Directed by Destin Daniel Cretton, Marvel Studios’ latest superhero film Shang-Chi and the Legend of the Ten Rings brings some badly needed Asian representation to the hugely popular film franchise. Actor Simu Liu, who is known mainly for his role on the Toronto-set sitcom Kim’s Convenience, plays the title role of Shang-Chi, who has previously been known in the comic books as the Master of Kung Fu.
With Shang-Chi and the Legend of the Ten Rings entering cinemas this weekend, Eastern Eye recently got to speak with Simu Liu about headlining the newest installment in Hollywood’s most successful franchise, how he relates to his character, his favourite superhero, and much more. In addition, the 32-year-old actor also talks about the delays the film faced due to the coronavirus pandemic and how it feels to see his labour of love find its way into cinemas.
You tweeted to Marvel Studios in 2014 asking them about having an Asian-American hero. And now, here you are! How does it feel to be headlining a superhero film with a predominance of Asian cast?
It feels like I am a bit of Twitter God, to be honest. I think it is easy to look back and say, “Oh, man! I knew all the way back then that I was destined to get this role.” But the truth is that I forgot about the tweets the moment I tweeted them out. I was not reminded until after I was cast. I think some people went all the way back and were like, “Oh my God! Isn’t it incredible that you tweeted these things?”
I mean it is pretty awesome. I have definitely been a fan of the superhero genre for a lot of my life, which is probably why I tweeted those things. But I also just believe in the power of representation. I believe that every community deserves to see them reflected as a hero, as somebody who embodies hope and inspiration, and possibility. I think that it is like the epiphany of what representation can mean to somebody. It is such an honour and privilege to be introducing the world to its first Asian title superhero.
You said in your previous interview that you could kind of connect to your character because of who he is. Could you please elaborate a little bit on that?
I think growing up Asian in a country like Canada, which by the way really prides itself on its multiculturism and its celebration of diversity. Even then anytime you turned on the TV, you went to cinema, you did not really see yourself reflected. I remember I could count on my hands all of the times when I saw Asian people on screen, and it was never in any kind of meaningful capacity. So, I think, I always kind of felt like I did not quite belong. I think there is something different that has been happening in the last few years, which is that we have been getting to normalise what it means to be diasporic Asian, which means Asian growing up in a non-Asian environment.
Movies like Crazy, Rich Asians (2018), Farewell (2019), and Minari (2020), for example, featuring these Asian-Americans, deal with the Asian experience growing up in a foreign country and try to build a life. The inter-generational struggles that children can have with their parents growing up in a very, very different environment. That has been very incredible. And, I think, our movie is an extension of that conversation, and it is blown up on a massive global platform that is Marvel Studios. I think it is such a wonderful opportunity. It is a joy and celebration of culture in a lot of ways.
I loved all of them. I think I really loved Iron Man and Spider-Man. I love superhero with masks so that I could kind of imagine myself in those situations. I knew I could not be a superman for obvious reasons. I remember doing Google searches on Asian superheroes and trying to figure out who they were and wondering when I would get to see them and then being kind of disappointed as there were not many.
Why were you so fascinated by superheroes?
First of all, I was the only child and my parents worked all the time. They worked so incredibly hard to be able to provide a life to me and provide stability to the family. I just feel I was home a lot and did not have a lot to do other than homework. I feel that for a lot of these awkward kids, the superhero narrative is like the perfect one. The idea that anybody anywhere can come upon extraordinary circumstances and can rise to the occasion and be this superhero that saves the world that even the most insignificant people, even the dorkiest and most awkward kids somehow embrace the greater destiny. I think that is kind of the narrative that really sucked in me and that’s why I actually devoured superhero comic books, cartoons, and movies.
There are several jaw-dropping martial art sequences in the film. How did you pull them off?
Yeah, there are a lot of them. The sheer volume of action sequences that we have in our movie, I mean it really is no joke. I always say that if a human being had actually gone through what Shang Chi goes through in the first half of our movie, he would be in hospital. I mean he would have at least broken multiple ribs; he would have had some sort of fractures. He goes through a lot. He falls off multiple storeys, is suspended so high in the air. He really goes through it all over the course of the movie. Each and every one of those action sequences is the product of so much preparation, rehearsal, testing and all of those things. But we were very committed. We knew that action is going to be such a crucial part of the movie. It being a martial art focused movie in the Marvel Universe, there were always going to be expectations. We did not want to meet them but exceed them. So, we just kind of threw ourselves into it and it was definitely a marathon. But I had the pleasure of being able to prepare over a long period of time. I had four months with which I used every available second as much as my body would allow me to prepare for the role.
The movie was delayed several times due to the pandemic. Now that it is finally out, how does it feel?
Like a huge relief, I think. There was a time when we think we would not be able to finish this movie. We were not sure if we would ever make it to cinemas. Thankfully in July, after we had been shut down for four months, we finally got the go-ahead to finally come back to production and when we did, I think everyone from the cast and crew to the producers knew how important it was that we all do our parts. So, we followed every protocol. We made personal sacrifices and did not go out as much as we could have because we wanted to just protect the bubble and be as safe as we possibly could. And because of the hard work of hundreds of people, we were able to finish the movie without even a single positive case. We did not shut down a single time after we started and went straight to the finish line. So, it really is a testament to everyone’s commitment level. And to finally be at a place, after so many delays with the release date, where to be introducing it to the world is incredibly exciting.
Your character’s sneaker game in the movie is totally off the chart…
That’s so funny. We did put a couple of Easter eggs in there for some sneakerheads to see and there was one pair of shoes, in particular, that is extremely rare that I tried to get my hands on after the movie got wrapped. I was told repeatedly “no chance. We do not own this pair. This pair is going to awards somewhere. You cannot have it.” I was like, “Come on, how much it could be worth?” And then the producer kind of leans in and whispers it in my ear. I was like, “Oh my God! For shoes? And then, of course, Shang Chi also wears Jordan and it is like the official kind of superhero costume. So, there is a lot of homage to sneakerheads and sneaker culture.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.