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India resumes lunar quest

INDIA has approved its third lunar mission months after its last one failed to successfully land on the moon, its space agency said last week.

The Chandrayaan-3 mission will have a lander and a rover, but not an orbiter, Indian Space Research Organisation (ISRO) chairman K Sivan told reporters at its headquarters in Bengaluru.


“We are targeting the launch for this year but it may spill over to next year,” Sivan said. Indian sources added that authorities had set November as a provisional target for launch.

The Chandrayaan-2 mission in September successfully deployed a lunar orbiter, but it was unable to place a rover on the lunar surface after a “hard” landing. That mission had aimed to land on the south pole of the moon, where no other lunar mission had gone before. The region is believed to contain water as craters in the region are largely unaffected by the high temperatures of the sun. ISRO had hoped to confirm the presence of water in the form of ice, first detected on its mission in 2008.

Chandrayaan-3 will have a “similar configuration” as the previous mission, Sivan said.

India’s third lunar mission will likely launch this year and will cost less than its previous mission, Jitendra Singh, junior minister for the department of space, said.

Sivan also said ISRO was making “good progress” for its human space-flight mission slated for late 2021, adding that four astronauts had been picked for training. The project, called Gaganyaan, would cost under `100 billion (£1.06bn), the government said in 2018.

India has developed a reputation for pioneering affordable satellite launches and space missions. Its unmanned Mars mission in 2014 cost just $74 million (£56m), less than the budget of the Hollywood space blockbuster Gravity.

Sivan also revealed that ISRO had begun the land acquisition process for a second spaceport in Thoothukudi city in Tamil Nadu state.

Only the US, Russia and China have landed on the moon. Beijing’s Chang’e-4 probe touched down on the far side of the moon last year, while Israel made an unsuccessful attempt to land its Beresheet spacecraft on the moon in April 2019.

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As a Nigerian-born media professional living in Canada, I often find myself reflecting on the extraordinary evolution of the South Asian creative industries—particularly India’s—and what they can teach Africa at this pivotal moment in our cultural journey. The parallels between our regions are striking: both are home to vast populations, layered histories, multilingual societies, and diasporas that span the globe. Both have rich storytelling traditions, vibrant music cultures, and an instinctive flair for spectacle. Yet only one has succeeded in transforming that cultural wealth into a fully global, multi-billion-dollar media ecosystem.

India did not achieve this by accident. It was shaped through intentional, long-term investment in identity, audience, and technical excellence. Those of us passionate about building an expansive African media future — across film, television, music, publishing, and live events — should not just admire this achievement, but study it.

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