A "HEARTLESS" East London man who killed two women and hid their bodies in a freezer at his home has been jailed for a minimum of 38 years.
Zahid Younis, 36, of Canning Town, was convicted at Southwark Crown Court on Thursday (3) of of murdering Mihrican ‘Jan’ Mustafa, 38, and Henriett Szucs, 34.
The women’s bodies were found in “a small chest freezer” that was locked, with items stacked on top.
Subsequent examinations revealed the victims had “sustained multiple injuries”, including “numerous rib fractures”, officers said. Mustafa's larynx was ruptured, and Szucs's skull was fractured.
Reports said Younis was a convicted sex-offender and a "manipulative killer", with a "history of abusing women". He had earlier been jailed for impregnating a 14-year-girl, after marrying her at a mosque.
Detective chief inspector Simon Harding said Younis was “a violent, manipulative man with a history of abusing and controlling vulnerable women, often with transient and chaotic lifestyles like Mihrican and Henriett”.
“It was a good old-fashioned police hunch that made them force open the freezer, intuition that something just wasn’t right,” he added.
“Younis’s actions are repugnant to us all. He lied throughout the trial, fabricating a story about how others had been responsible for both deaths; something he only came up with once he had heard the prosecution case against him. I am thankful the jury carefully considered the weight of the evidence against him and have convicted him today.”
Police had searched Younis’s flat in April 2019, after a friend reported that he was missing.
Szucs was a Hungarian national, who moved in with Younis in March 2016. Reports said Younis was ‘violent and controlling towards her”. She had been suffering from some mental health issues, officers added.
She died in November 2016, and Younis bought the freezer, which was purchased “for the sole purpose of disposing of her body”, according to the prosecution.
‘Jan’ Mustafa was last seen alive in early May 2018, and reported missing by her sister.
Between September and November 2018, Younis was imprisoned in another case, and his electricity supply got disconnected, leading to “decomposition of the bodies in the freezer and causing a foul smell”.
Subsequently, an electricity engineer, who attended the house to clear the debt on the meter, noticed the bad smell even as Younis “sprayed the air freshener” to cover-up.
When investigating officers arrested Younis in April 19, he told them: “It’s my house, it’s my problem. No one else is involved.”
Following the trial, Justice Cheema-Grubb, said: “It will surprise no-one in this room that the defendant has declined to attend his sentence, while he sits in the cells below, but I will address these remarks to him so when he has the courage to read them he will understand why the court has reached the conclusion it has.”
She described Younis – who showed “no remorse.” -- was a “heartless man and a narcissist”. Calling him an “arch-deceiver”, the judge added: “You have preyed upon the vulnerable with superficial charm.”
After the verdict Mustafa’s family said: “Jan’s death has changed our family forever. From the moment we found out that she was missing, we spent every moment of every hour looking for her and we never for one minute gave up.
“When Jan didn’t come to her daughter’s birthday, she wrote:
‘To mummy - Please come back I really miss you. You missed my 11th birthday party (it was the worst party ever) I sat in the corner crying my eyes out looking at your pictures and reading your poems while in my head screaming, “where are you! Please mum, come back home.’
“Deep down I knew something wasn’t right because you would never leave your children. They were your world.”
Mustafa, the family added, was “a gentle being, who still had her whole life ahead of her, to live and watch her children grow”.
“Jan was a fantastic mother,” the family said. “She adored her children. She loved to dance. She was artistic. She was creative. She was beautiful. She was friends with everybody and very funny. She celebrated life. She was optimistic. She never said anything bad about anybody. She would give her last penny to someone in need. She was an angel. She is an angel.”
A statement on behalf of Szucs’s family read: “Maria, Henriett’s mother, has been hugely overwhelmed by the death of her daughter. Not only because she was murdered but because it happened in another country. A country where she doesn’t know the law or know the police investigation and court processes.
“The fact that Henriett lay deceased in a freezer for two and a half years with no-one looking for her or realising she was missing, torments Maria on a daily basis.
“The inner turmoil she suffers is as you would expect for a mother mourning the death of her child and to make matters worse, she hasn’t been able to see her or lay her to rest. This is most unimaginable for any family member but particularly a mother.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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