India has a rich history of competing in sports, and there are some famous women making competition so exciting. Their strong belief in dreams and never-failing-attitude have made them capable of leaving a trail for others. Below are some of the best Indian female athletes in the world, and many of them have represented India in the Olympics.
PT Usha
PT Usha is a retired Indian track and field athlete. She has been associated with Indian athletics since 1979. She is often called the 'queen of Indian track and field'. Usha's best moment came at the 1984 Los Angeles Olympics. In the 1985 Jakarta Asian Championships, Usha won six medals - five gold and one bronze. She set a record in the process for most gold medals won at a single event in the history of the championships. Usha has won 101 international medals. She is employed as an officer in the Southern Railways. In 1984, she was conferred the Padma Shri and the Arjuna Award. Currently, she coaches young athletes at her training academy in Kerala.
Mary Kom
Chungneijang Mary Kom Hmangte, better known as Mary Kom, is an Indian Olympic boxer from Manipur. She is the only woman to become World Amateur Boxing champion for a record six times, and the only woman boxer to have won a medal in each one of the seven world championships. Nicknamed Magnificent Mary, she is the only Indian woman boxer to have qualified for the 2012 Summer Olympics, competing in the flyweight (51 kg) category and winning the bronze medal. She had also been ranked as No. 1 AIBA World Women's Ranking Light Flyweight category. She became the first Indian woman boxer to get a Gold Medal in the Asian Games in 2014 at Incheon, South Korea and is the first Indian woman boxer to win gold at the 2018 Commonwealth Games. Mary Kom won the Gold Medal In Asian Boxing Championship. She defeated Kim Hyang-mi of North Korea in the title match. Kom is an animal rights activist and supporter of PETA India.
PV Sindhu
Pusarla Venkata Sindhu is an Indian professional badminton player. She became the first Indian woman to win an Olympic silver medal, and one of the two Indian badminton players to ever win an Olympic medal – the other being Saina Nehwal. Sindhu won silver in Women's singles at Commonwealth Games 2018. She was also a silver medalist at the 2017 BWF World Championships and 2018 BWF World Championships consecutively. She was also a silver medalist in Asian Games 2018, which were held in Indonesia. Sindhu came to international attention when she broke into the top 20 of the BWF World Ranking in September 2012 at the age of 17. In 2013, she became the first ever Indian women's singles player to win a medal at the Badminton World Championships. In March 2015, she is the recipient of India's fourth highest civilian honour, the Padma Shri. She is among the top five shuttlers in women's singles category. In 2018, she became the first Indian to have clinched the World Tour title defeating Japan's Nozomi Okuhara in the 2018 World Tour final.
Sania Mirza
Sania Mirza is an Indian professional tennis player. A former world No 1 in the doubles discipline, she has won six Grand Slam titles in her career. From 2003 until her retirement from singles in 2013, she was ranked by the WTA as India's No 1 player in both the categories. Throughout her career, Sania has established herself as the most successful female Indian tennis player ever and one of the highest-paid and high-profile athletes in the country. She is the highest-ranked female player ever from India, peaking at world No. 27 in singles in mid-2007. In addition, she is the third Indian woman in the Open Era to feature and win a round at a Grand Slam tournament, and the first to reach the second week. She has also won a total of 14 medals (including 6 gold) at three major multi-sport events, namely the Asian Games, the Commonwealth Games and the Afro-Asian Games. Mirza was named one of the '50 Heroes of Asia' by Time in October 2005. In March 2010, The Economic Times named Sania in the list of the '33 women who made India proud". She was appointed as the UN Women's Goodwill Ambassador for South Asia during the event held to mark the International Day To End Violence Against Women on 25 November 2013. She was named in Time magazine's 2016 list of the 100 most influential people in the world.
Saina Nehwal
Saina Nehwal is an Indian professional badminton singles player. A former world No 1, she has won over 24 international titles, which include eleven Superseries titles. Although she reached the world's 2nd in 2009, it was only in 2015 that she was able to attain the world No 1 ranking, thereby becoming the only female player from India and overall the second Indian player – after Prakash Padukone – to achieve this feat. She has represented India three times in the Olympics, winning a bronze medal in her second appearance. She is the only Indian to have won at least one medal in every BWF major individual event, namely the Olympics, the BWF World Championships, and the BWF World Junior Championships. She is the first Indian badminton player to have won an Olympic medal, along with being the only Indian to have won the BWF World Junior Championships or to have reached to the final of the BWF World Championships. In 2006, Nehwal became the first Indian female and the youngest Asian to win a 4-star tournament. Considered one of the most successful Indian sportspersons, she is credited for increasing the popularity of badminton in India. In 2016, the Government of India (GoI) conferred the Padma Bhushan – India's third highest civilian award – on her. Previously, the nation's top two sporting honours, namely the Rajiv Gandhi Khel Ratna and the Arjuna Award, were also conferred on her by the Government of India. Nehwal is a philanthropist and was ranked 18th on the list of most charitable athletes.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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