Five Indian nationals are among 10 people arrested by the UK’s National Crime Agency (NCA) as part an investigation into an international drugs, illegal immigration and money laundering operation.
The 10 suspects, who also include British and French nationals, are believed to be part of an organised crime group which is suspected of having flown an estimated £15.5 million out of the UK to Dubai hidden in suitcases.
The group, which includes Indian nationals aged between 28 and 44 arrested from London in raids on Wednesday, are also under investigation for trying to smuggle 17 migrants into the country earlier this year.
"Cash is the lifeblood of organised crime groups and they need the services of money launderers. We believe that the action we and our partners have taken will have caused permanent damage to a well-established money laundering network,” said Chris Hill, NCA senior investigating officer.
“We are determined to do all we can to target illicit financial flows and hit organised criminal networks where it hurts – in the pocket,” he said.
The suspects are alleged to have been part of a “well-orchestrated” conspiracy to launder millions of pounds of money made through illegal Class A drugs and organised immigration crime, transferring it from the UK to Dubai over the last three years.
Examinations of their travel history suggests the group transported more than £14 million in 2017 and 2018 alone, the NCA notes.
A 41-year-old Indian national is alleged to be the head of the network and was arrested at his home in Hayes, west London. NCA officers recovered a quantity of cash, illegal drugs and luxury cars, including Range Rovers, Audi Q7s and BMW 5 series, during raids in Hounslow, Hayes, Uxbridge and Southall across south-west London.
The raids follow an NCA investigation, supported by Scotland Yard, into cash seizures totalling more than £1.5 million made by Border Force officers over the course of 2019. In all cases the cash was being transported between UK airports and ports and the United Arab Emirates (UAE).
Ben Russell, Deputy Director of the National Economic Crime Centre, said: “The National Economic Crime Centre (NECC) was able to assist the case team in arranging forensic analysis of seized bank notes. We were also able to use our relationships with our international partners in the UAE to obtain evidence in relation to this case.
“The NECC has a unique role in coordinating the response to cash smuggling with other national and international law enforcement partners. Working together, our aim is to arrest and disrupt the criminals who carry out this type of activity. Our joined up approach within UK law enforcement and across the globe helps bring more people to justice.”
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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