India’s federal investigation agency, Central Bureau of Investigation (CBI) has approached the Interpol wing of Nigeria to confirm whether absconding promoter of country’s Gujarat-based Sterling Biotech, Nitin Sandesara is staying Nigeria.
The businessman, Nitin Sandesara is being investigated by Indian investigators in a £554.80 million alleged banking fraud case, the officials said on Tuesday (25).
CBI’s new move came after media reports that stated Sandesara and members of his family have moved from the United Arab Emirates (UAE) to Nigeria with which India doesn’t ink any extradition pact.
The investigation agency has also said that it has no information on the current location of the businessman and members of his family.
Indian investigators have alleged Sterling Biotech that it had borrowed loans worth £523.40m from a consortium of banks led by Andhra Bank which have turned into non-performing assets (NPA).
According to a first investigation report (FIR) registered by the CBI stated that the total pending dues of the company were £563.49m as on December 31, 2016.
In October 2017, the investigation agency registered case against Sterling Biotech and its directors including Chetan Jayantilal Sandesara, Dipti Chetan Sandesara, Rajbhushan Omprakash Dixit, Nitin Jayantilal Sandesara, and Vilas Joshi. In addition to five accused, the company’s chartered accountant Hemant Hathi, former director of Andhra Bank Anup Garg and other unidentified persons have also been booked in the fraud case.
CBI registered a case against the management of the company earlier in August for allegedly bribing senior officials of Income Tax (IT) department.
The IT department had conducted a raid and seizures in 2011 at 25 premises of Sterling Biotech Ltd. The IT officers found a diary containing handwritten records of financial transactions, an FIR in that particular case stated.
CBI booked all the accused in the case for criminal conspiracy, cheating, forgery, and corruption among other charges. The investigation agency alleged that false and fabricated records and manipulated documents were made to obtain loans from the lenders which were later used for the personal spending of the management.
AN OIL painting of Mahatma Gandhi created during his 1931 visit to the UK will be sold at auction in London next month.
Painted by British artist Clare Leighton, the portrait is being described by auction house Bonhams as "thought to be the only oil portrait that Gandhi actually sat for", reported the BBC.
Leighton created the work when Gandhi came to London for the second Round Table conference, which aimed to discuss constitutional reforms and India's demands for self-governance.
The painting will go under the hammer in the second week of July at Bonhams auction house.
"This is a painting of unique historic and cultural significance. It would be great if it could be seen and appreciated more widely, whether in India or elsewhere," said Caspar Leighton, the artist's great nephew.
According to Bonhams, Leighton "was one of the very few artists admitted to his office and was given the opportunity to sit with on multiple occasions to sketch and paint his likeness".
Report said that Leighton gained access to Gandhi through her partner Henry Noel Brailsford, a British political journalist who strongly supported India's independence movement.
In November 1931, Leighton displayed her Gandhi portraits at an exhibition at the Albany Galleries in London. Though Gandhi did not attend the opening, several Indian delegation representatives from the Round Table conference were present, including prominent independence leader Sarojini Naidu.
The exhibition featured both the oil portrait now being auctioned and a charcoal sketch of Gandhi sleeping in his office.
British journalist Winifred Holtby wrote about the painting: "The little man squats bare-headed, in his blanket, one finger raised, as it often is to emphasise a point, his mouth parted for a word that is almost a smile".
Gandhi's personal secretary Mahadev Desai later wrote to Leighton, saying: "many of my friends who saw it [the oil portrait] in the Albany Gallery said to me that it was a good likeness".
According to the BBC, the portrait remained in Leighton's collection until her death in 1989 in the US, when it passed to her family.
After the 1931 London exhibition, there is no public record of the oil portrait being displayed again until 1978, when the Boston Public Library organised an exhibition of Leighton's works.
However, the artist's family believes the portrait was shown in the US during the 1970s, where it was allegedly damaged in a knife attack carried out by a right-wing Hindu activist. A label on the painting's backing shows it was restored by the Lyman Allyn Museum Conservation Laboratory in Connecticut in 1974.
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He have been seen alongside members of the royal family on several occasions
David Beckham is expected to receive a knighthood in King Charles III’s upcoming birthday honours list, according to reports. The former England footballer, now 50, is said to be among those recognised for their contributions to sport and charitable work.
Beckham, who earned 115 caps for England and captained the team for six years, has long been tipped for a knighthood. His name is expected to appear on the honours list set to be released next week, with the title of ‘Sir’ to be conferred. His wife Victoria Beckham, former Spice Girls member and fashion designer, will subsequently be known as Lady Beckham, reports The Sun.
The couple have been seen alongside members of the royal family on several occasions. Most recently, they were photographed with King Charles and Queen Camilla at the Chelsea Flower Show. In February, the Beckhams also attended a formal dinner at Highgrove, the King’s private Gloucestershire residence, to support Anglo-Italian relations.
Beckham is an official ambassador for The King’s Foundation, an organisation focused on education and environmental awareness among young people. His role supports the foundation’s programmes, including efforts to promote youth understanding of nature.
In recent years, Beckham has publicly expressed his appreciation for the natural world. In the Netflix documentary Beckham, he spoke about his beekeeping hobby at the couple’s countryside estate in Great Tew, Oxfordshire.
The former Manchester United and Real Madrid star was previously honoured with an OBE (Order of the British Empire) in 2003 for services to football. He was initially considered for a knighthood in 2011, following his efforts to support London’s successful bid to host the 2012 Olympic Games.
David Beckham is expected to receive a knighthood in King Charles III’s upcoming birthday honours listGetty Images
However, his advancement to knighthood was delayed due to his alleged involvement in a tax avoidance scheme. Beckham was one of 140 public figures named in the 2013 Ingenious scheme, which was investigated and blacklisted by HM Revenue and Customs. Sources at the time claimed Beckham had no knowledge of the financial arrangements. The company later won an appeal against HMRC in 2021, reportedly clearing any remaining obstacles to Beckham’s eligibility for honours.
Outside of football, Beckham has been a dedicated supporter of various charitable causes, particularly those focused on children. He has served as a Unicef special ambassador for over two decades. Earlier this year, he received the Crystal Award from the World Economic Forum in recognition of his advocacy for children’s rights.
During his speech at Davos, Beckham emphasised the importance of gender equality, particularly in education and opportunity. Speaking about his 13-year-old daughter Harper, he called for girls around the world to be given the same prospects as boys. “They need opportunities. They need collective action and they need investment,” he said. He cited poverty, violence and discrimination as key barriers still affecting young girls globally.
In May, Beckham expanded his involvement in football by becoming part of a nine-member consortium taking over League Two side Salford City, alongside his former Manchester United teammate Gary Neville. The group aims to transform the club and eventually secure a place in the Premier League.
“I always dream big so I’m always going to want us to get to the pinnacle of football and be in the Premier League,” Beckham told The Athletic. “But there’s a lot of hard work and a lot of investment to be done up until that point.”
If confirmed, Beckham’s knighthood would be a formal recognition of his lasting influence both on and off the pitch, celebrating a career marked by sporting excellence and long-standing philanthropic commitment.
A NEW play explores the issues faced by this current generation of immigrants and questions the definitions of freedom and liberation, its playwright has said.
Permission, written and co-produced by Hunia Chawla, casts a questioning eye on the trope of ‘the oppressed Muslim woman’ and examines the links between patriarchy, protest, and the global political order.
In an interview with Eastern Eye, Chawla said, “There are not many voices of contemporary immigrants in today’s world. The immigrant stories we hear are from the 1950s and 1970s.
“There is not much discussion taking place, and I believe it is an important discussion to have, given everything that is happening in the world. What is the role of protest? Who gets to decide what freedom is? This tension between the West and the East that we often observe offers a new way of looking at these issues.”
Through the stories of Hanna (played by Anisa Butt) and Minza (Rea Malhotra Mukhtyar), the 70-minute play, which moves between a Heathrow immigration queue and a rooftop in Karachi, explores themes such as friendship, sisterhood, identity politics, and state violence.
“I believe this trope (the oppressed Muslim woman) holds significant importance because it is frequently employed to justify numerous oppressive measures against people from the global south, Muslims, and specific nations,” Chawla, who is in her late 20s pointed out.
“Consider, for instance, the situation in Afghanistan. There exists considerable outcry regarding the Taliban, and quite rightly so, as they are indeed oppressive towards women. However, the response to this oppression is the assertion that “we must save Afghans from the Taliban,” which then leads to sending weapons and dropping bombs on that very country under the guise of liberation. One ends up killing the same people one purports to liberate, and the irony of this situation is not lost on observers
“Similarly, regarding the Israel-Palestine conflict, much of the propaganda centres on the claim that all Palestinians are oppressive towards women and gender minorities, and this assertion is then used to justify genocide. Identity politics has become so divorced from actual political violence that it proves harmful at times – indeed, it is sometimes weaponised in deeply damaging ways.”
Hunia Chawla
According to the writer, who is from Karachi and lives in Yorkshire, the solution to the issue lies “simply in maintaining awareness”.
“It is crucial to recognise that Muslim women are not the only ones facing oppression, patriarchy exists everywhere. It is present here in the UK and across the globe, merely manifesting in different forms. The critical factor is determining who tells the story and who it serves.
“Currently, I observe a narrative structure featuring a saviour and the oppressed, with engagement conducted in a manner that serves the so-called saviour, who are, paradoxically, also the oppressors. This approach proves unhelpful and reinforces a colonial mentality of “we are modern and shall liberate you,” while considerable harm is being inflicted that remains largely unacknowledged,” she added.
In the play, Hanna tries to balance her political beliefs and personal choices by presenting herself as a ‘proper’ Pakistani woman. Her best friend, Minza, doesn’t care about appearing respectable to others. Their close friendship, played out in the busy city of Karachi, faces a major challenge when Hanna relocates to London seeking personal freedom and independence, meanwhile Minza stays behind in Karachi to campaign for political change through protests.
Chawla explained that while the play follows a chronological structure, showing Hanna’s journey from Karachi to London, it incorporates numerous flashbacks to her childhood and teenage years, creating a non-linear narrative.
She expressed her fascination with magical realism, noting that incorporating less naturalistic elements allows for greater character dimension and environmental shifts.
The play explores two distinct approaches to seeking freedom through its protagonists. Originally created as a 20-minute one-woman show and performed to a packed audience at The Space in London, Chawla developed the play into its current form over two years. She collaborated with director Neetu Singh to provide a “new vision” for the play.
She explained that Permission initially told the story of an immigrant girl from Pakistan dealing with the contemporary immigration process.
“The story expanded to explore the broader politics of immigration and questions of liberation and freedom, particularly for south Asian women navigating the immigration process and the complexities of dual identity between Karachi and London,” she said.
“Permission came from the essential question of what liberation means and who gets to define it,” Chawla said.
A still from rehearsal
She noted that Western media often presents reductive narratives, such as in Bend It Like Beckham, where a brown girl from a conservative family becomes “liberated” through western ideas, reinforcing a colonial mindset that positions the west as the standard for modernity and liberation.
The British Pakistani artist highlighted the hypocrisy within this narrative, explaining that while the main character Hanna may feel more secure as a woman in the UK, she encounters censorship when attempting to speak about state violence, Palestine, or western complicity in global conflicts.
“The liberation question becomes complicated – you’re not free to do everything. There’s a condition to that freedom,” she observed.
The Asian actor-writer developed an interest in poetry from a very young age. She studied at the University of Warwick and pursued a career in the financial sector upon completing her studies. She completed the Old Vic Theatre Makers programme and is currently part of the Soho Writers Lab.
Chawla added, “Viewers don’t need to be politically engaged to appreciate the production, as the play’s strength lies in intimate moments and the beautiful portrayal of friendship and sisterhood between its characters. Permission operates on multiple levels, combining serious political themes with genuine entertainment value. It is genuinely funny and engaging.”
She expressed confidence in the production’s broad appeal, noting that previous performances attracted diverse audiences who responded enthusiastically.
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Scottish Labour leader Anas Sarwar and deputy Jackie Ballie react after Davy Russell, Scottish Labour candidate, won the Hamilton, Larkhall and Stonehouse by-election on June 06, 2025.
LABOUR won a surprise victory in a Scottish parliament by-election on Friday, defeating the Scottish National Party (SNP) in Hamilton, Larkhall and Stonehouse. The result delivered a rare boost to prime minister Keir Starmer and his government, who have seen a decline in support since taking office last July.
The by-election was triggered by the death of SNP lawmaker and government minister Christina McKelvie in March. Labour’s candidate Davy Russell secured 8,559 votes, overturning the SNP’s 2021 majority of 4,582. The SNP, who were favourites to retain the seat, received 7,957 votes, while Reform UK finished third with 7,088 votes.
"People in Scotland have once again voted for change," Starmer said on X. "Next year there is a chance to turbo charge delivery by putting Labour in power on both sides of the border," he added.
The Labour win came after what was described as one of the most bitter election campaigns in Scotland in recent years. Race became a central issue after Reform UK, led by Nigel Farage, repeatedly referred to the ethnicity of Scottish Labour leader Anas Sarwar, who is of Pakistani heritage. Farage visited Scotland on Monday, shortly after a row erupted over an online video from his party that falsely claimed Sarwar would "prioritise" the Pakistani community.
Labour called the video “blatantly racist,” and SNP leader John Swinney urged voters to reject Reform’s “gutter politics”. In response, Farage accused Sarwar of bringing sectarianism into Scottish politics.
Despite securing the seat, Labour’s share of the vote fell slightly compared to 2021, ending at 31.6 per cent. The SNP’s vote share dropped by nearly 17 per cent. Reform UK gained 26.1 per cent, making a significant entry into Scottish politics. The Conservative party finished with just six per cent of the vote.
The betting odds before the by-election had predicted a comfortable SNP victory, with Labour expected to come third behind Reform.
After his win, Russell addressed supporters and said the result had “sent a message to Farage and his mob, the poison of Reform isn't us, it isn't Scotland and we don't want your division here”.
THE recently signed Free Trade Agreement (FTA) between the UK and India means there will be even greater demand for Air India’s business class travel from Heathrow to Delhi and Mumbai.
But let me travel down memory lane for a little while.
I have on my table a little cup with the new Maharaja symbol. It’s the sort used to serve tea and coffee in business class. I assure readers it wasn’t pinched.
And in the kitchen I have one of Air India’s new salt and pepper dispensers designed in the shape of a traditional Indian tiffin box. That, too, I am happy to say, was gifted to me.
It is the Maharaja that takes me back many years to when I was 18 and had began to travel regularly on Air India. I still have some of the paper tickets which have become collectors’ items.
At university we had three eight-week terms and so I could spend pretty much six months of the year in Calcutta (now Kolkata). Instead of focusing on the laws of thermodynamics and quantum mechanics – I don’t recognise any of the maths in the books and files I have preserved – I worked alongside my late father on the English-language newspaper, the Amrita Bazar Patrika, where he happened to be the comment editor. Those were the days of hot metal.
The well-known Maharaja symbol has been modernised
Those were also the days of the legendary Maneck Dalal, who brought class and style as Air India’s regional editor in the UK. He had an office in the Air India building in New Bond Street. In the summer term, he would load up his white Mercedes with bottles of champagne for a party he hosted for members of the university’s India Society.
His accounting department didn’t think it was a good idea to waste champagne on students but Dalal dismissed their objections.
“They are my future passengers,” he said. Dalal gave me a grey cabin case which I used for many years.
Those students, who had arrived in the UK from India, certainly used Air India when they returned home for summer or for Christmas and the New Year.
Dalal, who had been sent to London by JRD Tata to open Air India’s office in London, remembered Heathrow from the winter of 1948: “We had to trudge through slush and mud to get to the caravan and had oil heaters to keep us warm.
“It was a question of suffocating from the oil fumes or freezing of cold…London airport was a wide stretch of area with hardly any development – a large number of rabbits and hares could be seen jumping around. The only person who had the right to shoot them was the commandant of the airport.”
Amenities available for passengers
Air India’s inaugural flight on a Lockheed Constellation L-749, named Malabar Princess, took off from Bombay [now Mumbai] on June 8, 1948, just after midnight. On board were JRD Tata, the Jamsaheb of Nawanagar, and the industrialist Neville Wadia.
Dalal was at the airport to receive the flight and to see off the start of the return journey on June 10. He reflected the Air India ethos because he could win people over with effortless charm.
After he retired from the airline in 1977, he remained a director of Tata & Sons. He also became chairman of the Bharatiya Vidya Bhavan. His death at the age of 98 on March 6, 2017, brought back many memories.
Air India is now back “home” under Tata management, where I am pretty confident it will prosper. The airline has introduced the new A350 aircraft – it has six of them but the number is going to go up to 40.
On March 26, I flew one of the A350s from Heathrow to Delhi. I was entitled to two suitcases, each 25kg, but had only one weighing 17kg, even with presents for family and friends.
There is a dedicated check-in counter for business class passengers in Heathrow’s Terminal 2, the Queen’s Terminal. Adjacent to these counters is the priority security lane, providing quick and easy access to the Star Alliance network partner lounges. Perhaps Air India needs its own lounge with a tasteful Maharaja décor.
I noted that flight AI 162, supposed to take off at 8.45am, did take off precisely at 8.45am. Dalal would have been pleased. He would also have approved that in business class, at least, we were getting Maharaja service, though the symbol had been modernised to reflect the aspirations of India in 2025.
In the old days, I was more than happy to travel economy, but Dalal would often send word to his staff at Heathrow and I found myself upgraded for no good reason.
The configuration in business class is now quite different, with private suites for 28 passengers. Each seat also converts to a flat bed. This means you can sleep for three-five hours during a nine-hour flight,and attend meetings on the day of arrival. It wouldn’t take much for me to get spoilt.
Each suite “has a personal wardrobe and ample stowage space for electronic devices, amenities, and shoes, as well as a conveniently located mirror, catering to every traveller’s needs. A 21-inch HD touchscreen and video handset provide an immersive entertainment experience, while universal A/C and USB-A power outlets ensure mobile and electronic devices stay charged.
“Business class passengers receive locally-inspired amenities, including a set of loungewear made from blended cotton for extra softness and breathability; a pair of slippers in the shoe storage compartment; a Ferragamo amenity kit which includes Ferragamo body lotion, hand cream, lip balm, comfortable socks, a plush eye mask within a cotton bag embellished with a lotus mandala pattern, and a gold Maharaja charm; an intricately-patterned day blanket that can also be used as a shawl; a two-in-one mattress and pillow that can folded as a firm cushion or opened when making your bed; and a very plush and comfortable duvet.
“Air India’s new IFE system features over 3,500 hours of immersive entertainment content across formats and genres, including 1,250 hours of movies, 750 hours of TV, and 1,500 hours of audio.”
Since I am a fan of RK Narayan, I watched a dramatisation of his Malgudi stories.
It was nice to get a letter of welcome addressed to me personally from Campbell Wilson, Air India’s CEO and managing director. We had met when he was in London last year for the Farnborough Air Show.
“This aircraft is an embodiment of a transforming Air India, delivering a new experience for you and the nearly 120,000 travellers we fly every day,” his letter said.
“The champagne we serve on board, Laurent Perrier La Cuvée Brut, is crisp and refreshing – perfect for toasting this journey. I had the pleasure of joining the panel that selected it, and I hope you’ll raise a glass with me to celebrate Air India’s new chapter.
“Today’s inflight menu includes Scialatielli pasta served with piperade sauce and chargrilled baby courgette, and kundan kaliyan – succulent lamb in creamy saffron sauce served with rice, mixed lentils, and mint yogurt, both of which I’ve enjoyed during tastings.”
I chose the pasta. It was delicious.
His letter added: “You’ll also have access to WiFi on board, so you can stay connected if you choose. And, to help you rest, we’ve introduced luxury bedding, including a premium wool-blend blanket with a jacquard border inspired by Sozni embroidery from Jammu & Kashmir in India, reflecting our blend of Indian heritage and comfort.”
When I am flying to India, I like to see the dawn come up. Next time I think I might request a window suite.