SHE may have been introduced to audiences with a lead role in 2019 Bollywood film Pal Pal Dil Ke Paas, but it is the success of recently released web series The Empire that has really kickstarted the acting career of Sahher Bambba.
The hard-working actress delivered a winning performance in the epic Hotstar historical drama and won great reviews for her terrific turn. The exciting newcomer is now looking to build on that success with more high-profile projects that includes a lead role in the forthcoming series Those Pricey Thakur Girls. She is now firmly on the radar of big producers and is looking forward to more challenges.
Eastern Eye caught up with a young actress you will be hearing a lot more about to discuss the success of The Empire, the upcoming show Those Pricey Thakur Girls, and her future hopes.
What first connected you to acting?
As a child, I was always fascinated with the songs and dances in films. As I started growing up, I began to admire the performances on screen. Going to a theatre once a week was like an event. The feeling you have after watching a brilliant performance is what inspired me to become an actor. Even as a teenager, I never had a Plan B. I always knew I wanted to be an actor. I always had that faith and conviction, from God knows where, that things will work out, and I will get a debut.
What was the experience of working on The Empire like?
It was like working on a dream project because rarely do you get a chance to play such a character or be a part of such a massive project and share screen space with Shabana (Azmi) ma’am and work with Emmay Entertainment, Nikhil Advani, Monisha (Advani) ma’am, and Madhu (Bhojwani) ma’am. So, since the day I got to know about the project, I was very excited and hoped to get the part. I put in a lot of hard work because I was super kicked about it. I
just wanted to make sure that I give it my all.
India went into lockdown shortly after The Empire commenced shooting. How did you handle that?
I remember the day we started shooting, the very next day the entire nation went into lockdown. But I used my time very judiciously. I read the script more than 10 times, made notes, and did Zoom calls with my director. We cracked the character in terms of body language and her journey. I was also in constant touch with the Urdu coach, who helped us to get the pronunciation right.
You must have learned a lot?
To observe Shabana ma’am and see what she brings to the table was a great learning for me. In fact, I think both the directors – Nikhil and Mitakshara (Kumar) are geniuses. Mitakshara has an eye for the kind of details that make all the difference. She knows exactly what she wants from her actors. Similarly, Nikhil is the master of his own craft. I am grateful to have had the chance of working with such amazing people.
How much do the positive reviews for the show and your performance in it mean to you?
I think, as an actor, you thrive on love and appreciation. This project took very long because of the pandemic and lockdown. Now that it has been released, the kind of response we all are getting is insane. I’m really grateful to everyone who is watching the show and loving it. Every day I wake up to beautiful messages from people. It is a great feeling. I’m taking each day as it comes and trying to be in the moment as much as I can and be grateful for everything.
What was the biggest challenge of playing your role in The Empire?
The biggest challenge was to get certain aspects of the body language and poise of the character right. The dialogue delivery was also a challenge because it is a period drama set in a specific era. So, you want to make sure that it isn’t over the top and looks as real as possible. On top of that, the costumes and jewellery were insanely heavy. I remember my ears started bleeding the third day of the shoot because of the earrings. But once we started shooting, it took three-four days to get comfortable with our characters.
Tell us about Those Pricey Thakur Girls?
Those Pricey Thakur Girls is one of my favourite books, so I am overjoyed to play Debjani Thakur in the show. She is a fiery newsreader. Both I and my character are in love with animals. It is challenging to essay a much-loved literary character on screen because there are already a certain amount of expectations. But I am thrilled about it and hope people love my interpretation. I am glad to have had an opportunity to work with amazing directors Habib Faisal and Tarun Mansukhani. They both are uniquely different and lovely people.
Sahher Bambba as Maham in The Empire.
What is the master plan going forward?
The plan is to follow my heart and do as many amazing projects as possible. I want to be a part of projects that I believe in, which really excite me, and challenge me as an actor. I’m very hungry to perform versatile roles that challenge and hone my craft. I am already enrolling myself in several workshops, and that is the plan for the time being.
What would be your dream role?
Every role is a dream role because I get a chance to play different characters. Maham, my character in The Empire, is something I had always wanted to do. I had always wanted to be part of a period drama and experience that era.
Can you see yourself doing projects in the west?
I’m very hungry as an actor. So, any opportunity that I get in India or outside, I would love to take it – whether it is a project in the west, a project down south or any other regional cinema, I would give it my all.
What do you enjoy watching as an audience member?
As an audience, I like to watch thrillers and rom-coms.
If you could master something new, what would it be?
I would like to master meditation and yoga. I believe, in today’s time, everyone should take care of their mental and physical health.
What inspires you?
What inspires me the most and has also inspired me to become an actor is a brilliant onscreen performance. Nothing inspires and motivates me as much as the feeling that I’m left with after watching a great film or good performance.
Why do you love being an actress?
I love being an actor because it is something I am and have always been really passionate about. It has been my childhood dream to act in front of a camera. Also, the fact that as an actor, you get to live so many characters. I think it is a very exciting job. I love every part of being an actor. Of course, there are days when it gets taxing emotionally, mentally and physically, but the high that you get after giving a good shot is something else. It is unparalleled. As I said, actors thrive on love and appreciation, and when that comes your way, it is a different feeling.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
Keep ReadingShow less
The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
Keep ReadingShow less
UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
Keep ReadingShow less
The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.