Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
INDIA's capital is consistently ranked the world's worst capital for air quality and on its most polluted days the smog can cut visibility on the roads to barely 50 metres.
Levels of PM2.5 pollutants -- the microparticles most harmful to human health, which can enter the bloodstream through the lungs -- last week reached more than 30 times the maximum daily limit recommended by the World Health Organization.
"The pollution causes a lot of problems for my throat. My eyes sting... My lungs are affected, which creates breathing problems. Mucus builds up and collects in my chest." said Bhajan Lal,58, an auto-rickshaw driver, was diagnosed with Chronic Obstructive Pulmonary Disease, a progressive condition that gradually limits airflow to the body.
"I feel so sorry looking at children and their health. They are already getting sick."
Vivek Nangia, Lal's doctor, said: "If he doesn't take the regular medication now, he will go into a state where the airways will go narrowing and narrowing, and progressively worsening."
Factory emissions, vehicle exhausts and crop-clearing fires from farms in neighbouring states combine to cast the city of 20 million people in an otherworldly coat of yellow-grey haze near the end of each year.
Piecemeal efforts to mitigate the smog, such as a public campaign encouraging drivers to turn off their engines at traffic lights, have failed to make an impact.
"I don't know from where the solution will come for this pollution, which is killing us," said Delhi resident Vijay Satokar. "We have become a gas chamber."
This week authorities took the drastic step of ordering six of the 11 coal power plants in Delhi's vicinity to close down until further notice.
City officials also shut schools indefinitely, barred trucks except those carrying essential goods from entering the capital until next week, and told civil servants to work from home.
But they stopped short of accepting a call by India's Supreme Court to declare the city's first "pollution lockdown", which would have restricted the population to their homes.
Smog is blamed for more than a million deaths in India annually, and a recent University of Chicago study found that air pollution was likely to reduce life expectancy by more than nine years for four in every 10 Indians.
Authorities have struggled to address the root causes, with national coal consumption nearly doubling in the last decade.
Rural agricultural workers meanwhile constitute a powerful voting bloc and year-end farm fires -- the cheapest way to clear fields before the next growing season -- continue unabated despite a ban two years ago.
Winters in the capital once appreciated for their mild weather after the long and scorching summer months, have become an annual endurance test for its inhabitants.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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