ON a humid evening in India's south, drummers and dancers heave to Kamal Haasan's blockbuster hits, whipping a huge crowd into ecstasy just as the moustachioed megastar himself steps onto the stage.
There is a red carpet, confetti and coloured lights rippling over the sea of jiving fans screaming Haasan's name, but this is no concert, it's an Indian political rally worthy of a superstar.
The path from celebrity to politics is well-trodden in India and Haasan, an icon of Tamil Nadu cinema, or "Kollywood" is one of many stars on the hustings ahead of the national election starting next week.
Thousands of candidates are contesting the election the biggest in history, with 900 million eligible voters but not all have the X-factor of Haasan and other stars on the campaign trail.
The 64-year-old launched a political party in 2018 to much fanfare and excitement in Tamil Nadu, where he is a household name after decades as a leading man on the silver screen.
His rallies more closely resemble movie sets from his career than the boilerplate campaign functions hosted by India's political hopefuls.
In Coimbatore city, musicians and dancers in riotous colour performed energetic dance numbers from Haasan's films as fans packed the rally ground for a glimpse of the star.
In the crowd, fans cradled framed images of the film icon brought from home, and wore scarves imprinted with his face, as they sang and danced along to his classics.
The man himself is not even contesting the election, but is fielding 40 candidates to vie for seats for his party in the national parliament, far away in New Delhi.
But there is no mistaking who is the force behind the party, his face beaming down from rallies, posters and giant screens.
"All the candidates are my faces, and I will be the chariot puller," he thundered at a recent rally in Coimbatore, assuring the crowd where their votes were going.
Parties of all persuasion seek celebrity endorsement come election time, particularly exploiting the country's devotion to film and cricket.
With millions of voters and a dizzying array of candidates and parties, allying with a hugely-recognisable face works wonders, said Rasheed Kidwai, who has written a book about Bollywood's role in politics.
"A prominent face that is already recognised by the masses obviously helps because of the massive size of our parliamentary constituencies," he said.
"Their onscreen image also helps in creating a better connection with the masses."
Prime minister Narendra Modi's ruling Bharatiya Janata Party (BJP) is fielding Hema Malini and Kirron Kher in this election, both Bollywood veterans and leading lights of the Indian film industry.
Smriti Irani, a massive television star, was appointed a cabinet minister in Modi's government after the BJP stormed to power in the last election.
Gautam Gambhir, who was part of India's 2011 World Cup winning side, joined the BJP in March, following in the footsteps of countless cricketers turning star power into political capital after retiring.
Modi's chief opponents in Congress also court big names, with film star Urmila Matondkar recently throwing her weight behind Rahul Gandhi's party and fellow actors Raj Babbar and Shatrughan Sinha already on board.
Vaasanthi, an author on celebrities and politics, said many actors found the reality of campaigning and governing more taxing than anticipated.
"The parties want to use their glamour but it is not like standing in front of the camera and acting," the Delhi-based writer, who goes by one name said.
Some of Haasan's opponents have suggested he lacks political acumen, a jibe that rings a bit hollow in Tamil Nadu, a state governed by one celebrity leader or another for the better part of 50 years.
"The opposition is asking, 'Who is this guy? He is just an actor'. Yes, I am an actor, everyone knows that. An honest actor," Haasan told a crowd to cheers recently.
Among his diehard supporters, Haasan can do little wrong.
"I have been a fan for years," said Abhirami, a housewife sitting with her young daughter in the front row of the Coimbatore rally.
"There is a lack of good leadership in Tamil Nadu. Now that he has joined politics, I am here to support him. He sounds more believable and honest that most politicians."
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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