Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
After months of speculation, HBO has officially revealed some of the key faces for its upcoming Harry Potter television series. Though the spotlight remains on who will play Harry, Ron and Hermione, a handful of major roles have now been confirmed.
Veteran actor John Lithgow will take on the role of Albus Dumbledore. Known for his work in The Crown and 3rd Rock from the Sun, Lithgow adds serious weight to the cast. British actor Paapa Essiedu, who rose to fame with I May Destroy You, is stepping into the role of Severus Snape, one of the franchise’s most layered characters. Although this casting has prompted heated discussion online, many are excited to see a fresh interpretation.
John Lithgow takes on the iconic role of Albus Dumbledore in the upcoming ‘Harry Potter’ rebootGetty Images
Janet McTeer, whose acting credits include Ozark and Albert Nobbs, will play Professor McGonagall. Filling Hagrid’s enormous shoes is Hot Fuzz actor Nick Frost, who brings a mix of warmth and humour to the beloved half-giant role. Meanwhile, Paul Whitehouse, well known for The Fast Show, will appear as Argus Filch. Stage actor Luke Thallon has also joined the cast as Professor Quirrell.
Janet McTeer joins the cast as Professor McGonagall in HBO's ‘Harry Potter’ rebootGetty Images
Filming is set to start this summer, and while an exact release date hasn’t been confirmed, the series is expected to arrive in 2026. The roles of the central trio: Harry, Ron and Hermione remain unfilled, with an open call attracting over 30,000 young talents. HBO is aiming to cast newcomers in these roles.
Nick Frost brings warmth and humour to the beloved role of Hagrid in the ‘Harry Potter’ series rebootGetty Images
Behind the scenes, Succession veterans Francesca Gardiner and Mark Mylod are heading the project as showrunner and executive producer. The team promises a deeper and more complete retelling of J.K. Rowling’s seven-book saga, one that sticks closely to the original text. Rowling, who has been a divisive figure in recent years, will serve as an executive producer.
Paapa Essiedu steps into the shoes of the enigmatic Severus Snape in the ‘Harry Potter’ series rebootGetty Images
This reboot arrives nearly 30 years after the first book was released and 15 years after the final film. With a new format and a longer timeline, HBO hopes to reintroduce the wizarding world to both long-time fans and a new generation. More casting announcements are expected in the coming months.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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