HYDERABAD-BASED trio Five YearsFromNow have carved out a unique niche with their eclectic sound, blending diverse musical influences into compelling tracks.
Their recently released single Kya Hua takes listeners on an intimate journey of self-awareness and discovery, adding another milestone to their impressive repertoire. With more music on the way, the talented band – Kai Gurung (lyricist and vocalist), Sumanth Krishna Battu (producer), and Shan Paul (drummer) – are undoubtedly ones to watch.
Eastern Eye asked the band members to share 10 songs they love, revealing what inspires their creative journey.
Alors on Danse by Stromae: This track marked the beginning of our producer’s journey. Its simplicity, as reflected in the music video, resonated deeply, inspiring him to dive into DAWs, synths, and MIDI. That initial spark eventually led to making beats, and the journey has been fulfilling ever since.
Something Comforting by Porter Robinson: The production on this track is exceptional, with a unique glitch effect between two voices towards the end that we find incredibly cool. Porter Robinson is a hugely underrated artist whose mastery of harmony and rhythm inspires us greatly.
Delilah by Fred Again: This song never fails to uplift. Its energy is infectious and makes it our go-to track when heading out on a road trip. It always sets the perfect mood.
Grip by OAFF: The subtle drop with its soft kick and synth creates a sense of longing, a recurring theme in our songwriting. The music video is equally captivating and a must-watch for anyone listening to this track.
Father Ocean by Ben Böhmer: This is a comfort song for all of us. Its unique sonic elements and timeless hook evoke calm and therapeutic emotions. The drop feels like a wave of serenity – a track that feels like free therapy.
Gravity and Slow Dancing in a Burning Room (Live at Nokia Theater, 2007) by John Mayer: We couldn’t pick just one. These live versions showcase Mayer’s iconic guitar solos, emotive lines, and the incredible band backing him up. We’ve also always been fans of his song writing.
Valentine by Ron Cha: Ron is a genius storyteller, and this song is a lesson in songwriting and composition. It begins with warm emotions and ends with an air of uncertainty, leaving us wondering if the entire Valentine was just a dream.
Faint by Linkin Park: This track was the spark that drove our drummer to pick up the sticks. Its raw energy and relentless beat demonstrated the emotional power rhythm can bring to a song.
Beast and the Harlot by Avenged Sevenfold: Pure adrenaline in musical form, every beat and fill in this track hits differently. It’s a masterclass in how drumming can drive a song forward with precision and power.
Kya Hua by Five Years FromNow: This track holds a special place in our hearts. It carried us through tough times and reaffirmed our belief in our music. It’s a looper for us, and we’d love to hear what it reminds listeners of or makes them think about.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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