Actor Freida Pinto has fond memories of Sundays spent in front of the television watching the animation series on The Jungle Book with her family.
This is why when she got to know that Andy Serkis, her co-star from Planet of the Apes, was working on the story, she picked up the phone and asked him for a role, any role.
"I wanted to be a part of this film, it was not the other way round where I got the offer. I kind of called them to make the offer. It had to do with the childhood memory and how connected I felt to the story," she said.
"I remember the joy and the thrill I would feel on a Sunday to go back home after Sunday school. I remember so well my sister and I just sitting on the couch waiting for the next episode and my dad would bring these snacks from this local bakery in Malad. That's probably my favourite childhood memory," Pinto added.
The actor plays the role of Messua, a human adopted mother to Mowgli, a role she describes is like 'jaadoo ki jhappi' for the child torn between being a human and a wolf.
"I kind of feel if I have to describe my character I'm one big giant hug for Mowgli in the movie. A hug that he's never got from anybody, so I get to be that special person in his life who makes him feel like he's loved and cared for and that he can heal," she said.
Pinto said all the performance capture roles were already cast except for Cate Blanchett (Indian rock python Kaa) and Naomie Harris (Mowgli's wolf mother Nisha) was the only other female character.
"You know you would not want to play Kaa because she requires this majestic voice and my voice is thinner compared to hers. You need a fuller voice for Kaa.
"I said, 'Okay, there aren't any more performance capture roles left but I will do anything to be in this movie. I'll do like a one-second role just because I wanted to honour my childhood memories but I had actually something even better than a one second role," she added.
Pinto, who shot to international fame with her role in 2008 film Slumdog Millionaire, says things have changed a lot in the past one decade because stories are acting like a bridge between India and the West.
"What is beautiful that I'm seeing now is that it's not really so much about the bridge with artistes, it's the bridge with stories. I think it's the stories that are now connecting the two worlds.
"People are more interested in knowing what's happening in India with Sacred Games or what other stories can come from here that can translate to the rest of the world and not just America. Whereas before, Indian movies were just made for India, Indian TV series was just made for India and probably a little bit of Middle East and Morocco but not for the globe," she said.
Mowgli: Legend of the Jungle features performance capture and voice over by Bale, Serkis, Blanchett, Harris, Benedict Cumberbatch, Tom Hollander and Peter Mullan. The film stars Rohan Chand as the title character.
The film has been dubbed in Hindi by Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Madhuri Dixit and Kareena Kapoor.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.