self, Mohini smiles. “Nothing. That kid was solid. She did what her dad told her to do. Then she did what she wanted to do. I’m proud of her.”
Her advice to young artists is blunt but inspiring: “People will try to drag you down. You’ve got to stay consistent, stay grounded, and own your story. Don’t wait for validation. Let your work speak. And if it doesn’t? Keep going until it does.”
From lonely train rides in Mumbai to sold-out shows at Ronnie Scott’s, from rejection and burnout to quiet moments of clarity on stage, Mohini Dey’s journey isn’t just about music, it’s about survival, rebellion, and learning to finally breathe in a life she built for herself.
And through it all, one truth remains: the bass didn’t just give her rhythm. It gave her voice.
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Ezra Miller attends the Los Angeles premiere of Warner Bros. "The Flash"Getty Images
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Ezra Miller attends the Apple Store Soho presentation Getty Images
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