Shikhar Dhawan is savouring his purple patch, but the opener has not forgotten the slump which had forced him out of the team, saying failures have taught him important lessons.
Dhawan was dropped after the New Zealand series last year due to a slump in form and came back to the team for the Champions Trophy this year. Since then he has done exceedingly well and he's keen to continue with his good form.
"It's a long time (until the next World Cup). I would like to keep performing well. That would be my goal because if I don't perform, there are such great batsmen in our side that anyone can take my place," he said after helping India register an easy nine-wicket win over Sri Lanka in the first ODI here last night.
"Failure teaches you a lot and I am lucky I have learnt so much out of that," he added.
Talking about the slump in form which he had experienced, Dhawan said, "I have already had a slump so I don't think about it. When it has to come it will come. I embrace that period of slump also.
"When I was not doing well I was just focussing on my processes. And when I am doing well, I am still focussing on my processes. So those things don't bother me that much," said Dhawan who hit a fluent unbeaten 132.
In this tour of Sri Lanka, Dhawan has been in red-hot form. Besides the unbeaten ton in the first ODI yesterday, he has hit hundreds in the Galle and Pallekele Tests.
He said he was in similar form during the 2013 Champions Trophy after he scored a majestic maiden Test hundred against Australia.
"When I made a comeback in the ODI side in 2013 Champions Trophy, I was batting this fluently. Even in recent Champions Trophy (2017), I was playing in that flow.
"I would say that I even played like this in my debut Test match against Australia, or like I played in Galle in the first Test here. I am playing quite similarly to those times.
I am trying to keep repeating the same mantra for myself," said the 31-year-old Delhi batsman.
He said he needs to keep his fitness to a high level to be at par with "all the young boys" in the team.
"I like to keep myself fit at the pace of the game. Apart from that I don't really too many goals that I have to score these many runs. I just focus on my process including my fitness, skills and fielding," he said.
Put into bat, Sri Lanka were placed at 150/2 at one stage, but then collapsed to 216 all out with Axar Patel taking career-best 3-34.
Dhawan put on 197 runs for the second wicket with Virat Kohli as India won with 21.1 overs to spare, their biggest margin of victory in terms of balls remaining.
"I really didn't think about the pitch. I was just watching the ball and playing the ball. And I felt that the pitch was very good, the way Sri Lanka started the innings. I thought they will score 300 runs but they lost lot of wickets in the middle and we dominated the game," said Dhawan.
He also sympathised with the Sri Lankan team, saying a few comforting words for the rival team, which has failed terribly.
"This is a young Sri Lankan side and they are in transition period where all the boys will mature. In international cricket you need to have that experience. The young boys are good but with time they will get better.
Asked if the Sri Lankan attack led by the ageing Lasith Malinga was the poorest he has faced, the opener didn't want to use too many "harsh words".
"Malinga has been a legend for Sri Lankan cricket and he has done great in international cricket in all formats. He is a bit old now and with time I feel that his pace has gone down a bit. That's why we can attack more as batsmen and that's what we look at. This is natural because he has played so much cricket. It's just a cycle, life cycle, that's what I feel," said the left-handed opener.
"I don't use those harsh words. I won't say they are the worst bowling attack I have faced. The left arm bowler (Vishwa Fernando) bowls decent pace. They have a good fast bowling attack. In Champions Trophy, they even beat us.
"It's just that we have got a mature side, very experienced side so that plays a huge role because how you handle pressure situations that matters a lot with experience.
So I feel that with time Sri Lankan team will do well," he added.
On Tuesday, June 3, Nottingham Playhouse will host the premiere of Songs of the Bulbul, a deeply evocative new dance work created by internationally renowned artist Aakash Odedra. This compelling performance combines ancient Sufi storytelling with contemporary dance, offering audiences a moving exploration of captivity and liberation through the powerful medium of movement and music. Set in the vibrant cultural heart of Nottingham, this production promises a unique and immersive theatrical experience, showcasing a blend of classical and modern artistic traditions that will captivate both dance enthusiasts and newcomers alike.
Inspired by the ancient Sufi myth of the bulbul—a songbird captured and held in captivity—Songs of the Bulbul tells a timeless tale of confinement, yearning, and spiritual freedom. In Sufi tradition, the bulbul often symbolises the soul’s longing for union with the divine, trapped within the material world. This metaphor is brought to life on stage through the exquisite choreography of Rani Khanam, a master of Kathak dance, and the innovative musical compositions of Rushil Ranjan. Together with Aakash Odedra’s visionary direction and performance, the piece weaves a narrative that is at once personal and universal, reflecting themes of restriction and the human spirit’s relentless pursuit of freedom.
Aakash Odedra has established himself as a pioneer in blending classical Indian dance with contemporary styles, creating performances that are visually striking and emotionally profound. His work often addresses complex themes of identity, culture, and transcendence, making Songs of the Bulbul a natural continuation of his artistic journey. Rani Khanam’s choreography brings the intricate rhythms and storytelling of Kathak, a classical North Indian dance form, enriching the performance with cultural depth and historical resonance. Complementing the dance is Rushil Ranjan’s evocative original score, which uses traditional instruments and modern musical textures to underscore the emotional landscape of the story.
This Nottingham staging of Songs of the Bulbul marks the beginning of a wider UK and international tour. Audiences eager to experience this breathtaking fusion of dance, music, and myth are encouraged to visit www.aakashodedra.com for further tour dates and venues. The production is expected to draw attention not only for its artistic merit but also for its fresh interpretation of age-old themes that remain deeply relevant in today’s world.
For anyone interested in contemporary dance, cross-cultural storytelling, or innovative theatre, Songs of the Bulbul offers a rare opportunity to witness a masterful collaboration between some of the most exciting talents in performing arts today. This is a story of hope and resilience told through the universal language of dance—a reminder of the indomitable spirit that exists within us all.
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Russell Brand leaves Southwark Crown Court after entering not guilty pleas
Russell Brand, once a regular on TV screens and now a high-profile online figure, appeared in a London court on Friday and denied all allegations of rape and sexual assault. The case, involving accusations from four different women, will now move towards a trial scheduled for 3 June 2026.
The 49-year-old, known for his past work in comedy and film, as well as for his recent outspoken online presence, faces five charges: one of rape, one of oral rape, two of sexual assaults, and one of indecent assault. The alleged incidents happened between 1999 and 2005, a time when Brand was climbing the ladder in Britain’s entertainment industry.
Brand remains silent as he faces reporters after brief court hearingGetty Images
The courtroom appearance was brief but closely watched. Dozens of journalists were present as Brand stood in a glass enclosure at Southwark Crown Court. Dressed in a dark suit and open-collared shirt, he said “not guilty” to each charge.
One of the most serious allegations involves an incident during a political event in Bournemouth in 1999. A woman claims Brand raped her in a hotel room after a Labour Party conference. Other accusations include unwanted sexual advances and assaults at a TV station and a party in London.
Media gather outside London court as Russell Brand appears in sexual assault caseGetty Images
Brand has rejected all accusations since they first surfaced in a joint media investigation by The Sunday Times, The Times, and Channel 4’s Dispatches in 2023. He later posted a video on social media calling himself a former addict and flawed individual, but insisted he never acted without consent.
The trial is expected to last four to five weeks. Due to a backlog in the UK’s court system, such delays between a plea and trial are common. British law protects the identities of people who report sexual assault unless they choose to go public and also restricts pre-trial reporting to avoid influencing jurors.
Court sets 2026 trial date in case involving allegations against Russell BrandGetty Images
Once a mainstream star with roles in hit films and a high-profile marriage to singer Katy Perry, Brand has since reinvented himself as an online commentator. His YouTube channel, filled with politically charged and often controversial content, has millions of followers.
For now, Brand remains free while awaiting trial in a high-profile case that will unfold years after the alleged events took place.
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Promises an unfiltered look into her personal and professional life
Victoria Beckham has shared insights into her forthcoming Netflix docuseries, which promises an unfiltered look into her personal and professional life. The series aims to provide a "warts-and-all insight into the blood, sweat and literal tears" involved in managing her fashion empire, which she launched in 2008.
Speaking to Bloomberg, Beckham acknowledged she has relinquished control over the final product, stating, "To be completely honest, I am in the hands of the editor now." She also expressed uncertainty about viewing the emotional scenes herself, adding, "There are tears. And it did occur to me the other day, what am I going to think when I see those tears on a huge screen? Or on an iPhone?"
The docuseries will showcase Beckham's day-to-day responsibilities running her global business. While her husband, David Beckham, is expected to have limited screen time, Beckham joked about his potential involvement, saying, "Well, he might end up on the cutting-room floor. I mean, who knows?" Their children will also feature in the documentary, with Victoria confirming they are "a huge part of everything" and have been filmed alongside their father.
The series, which began filming in September and is expected to continue until June, may be released in late 2025, although no official date has been announced.
The series aims to provide a "warts-and-all insight into the blood, sweat and literal tears" Getty Images
This announcement comes amid reports of an ongoing rift between the Beckhams and their eldest son, Brooklyn. The tensions reportedly intensified after Brooklyn and his wife, Nicola Peltz, were absent from significant family celebrations, including David's 50th birthday parties in Miami and London. Brooklyn's recent Instagram post, featuring a video of himself and Nicola riding a motorcycle, included a caption expressing unwavering support for his wife, which some interpreted as a pointed message amid the family discord.
Sources have suggested that the rift may have originated from an incident at Brooklyn and Nicola's 2022 wedding. According to reports, Victoria Beckham allegedly disrupted the couple's first dance by taking the spotlight during the performance, leading to Nicola leaving the room in tears. This event is said to have exacerbated existing tensions between Nicola and Victoria.
Despite these challenges, Victoria Beckham continues to focus on her professional endeavors, with the upcoming docuseries set to provide an intimate look at her journey in the fashion industry.
A deep love for writing from a young age meant it was almost inevitable that AA Chaudhuri would one day return to her first passion.
After excelling as a junior tennis player and forging a successful career in law, she reconnected with the magical worlds of storytelling by writing her own books. That creative drive has since taken her on a successful journey as a crime thriller author, with critically acclaimed novels packed with twists and turns.
With a Kolkata-born father, she is proud of her Indian heritage and includes it in her books wherever possible. She will follow up titles such as The Scribe, She’s Mine, The Loyal Friend and The Final Party with The School Gates, which will be published next Thursday (5). It centres on the mysterious murder of a single mother hiding dark secrets. As with her earlier work, nothing is quite as it seems in this twist-filled tale.
Eastern Eye caught up with the acclaimed British author to discuss her writing journey, her recent novel Under Her Roof, upcoming book The School Gates, sources of inspiration, and advice for aspiring writers.
Her book ' Under Her Root'Facebook/ AA Chaudhuri
What led you towards the crime genre?
I fell in love with the crime genre when I picked up my first John Grisham novel in my mid-teens. I love the intrigue, suspense, twists and turns that keep the reader guessing and turning the pages. It is a genre that challenges both reader and writer – one that reflects society at a given time, and human nature at its darkest. As fallible beings, we are all susceptible to that darker side, and I think this relatability is what makes it such a compelling genre.
How would you describe your journey as a writer so far?
Tough and rewarding. I started writing in 2010, but it took me five years to get my agent, Annette Crossland, and another three to land my first publisher. That was despite writing a book a year for eight years, refining them until I knew them by heart, and almost giving up hope they would ever see the light of day. I faced a lot of rejection, came close to offers from big publishers, and shed more than a few tears. But I kept going, always hopeful that I would get my break.
Tell us more about that inspiring journey.
My story is no different to thousands of others. Writing is a tough, competitive and highly subjective business. You need a thick skin to cope with rejection. When my Kramer and Carver legal thrillers were finally published in 2019, nine years after I started writing, it was a great feeling to know my work was out there.
Then in February 2021, I signed a deal for two psychological thrillers with Hera Books. The first of those – She’s Mine – was something of a breakthrough, even though it took three years to get picked up.
Her book 'The School Gates'Facebook/ AA Chaudhuri
Now you are firmly established.
Having struggled for so long, it feels surreal that my seventh book will be published in June, and that I have appeared at several major crime fiction festivals in the last couple of years, including on the main stage at Harrogate. That was something I could only dream of when I started.
Your last book, Under Her Roof, received great reviews. What inspired it?
One of the things that makes psychological thrillers so compelling is their focus on ordinary people in familiar situations that suddenly take a dark turn. The landlord-tenant dynamic is a classic example, but one that has not been explored much. It struck me as a relationship that could become particularly sinister, as each party often knows very little about the other’s background or intentions.
Tell us more about that.
I wanted to combine that with the idea of Big Brother watching us – the way we expose our lives on social media, often to complete strangers. That makes us vulnerable and potentially the target of stalkers, which terrifies me, and I’m sure many others.
I thought it would be intriguing to explore that theme through a landlord-tenant relationship, with all the claustrophobia, helplessness and fear that can come with it.
Tell us about your forthcoming book, The School Gates.
The School Gates centres on the murder of single mother Lola Martinez, whose body is found on a riverbank the morning after a school Christmas social.
Suspicion falls on her group of mum friends, but it soon becomes clear someone from Lola’s past may also have had motive. Meanwhile, a friend she confides in online may hold the key. The story unfolds through the eyes of the investigating officer and Lola herself, via flashbacks that trace events from when her son first joined the school up to her death.
Like all my books, it is dark and twisty, with plenty of shocks – including a big final twist.
Who do you hope will connect with this book?
Anyone familiar with the school gates setting – the cliques, gossip, pushy characters and rivalries between parents – will definitely relate.
What is your favourite part of the book?
I love the gossip and intrigue between the parents. And the concluding chapters – where everything comes together – are my favourite, especially the final twist.
How do you feel ahead of a book release?
Excited and nervous.
What inspires you as a writer?
Society and human nature, especially the circumstances that can drive people to do terrible things. Things are rarely black and white. What kind of books do you enjoy reading, and do you have a favourite? I enjoy dark psychological thrillers. Gone Girl is a favourite – it starts with such an ordinary premise (a marriage gone wrong), but takes it to such deliciously dark extremes.
What makes for a great crime novel, in your view?
A gripping plot, strong characterisation and punchy prose are essential. The reader should be kept guessing with enough twists, turns and red herrings.
What advice would you give to aspiring writers?
Write because it makes you happy. Rejection is inevitable, so you have to love the process and believe in yourself. Focus on your craft and write what feels natural – readers will see through anything too contrived. Read widely; you can learn so much from other writers. Be active on social media – it helps build connections in the writing community and gets your name out there.
Why do you love being a writer?
I love letting my imagination run wild and getting lost in the worlds and characters I create. Writing is cathartic – an escape from everyday stress – and there is no better feeling than entertaining readers and transporting them somewhere else.
Finally, why should readers pick up your new novel?
Because it is full of suspense, characters who you will love to hate, and twists that will blindside you.
The School Gates, in paperback, will be published next Thursday (5)
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The foundation will distribute the funds to various charities addressing food poverty and welfare issues
Celebrity chef Rosemary Shrager is set to open the Wimborne Folk Festival on Saturday, 7 June, with a live cooking demonstration at Wimborne Community Garden. The event aims to raise awareness of food poverty in southern England and support the Two Wheels for Meals fundraising initiative.
Shrager, known for her television appearances and culinary expertise, will showcase how to prepare affordable and nutritious meals using store-cupboard essentials. The demonstration is part of her involvement in the Two Wheels for Meals challenge, a 450-mile cycling journey from Land’s End in Cornwall to the White Cliffs of Dover in Kent, scheduled from 1 to 18 June. The initiative seeks to raise funds for food poverty and welfare charities across the south of England.
All profits from food, drink, and plant stalls at the event will be donated to the Hendy Foundation, the charitable arm of the Hendy Group car dealership. The foundation will distribute the funds to various charities addressing food poverty and welfare issues in the region.
The community garden will open at 2:00 PM, offering entertainment, refreshments, and a plant sale, with Shrager's cooking demonstration commencing at 4:00 PM. The event is open to all attendees.
Shrager aims to raise at least £100,000 through her cycling challenge. Donations can be made via the Hendy Foundation website.
In preparation for the challenge, Shrager has undergone a significant personal health transformation, losing over three stone through consistent exercise and training. She has described this journey as a "second chance at life" and the best birthday gift as she approaches 75.
Justin Bieber faces backlash for ‘I love you’ comment on 17-year-old star Ariana Greenblatt’s post