by TOM HARRISON, CEO of England Cricket Board (ECB)
BACK in May I was pleased to see “English cricket’s game-changer” as the front-page headline of the Eastern Eye. It heralded the ECB’s action plan to widen cricket’s appeal with south Asian communities.
Six months on, it’s fair to say that there has been progress both on and off the pitch.
On the pitch it’s been an excellent season.
On Thursday, England women will play in the semi-finals of the ICC Women’s World Twenty20 in the West Indies. Our men’s team have had a fantastic 2018 too in both Test and white-ball cricket.
Series victories over Pakistan, India and now Sri Lanka will see our Test team finish the year as the number two ranked team in the world. The 5-0 series victory over Australia by our men’s white-ball team underlined why they go into next year’s ICC Cricket World Cup as one of the favourites.
I’d like to praise two players who have been central to England’s white- and red-ball success this summer. Mooen Ali and Adil Rashid have performed brilliantly and are superb role models for any aspiring cricketer. Significantly, they both also learnt their cricket on inner-city pitches.
Our job as a national governing body is to ensure that there is a structure to support young people from inner cities who are inspired by Moeen and Adil. And that is where the South Asian Action Plan comes into play.
Central to the South Asian Action Plan was meaningful change built on true understanding and knowledge. The Plan took 15 months to complete.
We started by acknowledging where we had fallen short in the past and talked extensively with the communities we needed to engage with. We undertook wide-ranging social science research in South Asian communities. We wanted to be driven by insight and evidence, not by perception or opinion.
The research enabled us to understand, at a local level, a myriad of different demographics from language and religion to age, employment status and even density of population. It’s how we identified ten ‘Core Cities’ where we could invest to reach 61 per cent of the South Asian population in England and Wales.
The aim of the Plan is to transform the way cricket engages with British South Asian communities.
To ensure it was quantifiable, 11 key measures were created, and each of these has short-term deliverables and long-term ambitions.
The first of the key measures was to provide access to year-round cricket facilities in urban areas.
Our actions are already matching our ambitions. By the end of 2019 we wanted to have installed 100 non-turf and 25 turf pitches in urban areas. In just six months we have built 58 non-turf and renovated 14 turf pitches in the Core Cities.
Working in partnership with the British Asian Trust, we have identified Leyton Cricket Club in East London as our first Urban Cricket Centre. These are purpose-built sites specifically designed to provide cricket in urban areas.
Our long-term aim is to create a nationwide network of affordable cricket facilities that will benefit South Asian communities.
Of course, facilities are important but without proper engagement they won’t work. That’s why I’m so pleased about our latest announcement that we will recruit 2,000 south Asian female mentors to help develop the next generation of cricketers.
The ambition to expand the female coaching network was another of the 11 key measures, and again it was founded on insight. Thirty per cent of people surveyed during the consultation process said that more female coaches would encourage more south Asian women and girls to play.
This £1.2m investment to develop a network of female role models comes from a Sport England grant, in partnership with the National Lottery. The new volunteer ‘activators’ will deliver All Stars Cricket, ECB’s entry level cricket programme for five to eight year olds, across seven cities and act as role models, showing young people the positive part that cricket can play in their lives.
Crucially, we believe it will attract young girls from a diverse range of backgrounds to play cricket.
Equally as important is the fact the women running their sessions will be able to relate better with young aspiring cricketers and their culture.
At the ECB we are encouraged by what we and our partners have achieved so far in six months.
Creating a network of female mentors demonstrates what the South Asian Action Plan is all about – it’s game changing.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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